Surf Instrumental Track: Langhorns - Monte Carlo Confidenziale

 Release Date: November 20, 2025

Label: Independent

Website

Celebrating the Langhorns' 30 years (1995-2025) of making music, they released the track “Monte Carlo Confidenziale.”

They referred to it as a song inspired by a film that was never made.

The music and cover art clearly paint that scenario.

With a surf-spy atmosphere, the intrigue and mystery of a story come to life. The surf component is there, and the other quintessential elements of instrumental rock are also key.

The guitar has a distinct tone and just enough twang, while the bass and drums are equally prominent and drive the drama of the film playing in your mind as you listen.

The Langhorns have built a long and impressive legacy, consistently reaffirming their significance within the surf instrumental community. Their magic signature remains unmistakable, shining through every note on this track.

Keith “MuzikMan” Hannaleck-Surf Music and Art Founder

February 18, 2026

Surf Instrumental Holiday Review: Agent Octopus-Christmas On The Pier EP

 Release Date: December 17, 2021

Label: Independent

Website

Is it always a good time to hear Christmas music? Well, maybe for some folks. If you enjoy surf instrumental music and some seasonal favorites done with the surf flair and color, then you are in luck.

Agent Octopus is sure to cure those winter blues and the bah-humbugs with their Christmas On The Pier 4-track EP.

“Christmas on the Pier” instantly creates a light, airy atmosphere with soft tones and resonant notes. The rhythm section is right on cue, and the rhythm guitar is an added layer. Keyboards are the final ingredient in making this a complete track of snowy joy.

“Surf Child of Light (Silent Night)” is the twangiest “Silent Night” tribute you may have yet to hear. Many of its transitions stand out while preserving the core melody. The guitars have a resonant tone that captures the holiday spirit. Kind of like rockin’ around the Christmas tree fun! Excellent musicianship, as I have come to expect from this band.

“Rudolph the Red-Nosed Spy” is an interesting one as it starts off with a “Secret Agent Man” riff, then quickly transforms into their own unique blend of tasty traditional treats. Halfway through, what’s that I hear? The James Bond theme? This band often includes short tributes in their songs, which I always appreciate.

“O Holy Night (Cantique de Noel)” closes this EP with a solid stretch at 4:03. Not your typical surf-instrumental workout, but then none of these tracks are. But that is the point here: present some traditional holiday music that still appeals to their audience. Very tasteful guitar lines are laid down as the bass and drums are quietly doing their job in the background to let the six-string magic take hold.

Whether you’re still bundled up in the snowy Northeast or soaking up the sun somewhere warm, these surf-inspired holiday tracks can transport you right back to the festive season. It’s easy to imagine swapping snow boots for flip-flops and celebrating Christmas with sand between your toes. No matter where you are, Agent Octopus proves that surf-instrumental music brings holiday cheer all year round.

Credits:

Art Svrjcek - lead/rhythm guitars/keys on 3 & 4

Jim Colby - bass/rhythm guitars

Jason Mendelson - additional guitars on Christmas on the Pier

Mike Jarjoura - keyboards on Christmas on the Pier

Drums - Gio Maucieri & Jason Deatherage

 

Keith “MuzikMan” Hannaleck-Surf Music and Art Founder

February 16, 2026

Tracks:

1. Christmas on the Pier 02:40

2. Surf Child of Light (Silent Night) 03:52

3. Rudolph the Red-Nosed Spy 02:39

4. O Holy Night (Cantique de Noel) 04:03

Surf Rock Instrumental Review: Del Sotos-Self Titled

 Release Date: November 12, 2021

Label: Altered State of Reverb

Website

Del Sotos are an instrumental surf rock band from Moscow, Russia. They’ve been active since 2011, playing classic-style surf music with reverb-heavy guitars, twangy tones, and a fun, retro vibe inspired by 1960s surf rock (think Dick Dale or The Ventures, but with their own Russian twists).

The band is led by guitarist Roman Sokolov, who reached out to me to share this self-titled release.

The internet makes the world smaller, and this is a perfect example of that! To hear from a band so far away is always such a welcome treat.

“Sweet Girls of St. Petersburg” gets the party started. Right away, I recognized the excellent separation of instruments, allowing listeners to hear the entire band and each instrument individually. I have always appreciated strong production values like that because I listen that way all the time; it helps me appreciate all positions in a band. A great opener with good energy and flair for the retro surf instro sound!

“Reverboard” is their fast mover, coming in just under two minutes. After reading what they were about, I have to say the description is spot on. They are inspired by the progenitors of the genre, like Dale and The Ventures, and this track is a shining example of that sound.

