Surf Rock Instrumental Review: The Surf Hermits Jam!! Volume 1

 Release Date: January 17, 2025

Label: Independent

Website

The Surf Hermits Jam!! Volume 1 is an album of Surf Hermits tunes featuring special guests trading off with Jason Deatherage over brand new original songs and some great guitarists from all over the international surf scene including special guests Sam Williams, Sys Malakian, Arno De Cea, Rodd Keen, Mark Nicol, Chris Stewart, Max Gonzo, Sean Eddy, Jim Colby, and The Breakers (Members of The Breakers, Underwater Bosses, The Surf Junkies, Agent Octopus, Black Valley Moon, Sys Malakian, The Angry Red Planet, S.H.A.R.P., The Eddys, and Arno De Cea).

All songs written, performed, and produced by Jason Deatherage.

“Sayulita Swell - feat. Sys Malakian" gets things going clean, and crips leads from the guitar. This is a smooth rocker with resonating twang throughout. The rhythm section is tight as the guitar navigates its many transitions. Lots of hooks and rhythms. Some nice tremolo comes in as you are heading towards the end. The perfect track to get this started.

"A Tower In The Distance - feat. Rodd Keen" is a change of scenery with an island in the sun, relaxed like tempo. Tasteful guitar licks, with acoustic strumming in the background, set the pace, along with the drums and bass. Some fine lead lines are featured here, then around three-quarters of the way in, the volume rises with another layer of instrumental voices as the lead really takes off into a great solo, then it fades out. One of the longer, more complex cuts.

“To Fall From The Kingdom Of Air - feat. Arno de Cea” brings you back to a faster tempo and more traditional surf rock sounds. Twang works well here, with explosive transitions that keep the excitement high. Then, as you head three-quarters of the way in, it really takes off with some serious guitar jamming with effects and fireworks. It goes from a surf instro to a full-on rocker.

“The Town Without A Frown - feat. Sean Eddy” is a classic surf instro sound with crisp guitar runs and the rapid backend featuring some equally fast drum rolls. It morphs into a first-wave surf rock sound with all the trimmings. Then there is (what sounds like) the Eddie Van Halen finger-tapping technique, which was a surprise. Excellent and bursting with unrestrained energy!

“Hurricane Watch - feat. Sam Williams” is what you would anticipate with what the title would suggest. A driving rhythm from the bottom end and the resonating notes. This is the kind of surf instro that got my attention many years ago. As soon as that thought entered my mind, it changed into something else. More layers of guitars are merged with a fuller sound, and the tempos get higher as the lead continues through all kinds of transitions. Then it gradually fades out.

“Shark Salad - feat. Max Gonzo” begins with a reggae guitar, then switches to a rocker, then back again. This is one of the more interesting tracks for differentiating between genres. It really takes off eventually, with some guitar runs and a locomotive drum-and-bass behind it all. It is surely a tasty salad and a great appetizer for any surf instro meal you may be having.

“Laser Brain - feat. Chris Stewart” is a real toe tapper with some tremolo bursts and pinpoint leads done well. A strumming guitar provides the perfect partner for the lead to stand out. It’s the rhythms that catch your ear, and that includes the lead guitar work. Laser-like guitar right to your brain, as the title would suggest. I loved the way it ended and faded out.

“Return To The Valley - feat. Jim Colby” takes you into some different scenery and a more laid-back pace. Think bluesy licks with a picturesque landscape entering your mind’s eye. Lead guitar is fantastic with a steady strumming acoustic behind it (which I always find important), while the bass and drums are restrained enough to hold their own without overpowering the focus. This is one of the most atmospheric and beautifully layered tracks on the recording.

“Dropping In - feat The Breakers” is entirely different from all the previous tracks because of the way it starts. The drums kick in, then horns, and suddenly it switches right over to a rocker. All the while this is happening, and right from the start, the bass is killer. Some slick guitar work is going on here with some cool effects. The longest track at 4:45, and it does not waste a second; they bring all their powerful talents to bear. The saxophone makes an appearance, giving it a first wave, early-60s touch. This was a great track, a continuation of the previous track’s longevity and superior musicianship.

“Telegraph Beach - feat. Mark Nicol” winds up this incredible instrumental mix. This one is another real rocker, with a guitar that explodes with colorful transient lines, while the drums and bass are solid. I heard a touch of western flair in an almost spaghetti-western way. This is a great way to finalize all this music. It takes you rockin’ with the music resonating and reverberating in your ears after it’s all done.