“Yessentuki Number 17 (Sparkling Water)” starts off with, you guessed it, a glass of water being poured (nope, not a wave this time!). Continuing their consistent approach, you will again notice how each instrument stands out with a clear, crisp sound. Cymbals are crashing on this one (a large glass of water?). This is a real mover and a look back at the roots of this music. Their focus is intended to be that way, and they do it all very well.

“Gift Gun” transitions to a different sound with strummed guitar, then the lead comes in with a spaghetti western color and atmosphere. Then they increase the tempo, and it becomes more complex. This is one of my favorites. I loved the scenario they created.

“Moscow River Coast” uses diverse guitar techniques and effective tremolo and reverb. Here, they sound like a modern band, taking bits and pieces of yesteryear and adding their own stamp, creating a real rocker. Loved the non-stop energy as the guitar weaves in and out, and the bass and drums follow beautifully.

“Music for Lap Dancers” is a title you wouldn’t expect on a surf instro album, yet it still carries elements of the genre. I would refer to it as more of a rock instrumental, though. Good work for a nice change in flow.

“Late” is the longest stretch on the album at 3:31. Once again, they change the tempo and in and out of transitions over to some quick picking in between and around the edges. This is very atmospheric, with a surfy edge. Very tasteful guitar notes with measured bottom end.

“Salt Waves” brings the energy level back up to their core retro sound. It’s like saying “The last one was for relaxing and watching the waves,” but this one will make you want to go buy a vintage surf record from one of the ’60s bands! Great guitar work, as you have come to expect on every track.

“Moon Lover” cranks up the energy level another notch, especially with the drums and bass, and then the Hammond organ arrives in all its glory. That sound is always so distinct, adding another element that changes any song. This is the prime mover so far!

“Step to Me” carries a great deal of rhythm and excellent guitar work, with variable tones and an exceptional foundation from the bass and drums. It’s a real toe-tapper, which many of these tracks are. The mood is bright, and the musicianship is spot on.

“Surfing Аround Fort Boyard” gets a little heavier with some superb tremolo work. This is a great way to close out this recording with some high, colorful energy. The power of the music is on display, and their sound is amazing and so addictive!

The Del Sotos release may be celebrating their fifth year in 2026, but what truly matters is how their music transcends time. I felt like I had one foot in the past and one in the present day, which isn’t easily achieved.

Each track combines a dynamic feel with a nod to classic surf rock.  Their musicianship—brilliant guitar lines, powerhouse bass, and forceful drums—sets a new standard for what current surf instro can achieve. This album doesn’t just revisit the genre’s roots; it reinvents them, proving Del Sotos are a force that can’t be ignored.

Credits:

All music & arrangements by Del Sotos, except 11: music by Paul Koulak, arrangement by Del Sotos

Roman Sokolov - guitar

Dmitry Andreev - bass guitar

Nick Radchenkov - drums

Alexey Blohin - Hammond organ (9)

Keith “MuzikMan” Hannaleck-Surf Music and Art Founder

February 15, 2026

Tracks:

01. Sweet Girls of St. Petersburg 2:28

02. Reverboard 1:57

03. Yessentuki Number 17 (Sparkling Water) 2:00

04. Gift Gun 2:15

05. Moscow River Coast 2:53

06. Music for Lap Dancers 2:02

07. Late 3:31

08. Salt Waves 2:51

09. Moon Lover 2:53

10. Step to Me 2:48

11. Surfing Аround Fort Boyard 2:34

Surf Music and Art Top 2025 Albums

These are the best surf rock instrumental albums I heard in 2025—and trust me, narrowing it down was brutal. Each one brings something exceptional to the table, from scorching guitar work to hypnotic rhythms that’ll transport you straight to the beach. Whether you’re a longtime surf rock devotee or just curious about what makes this genre so addictive, you’re in for a treat. I’ve included the essentials below, but the full reviews dive deep into what makes each album unforgettable. Don’t just take my word for it—click through and discover your next obsession. 

*Each review includes the Bandcamp player to stream the albums*

#1. Frankie and The Pool Boys - Endless Drummer

Endless Drummer is a marvelous trip in the way-back sound machine with stellar modern-day production values. The best of both worlds collide for a fantastic and consistent album. My interest did not fade while listening to all 15 tracks. My interest and attention intensified.

Read The Review and Listen To The Interview

#2. Las Arañas del Neptuno-Ride The Madam Psychosis Radio Waves

One can never say this brand of surf instro is simplistic; it is quite the opposite. Ride The Madam Psychosis Radio Waves is one of the best surf instro albums of 2025!

Viva! Las Arañas del Neptuno.

Read The Review

#3.  The Fathoms-Hard To Fathom 

Hard To Fathom is a superb recording and a fantastic return to form after a protracted absence. Let’s hope this is the beginning of another chapter in the history of one of the greatest surf instro bands of all time.

Read The Review

#4. The Woodhavens-Barkada

They are a band with a unique blend of surf-instrumental music and culture, telling you straight away who they are and how it relates to their music.

Read The Review

#5. Los Straitjackets-Somos  

Somos is a satisfying return to form for Los Straitjackets. Lovers of instrumental rock will appreciate this recording. It’s solid and consistent from start to finish.

Read The Review

Surf Rock Instrumental Review: Intóxicos-End Times

 Release Date: August 20, 2019

Label: Independent

Website 

It’s time to jump back into the music time machine with Intóxicos and their 2019 release End Times.

I think the premise of this album is to send a message about how the “end times” are right around the corner because of all the subject matter in the track titles. In some cases, their music may not reflect the seriousness of the subject matter.

“Disaster” gets things rolling on this serious topic. Being that surf instro music is so much fun, I was not sure how this would sound. I can say right from the start, I never heard disaster sound so good!

“Poison Wave” has a great melodic riff and a 60s-swinging swagger. Excellent transitions featuring standout musicianship create the right atmosphere.

“Pacific Trash Vortex” has a lot going on and many changes throughout. Toe-tapping rhythms, with exceptional bass and drums backing the twangy with reverberating tones flying off the guitar, answer the call of the oceans.

“Last Refugees” has an island feel to it, and the guitars’ flourishes get you sitting under a palm tree on the beach, sipping that tropical drink as the sun bounces off the waves and surfboards. The sounds are hypnotic. Suddenly, it changes dramatically to a reggae beat, sounding like an entirely different track. It’s a brief burst, then back to the piercing guitar lines to finish.

“Invasion pt. 2” jumps right into a sci-fi movie. The music’s pace is significantly faster on this track. And because of that, it’s like imagining running away from the invaders. Weird emanations come from your speakers as the band sweeps you away once again into their world.

“Paradise Simulation” is something they excel at in their music. That is the idea of any good music: creating a scenario in your mind’s eye, a feeling of being there in an imaginary world. The bass and drums are superb once again as the six-string’s transitory nature unfolds.

“Keep Out” is a warning, but do we really want that? This music is so good! The tremolo sounds are strong here. This one really takes off, giving you a slice of their own trademark traditional surf instrumental sound. Very well done!

“Nuclear Alarm” begins with just that, the sound of an oncoming raid. That is something we never want to hear, and I think that’s the point. The tempo indicates a bit of chaos, then there is a big change about three-quarters in, with the tempo slowing down and some very nice guitar lines, then it finishes with a bang, no pun intended!

“Cyberattack” continues at a frenetic pace, like the quickness and purpose of such an attack; it’s decisive and damaging. There are a few points where they slow down, but they end on a high note.

“End Times” begins in a different territory, creating a somber tone and palette. The use of the organ is essential here as the guitar slows things down so you can absorb what this all means. The guitar sounds like bluesy surf, once again making sure it matches the tracks’ implications. Freaky synths enter the atmosphere, and the grand finale is that mushroom cloud entering the sky with a sonic boom. It is the longest track at 3:50 and one of the best.

End Times is a sonically tasty achievement by Intóxicos, proving that surf instrumental music can tackle weighty themes without sacrificing its raw energy and melodic joy. By weaving apocalyptic subject matter through reverb-drenched guitars and driving rhythms, they’ve expanded what the genre can express—showing that twang and tremolo can carry messages as urgent as any lyrics.

This album doesn’t just paint pictures; it redefines the canvas of what surf instro can be.

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

February 11, 2026

Tracks:

01. Disaster 2:28

02. Poison Wave 2:14

03. Pacific Trash Vortex 3:13

04. Last Refugees 3:25

05. Invasion pt. 2 2:17

06. Paradise Simulation 2:36

07. Keep Out 2:30

08. Nuclear Alarm 2:15

09. Cyberattack 2:13

10. End Times 3:50

Surf Rock Instrumental Vinyl Review: The Aloha Joes- It’s a surf party with...The Aloha Joes (Ocean Blue EP LP)

Release Date: December 7, 2024

Label: Independent

Website

Welcome to the “Official Surf Band of the U.S.A”, The Aloha Joes. The cover would be indicative of such a statement!

When I looked at the image and title, It’s a surf party with...The Aloha Joes EP immediately made me see past comic books flash by, featuring Jughead and Veronica. I remember seeing them on the rack, but I chose only the superheroes, such as Iron Man. I needed to clarify that because, from a little boy’s eyes, those comics looked too girly to me!

The cover illustration portrays the first wave: the beach party with the band and everyone dancing, where it all started with this music.

This ocean-blue LP EP features five tracks on one side. Sorry, no fancy etching on the back; it’s not necessary when you can deliver the goods for surf instro.

“Tabletoppin” starts with the sound of the ocean, and we are off and running with a fast pace, some tremolo licks, twang, and reverb. The rhythm is catchy as the drums (heavy on cymbals), and the bass is cranking at a high level. Then the guitar really takes off through several transitions, bouncing between surf and rock licks, and then ends abruptly.

“Couple’s Skate” features a different motif, with the guitar sounding more bluesy, with surf-rock lingering along the edges. This is more of a rock-oriented track for a while before taking the off-ramp to the surf instro lane. It’s a hook-filled dandy that will stick with you.

“Pickle the Beast” is a goofy track title, and there is a little introduction where two voices come in before it launches into full-on surf rocker. Meaty chords hit you like that perfect wave before it changes course again into a softer guitar run, then back to the higher-level tempo and heavier sound. More talking at the end wraps it up (you’ll have to listen to find out what they say).

“Knuckle Sandwich” is a quick, compact shot clocking in at under two minutes. I appreciate how a band can pack so much music into such a short period. They manage to cross over into several tempos and textures in this track, and it’s non-stop rockin’ fun.

“Midnight Snack” closes out this much-too-short foray into surf-rock instrumental nirvana. Yet another change in direction gives it that “The Munsters” soundtrack feel. All the fun happens at midnight, and after that, you know. Well, they prove it on this one. This is my favorite track, and I think it’s their best. They really let it fly on this one and explode into a real rocker! It was refreshing to hear them switch from a slower, surf-like tempo to a full-on cranking rocker.

Being diverse with your music within one genre always makes things more interesting, and The Aloha Joes seem to have it down to a science, and this EP is a tasty addition to their catalog.

Here is the kicker: you can get the vinyl EP in ocean blue or sunset orange for $10. That is a bargain for the excellent slice of surf and rock tracks you are going to enjoy.

Keith “MuzikMan” Hannaleck-Surf Music and Art Founder

February 8, 2026

Tracks:

1. Tabletoppin’ 02:11

2. Couple’s Skate 03:07

3. Pickle the Beast 02:37

4. Knuckle Sandwich 01:58

5. Midnight Snack 03:30

Surf Rock Instrumental Track Review: The Jagaloons-I Touch Myself

    Release Date: February 5, 2026

         Label: Colorado Instrumental Fanzine

Website

I remember the song and the steamy video of the lead singer of The Divinyls, Chrissy Amphlett, singing “I Touch Myself” from their self-titled release in 1991. I think it was a great album and underrated.

There is nothing like a good cover to spark renewed interest in a band. The Jagaloons have done that with their own version of the track. There are some differences in sound and product presentation, of course.

Just in time for the next big holiday and all you sweethearts out there, they are releasing the song on a 7” heart-shaped flex format.

Yes, there is still significant creativity and novelty to explore in music, and the surf instro genre is well known for that. That is one of many reasons why I love the music and the community.

The track has a nice sound and follows the original, with some additional touches of surf to keep the band’s reputation intact as one of the premier surf rock instrumental bands.

“I Touch Myself” features strong sounds that evoke memories of music and a provocative form of self-love ignited by another. However you look at it, this is a great track, brought back to life by The Jagaloons, and worth your attention.

Keith “MuzikMan” Hannaleck-Surf Music and Art Founder

February 7, 2026

Surf Instrumental Review: The Terra Surfers-Mountain Waves

 Release Date: December 9, 2025

Label: Independent

Website

The Terra Surfers conquer nature with their debut EP, Mountain Waves. They are no stranger to the elements, hailing from Colorado Springs.

The cover art is an absolute depiction of surfing mountain style, combining it with their own picturesque view of their surroundings.

Getting you “Nerved Up” sets the mood with some decidedly twangy country-inflected guitar, then switches to a more traditional reverb-inflected surf sound. The bass and drums keep things on track, providing a tight foundation for those beautiful notes to drop. Starting off with a compact, energy-filled rocker was the perfect choice for this 4-track EP.

“Haboob” changes course, and you get the feeling from the track title that you are about to change locations. Suddenly, you are transported to a desert destination thousands of miles away, somewhere in the Middle East. That atmosphere grabs hold of you quickly as you start reminiscing about how the King of Surf Guitar, Dick Dale, sounded at his powerful best. The ebb and flow of the music is fantastic and cinematic. A great track with excellent musicianship from start to finish.

“Solar Vortex” takes you into yet another world as you launch into the mysteries of space and time. This is a sci-fi thriller kind of track. All the traditions of this great music are brought to bear with some fine tremolo from the six-string.  A fast mover with some intense playing at all positions. Tight musicians come together for another power-packed punch of surf instro with a science fiction motif.

“Under the Weather” clocks in over four minutes, and it will take you to another world just as all the previous tracks did. This is a slow burn in progress, as the instrumentation showcases these excellent musicians, highlighting their talents and crafting a rock instrumental classic with elegance and measured timing. This is the most atmospheric and dreamy track to close out this very impressive debut.

The Terra Surfers have crafted something rare with Mountain Waves: four distinct journeys that traverse the full spectrum of surf instrumental expression. To conjure vivid imagery through pure instrumentation demands both vision and restraint—qualities this Colorado Springs trio delivers with remarkable economy and precision. This is a debut that doesn’t just promise potential; it announces arrival.

Credits:

Shawn Gavan - Lead Guitar / Primary Songwriter / Producer.  (formally of the Michigan based surf/spaghetti western band "Guitar UP!")

Emily Gould - Drums (https://www.facebook.com/emilygoulddrumming/)

Bret Major - Bass (https://www.youtube.com/@bretsbassment)

Mark Utz - Rhythm and Lead Guitar / Songwriter

Keith “MuzikMan” Hannaleck-Surf Music and Art

February 1, 2026

 Tracks:

1. Nerved Up 2:32

2. Haboob 3:07

3. Solar Vortex 2:52

4. Under the Weather 4:05

Surf Instrumental Review: Monster Wave-Return of Monster Wave!

 Release Date: January 28, 2026

Label: Independent

Website

Monster Wave began as a one-man project but has since evolved into a full band, bringing fresh energy to their catalog.

Two tracks from their earlier releases— “Beyond The Reef” and “Pazuzu Luau”—have been re-recorded with the expanded lineup. From a creative standpoint, revisiting these songs with new players makes perfect sense, breathing new life into familiar material.

Your introduction to the recent EP, Return of Monster Wave! is this statement on their Bandcamp page: Four terrifying tracks make up this collection of music that scientists say should not exist!

The black-and-white cover art also evokes thoughts of terror and distress. Could their music conjure these images and thoughts?

“Attack of the Vampire Mermaids” gets things rolling with rhythmic guitar, then some keyboards are added for that retro synth effect (Think Ghostbusters). It is an energetic mover to get your “blood” pumping for oncoming mermaids!

“Beyond The Reef” features an immediate jump into a spooky, mysterious scenario. The bass plays a prominent role in this track, and the drums are up to the task. But it’s the guitar that truly commands attention—the lifeblood of surf instro—weaving through dramatic shifts in mood and tempo with masterful precision. Each transition feels deliberate, like a cinematic movement, as the guitar alternates between haunting melodic phrases and explosive bursts of energy. Thoughts of 60s spy thrillers or B movies come to mind.

“Breakbone Break” focuses on their classic surf-instruo sound, featuring excellent tremolo work. The playing is superb, keeping a strong hold on the past while using modern studio tech for that clear, crisp, reverberating sound we all love.

“Pazuzu Luau” closes the EP with a devilish flourish. The title references Pazuzu, a demonic deity feared by Babylonians and Assyrians throughout the first millennium BCE—here reimagined as the guest of honor at a twisted beach party. Staying true to their horror-infused aesthetic, the band unleashes a sonic assault: a driving rhythm section, sinister organ lines, searing guitar licks, and strategic bursts of feedback and sustain. The track’s layered complexity and stellar mix deliver a powerful punch, making for a memorable finale.

Scientists may warn you that these tracks should not exist—and Monster Wave defies the very laws of sonic physics—but after hearing them, I am certain you will not be able to live without them. But then again, that was Monster Wave’s diabolical plan all along…

Monster Wave! Is:

Guitar/Bass/Writing: Casey Willis

Bass/Guitar/Writing: Joel Shuman

Keyboard/Guitar/Writing: Ryan Grisso

Drums: Lee Rubenstein

Keith “MuzikMan” Hannaleck-Surf Music and Art

January 30, 2026

Tracks:

1. Attack of the Vampire Mermaids 03:09

2. Beyond The Reef 03:12

3. Breakbone Break 02:28

4. Pazuzu Luau 04:08

Surf Instrumental Review: Agent Octopus-Blue Eyed Surf

 Release Date: September 7, 2019

Label: Independent

Website

Over six years ago, Agent Octopus arrived on the surf instro scene. Blue Eyed Surf began a string of impressive releases, cementing their place in the community.

“Cape Fear” begins this eleven-track journey of fun in the sun. Their retro sound captivates your senses from the start. This is guitar-driven music. Three members contributed. The echoing notes flow, while the bass and drums hold down the backend nicely.

"Ghost Orchid" offers a mellow contrast to the opening track. Clocking in at 3:13, it features warm, resonant guitar sections that create an atmospheric effect, drawing the listener into its soundscape.

"Blue Eyed Surf" refers to its cover art, with island sounds and steady bass and drums supporting a guitar that evokes gentle waves on the shore.

"King Kong’s Revenge!" signals a tempo change at once. With notable work, guitars are taking various directions, growing more aggressive midway through. The hooks are catchy and memorable, reinforcing the track’s bold character.

"Sleeping With The Fishes" returns to mellow tones and thoughtful guitar parts. The bass is more prominent here, while cymbals and drums maintain an effective, supporting rhythm.

"Avalon" continues the band’s steady rhythmic flow. Surf influences continue as the group transitions between tempos. Bass and drums provide a strong foundation, allowing lead guitar lines to shine and exemplifying the group’s consistent rhythmic interplay.

Continuing, “Moonlight Over Mavericks” gently highlights the guitars’ soft touch, restraint, and tastefulness. There are moments when the guitar does a little staccato-like dance and then goes back into the more stretched-out leads.

“The Theme to the “Sun Chasers" reminded me fondly of what The Ventures would do covering themes to TV shows or movies. This is a bright sound, with a strong bass effect. It moves along quickly from start to finish. They do it all so well and are tightly knit with their instruments, using them to their fullest potential.

"Sandy Point" evokes a beach scene through expressive guitar and a solid rhythm section. This slower track uses their finite instrumental textures to evoke a scenic atmosphere, demonstrating the band’s ability to set a mood.

"Baby Octopus Walk" introduces a funkier rhythm, with Latin influences and familiar melodic elements, expanding on the album’s diverse range.

“Sleeping With The Fishes Too” closes the album by showcasing the band’s melodic strengths and cohesive sound. The shimmering guitars and well-crafted atmosphere provide a fitting conclusion to the track list, leaving a lasting impression.

Blue Eyed Surf continues to sound fresh regardless of the passing of time. Great music always holds its value, and Agent Octopus’s debut highlights their many talents.

Credits:

Jim Colby - Bass, Lead & Rhythm Guitars, Keyboards

Art Svrjcek - Lead & Rhythm Guitars,

Piano (Sandy Point), Bass (Blue Eyed Surf)

Bill Bates - Rhythm Guitars

Drums - Lew Bobbitt & Jeremy Carlson

 

Keith “MuzikMan” Hannaleck-Surf Music and Art Founder

January 27, 2026

Tracks:

01. Cape Fear 02:53 

02. Ghost Orchid 3:13

03. Blue Eyed Surf 2:39

04. King Kong's Revenge! 2:37

05. Sleeping With The Fishes 3:13

06. Avalon 3:11

07. Moonlight Over Mavericks 2:58

08. The Theme to the "Sun Chasers" 2:42

09. Sandy Point 3:25

10. Baby Octopus Walk 2:35

11. Sleeping With The Fishes Too 2:47

Surf Rock Instrumental Vinyl Review: The Aloha Joes - Self-Titled 7” Ocean Blue Vinyl EP

 Release Date: June 25, 2024

Label: Surf Wax

Website

The Aloha Joes are self-described as rippin’ surf 'n' roll from the howling barrels of North Beach, Tybee Island, Georgia. Their self-titled 7” ocean blue vinyl debut EP features four tracks.

 They Are:

Drew Fulton: Guitar

Beau Cayton: Bass

Evan Cantwell: Drums

Side A begins with “Betty Cooper.” A wailing guitar is supported by a ready and steady bass and drum. The guitar goes through several gyrations of tempos and rockin’ phrases. The rhythm is exceptional, with standout guitar lines that are filled with expressive color and energy. A fine way to get things cranked up and live up to their surf ‘n” roll description!

“Wetsuit Wiggle” keeps the momentum going with some great backend beats and a storming bass line. The guitar’s resonating lines are upfront and punctuated by the strong support of the rhythm section. As indicated by the cover art, the board and the surf await just to wiggle into that wetsuit!

Side B explodes with “Pinball Summer,” cranking the tempo up another notch with rapid rhythms, as the guitar continues to showcase the full power and surf-rock instrumental command this band possesses at every turn. The weather is warm, and after a brisk ride on the waves, it’s time to head to the arcade, grab a burger and soda, and play some pinball!

“Art Alexakis (said some really nice things about us)” gets heavier right at the outset with some meaty chords. This is a flat-out rocker with crashing cymbals and a locomotive rhythm section just attacking it as the guitar’s aggressive stance is further enhanced by that support. The surf instro influences are left behind here as they prove to be straight-ahead rockers if they choose to.

The Aloha Joes put it all on the line on their debut release and leave a listener wondering how this could be topped on the next outing. Obviously, they have a talented lineup with the chops to continue growing and refining their sound. With all that said, I don’t think a debut could be much better than this!

Keith “MuzikMan” Hannaleck-Surf Reviews and Art Founder

January 26, 2026

Tracks

Side A:

1. Betty Cooper 2:11

2. Wetsuit Wiggle 1:57

Side B:

3. Pinball Summer 1:45

4. Art Alexakis (said some really nice things about us) 1:55

Surf Instrumental Review: The Von Dwells- Self-Titled EP

 Release Date: January 20, 2026

Label: Independent

Website

The Von Dwells are from Portland, Oregon, and have released their debut self-titled EP. The first thing that grabs you is the classic hot rod monster art. This is a reach back to when this all started back in the 60s. The use of black and white is meant to draw your attention to all the activity.

This band has a decidedly Halloween feel to its concept and sound, and it gets it done with plenty of skill and energy.

"Meatball Flag" kicks off with a sound reminiscent of the start of an exciting or risky movie scene.  It is a great way to kick off this EP with a lot of energy and power, and some quick transitions to downtempo then back again.

“Firestorm” ups the ante on sustained energy with a fuzz guitar sound and the relentless bottom end pushing things along. Mid-point, it changes dramatically to a mellowed-out, sunny-beach sound, then, as quickly as that transitions, it jumps back into the original frenetic pace and starts rocking again. This is a fine surf instro track!

The song “Last Ride of the Damned” continues with heavy fuzz tones, very cool drums, and bongo sounds. You figure this should have a touch of evil, given the title. They succeed in maintaining that heavy sound from beginning to end. This is a killer track, a real rocker, and Davie Allan would be proud!

“Bananas Foster” features the legendary Evan Foster (Boss Martians etc.) on rhythm guitar. Evan is one of those guys who, for several decades, has been making great music with different bands and has had a hand in the success of other groups like The Von Dwells. This is a classic tremolo guitar run reminiscent of the first wave.

“Exit 13” sounds like a boding of what is to come, and it isn’t good! The music reflects that sentiment with an organ that gives it the necessary air of mystery and horror, right around the corner after taking that fateful exit to hell. Constant energy flows as the instruments’ power and excitement are once again highlighted in this track.

“Warlock Walk” finishes things up with more fuzz tone and powerful bass and drums kicking in for that guitar to take off again. An impressive amount of energy and precision is the modus operandi here, as it was in all the previous tracks, and an excellent way to end this exciting debut just as it started, with a flair for non-stop energy and the surf instro sound extraordinaire!

The Von Dwells have a great start into the surf instrumental world with a fine debut recording. They do not waste one second of their time and give all their energy and talent to every track. Even though this was just a taste, it will get you salivating for more once you hear it!

Credits:

Guitar: Grant Von Dwell

Bass: Rob Von Dwell

Drums and Percussion: Rick Von Dwell

Additional Musicians:

Mel Woodhavens - Rhythm guitar on "Meatball Flag" and gang vocal on "Last Ride of the Damned"

Evan Foster - Rhythm guitar on "Bananas Foster"

Dave Klein - Organ on "Exit 13"

Tien Doan - gang vocal on "Last Ride of the Damned"

 

Keith “MuzikMan” Hannaleck-Surf Music and Art Founder

January 25, 2026

Tracks:

1. Meatball Flag 02:41

2. Firestorm 03:00

3. Last Ride of the Damned 03:17

4. Bananas Foster 01:50

5. Exit 13 02:43

6. Warlock Walk 02:39

Latin Jazz Surf Rock Instrumental Review: ChaChaBoom!-Self Titled

 Release Date: December 14, 2025

Label: Independent

Website

ChaChaBoom! is a Latin Jazz Surf Rock from NJ. Their self-titled full-length debut was released last December.

I appreciate surf instro with a Latin flavor. There is something about that mixture of genres and cultures that blends so well. I cannot explain; it just works.

“Otra Guagua” translates to “Another Bus,” but I am not sure. I am always curious what the online translator will come up with. There are three tracks on this album, each under two minutes, and this intro is one of them. It sets the proper mood and tone for what they do very well: twangy, Latin-flavored guitar and strong bass and drums holding down the bottom end so those guitars can cut loose without drowning out anything else. And that comes with proper recording, engineering, and mastering. Based on what I heard, they have it together.

“El Niño” would be expected to have an emotional atmosphere. It moves back and forth like the tides of the sea in anticipation of what is coming. The warming of the sea is what it is, and the music should do the same. The transitory nature of weather is reflected in the music here as the instrumentation’s tempo rises and falls. Very atmospheric.

“Cuban Getaway” has a retro feel, with a standout bass and drums following the guitar’s resonant notes. The Latino color and the guitar’s effect put you in the right frame of mind. The twangy guitar sounds a bit country with the tremolo picking.

“Sway” does exactly that: it makes you feel like moving your body that way. The music has a great beat, backed by bass and drums, with the guitar punctuating its notes with crispness that makes the intent very clear. It has the “island” feel, where you go to the Tiki lounge to get your drink, then head back to the beach to catch some more rays.

“Temptation” features an alluring sound - perhaps a temptation to step into another place where you normally would not go, then boom! The tempo shifts to a more colorful, exciting feeling. This is one of my favorite tracks. The bass is prominent, while the drums remain consistently in sync. The quick fingers on the frets bring you to the land where you dare to go as the excitement of the music reaches higher levels. The power is forceful but subtle when it transitions. A good example of their strong musicianship.

“El Cumbanchero” keeps the steady flow of their music going. I am assuming this is in reference to a place, but one never knows. As the bass and drums continue to build, the guitars take the spotlight, transitioning from speedy rhythmic bursts to a down-tempo “spy” sound. Now that I found it interesting for a transition within a song with all that Latin flavor.

“Latin Soul” has a steady, rapid drumbeat, and the bass keeps up as the guitars’ twangy reverb makes its mark once again. The six-string diversity here is impressive. Compact and precise is their modus operandi. They do it all very well, especially when they finish in under two minutes. It’s enough time to appreciate that what they are doing isn’t an easy accomplishment, which at first blush may be assumed, looking at the time span, but that could not be further from the truth!

“Exotic” is as traditional in sound as it gets when following the surf instro baseline, then adding your own trademark. Although this sound is nothing new, you haven’t heard it; it is done very well and is entertaining as hell, with tremolo bursts all over the place. One of the more exciting fast-paced tracks. The bass is huge here (again).

“Cuarto de Tula” (Tula’s Room) has a nice catchy sound (as all their music does), and the drums make their presence known as the bass also takes its place with powerful riffs. The guitar continues with its magnificence and colorful playground of sound.

“Rumba Gitane” (Gypsy Rumba) takes you right to the streets with all the movement, sweat, and sensuality that the Latin music can encourage and inspire. It’s all about the movement and non-stop beat of the drums and the rhythm of the bass pushing the guitar along. Some terrific guitars work here, further solidifying their hold on the culture’s colorful aspects.

“Siboney” also known as "Canto Siboney", is a 1927 song by Cuban composer Ernesto Lecuona. Now, how is that for reaching back in time? The drums sound Latin jazz-influenced, as that bass gets in the groove nicely. The resonating guitar expresses the emotion within the music. Well played with style and precision.

“Bilongo” (Flowers) winds things up with their own tasteful playing with their influences blooming like a flower in the sun. They bask in the rays of that warmth, and the subtle drum fills allow the guitars’ notes to float effortlessly over the top. It ends with a quick remembrance of The Ventures, then fades out.

ChaChaBoom! was a fun listen. Those of you surf instro fans who like a little extra spice and flavor in the sound will love this album! Fine musicianship and production on this debut release will generate significant interest among listeners.

Credits: 

Guitar - David Adasse 

Drums - Jon Brody

Bass - Scott Tulloch

Engineered, mixed, and mastered by Dylan Saraciniello 

Keith “MuzikMan” Hannaleck-Surf Music and Art Founder

January 16, 2026

Tracks:

01. Otra Guagua 1:57

02. El Niño 1:55

03. Cuban Getaway 2:15

04. Sway 3:11

05. Temptation 2:58

06. El Cumbanchero 3:13

07. Latin Soul 1:53

08. Exotic 2:09

09. Cuarto de Tula 2:47

10. Rumba Gitane 2:51

11. Siboney 2:34

12. Bilongo 2:47