The Surf Hermits Jam!! Volume 1 stands as one of the most exhilarating and memorable albums I’ve experienced this year—a testament to the electrifying heights surf music can reach when world-class musicians unite. This record isn’t just a showcase of talent; it’s a rallying cry for the genre, demanding the wider recognition it so clearly deserves.

Keith “MuzikMan” Hannaleck-Surf Music and Art Founder

March 3, 2026

Tracks:

01. Sayulita Swell - feat. Sys Malakian 3:52

02. A Tower In The Distance - feat. Rodd Keen 4:09

03. To Fall From The Kingdom Of Air - feat. Arno de Cea 3:03

04. The Town Without A Frown - feat. Sean Eddy 3:34

05. Hurricane Watch - feat. Sam Williams 3:05

06. Shark Salad - feat. Max Gonzo 4:03

07. Laser Brain - feat. Chris Stewart 3:33

08. Return To The Valley - feat. Jim Colby 4:18

09. Dropping In - feat The Breakers 4:44

10. Telegraph Beach - feat. Mark Nicol 4:02

Surf Rock Instrumental Review: Atomic Drag-Rave from the Grave EP

                                                        Release Date: October 25, 2024

Label: Black Tragick Records/Doom Bat Records

Website

Atomic Drag is run by Lee McDaid, who is a solo musician from Northern Ireland. I reached out to him regarding all his work, and he kindly granted me access to his entire catalog on Bandcamp.

The Rave from the Grave EP came out around Halloween in 2024, and based on the cover art, title, and tracks, it looks as though he hit the mark.

The title track “Rave from the Grave” gets the blood pumping (no pun intended). Right away, there are the melodic, twangy guitar lines, and the bass is heavy and strong. A nice transition is made with some melding guitar lines, then the organ joins in to accentuate the creepiness of the concept we are focusing on here. Things come to a head towards the end, with everything merging.

“Dogman Vs. Dobhar-chú” moves at a frenetic pace with rapid picking, and bass and drums pair up to keep that intensity as Lee takes that pick and goes down the strings from top to bottom for that wow effect. It all happens so fast, but that is the idea; this is a fight between creatures of the unknown.

“Once a Dead Man...” stretches things out for over three minutes. There is more time to establish all his ideas within a single track, and he does so effectively. The atmosphere is one of spookiness and anticipation. The organ gives it that horror edge as he adds some talking to the mix, so you get the feeling you are watching it on the big screen. Excellent track!

“Beyond the Valley of the Drag” maintains the EP’s continuity with nonstop energy. This is yet another fast mover with all the trimmings, rapid picking, punctuated guitar placement, the bottom end moving along just as quickly, and that tremolo guitar work and the creepy organ notes are for the final touch. It’s all there in one potent package.

Atomic Drag’s Rave from the Grave EP is more than just an adventure-packed instrumental; it’s a vivid, cinematic journey that exhibits the power of one artist’s vision. Lee McDaid’s ability to craft such dynamic and immersive tracks on his own is nothing short of remarkable. This EP doesn’t just entertain you from the first note and refuses to let go, leaving a lasting impression long after the final track ends.

Keith “MuzikMan” Hannaleck-Surf Music and Art Founder

March 2, 2026

Tracks:

1. Rave from the Grave 02:21

2. Dogman Vs. Dobhar-chú 02:01

3. Once a Dead Man... 03:26

4. Beyond the Valley of the Drag 02:19

Surf Releases March 2026

Surf Music Releases March 2026

Here’s an updated list of the surf instrumental (or closely related psychedelic/instrumental surf) bands with confirmed new music releases in March 2026, now including direct links to their official pages, Bandcamp (for pre-orders/streaming), or relevant release announcements where available:

The Mermen — Psychedelic instrumental surf legends from Santa Cruz, CA. New album Akwa Mmiri releases March 8, 2026 (CD pre-order and release show at Great American Music Hall in SF). Official website (with pre-order and details): PRE SAMPLE LISTEN HERE: https://mermen.net/albums/akwa-mmiri 

Main site: https://mermen.net/

The KBK (listen on the Bandcamp Player) — Instrumental rock & roll/surf project is releasing Human Sounds Volume 2 on March 6, 2026 (long-gestating transmission, featured on Storm Surge of Reverb radio). Bandcamp (for listening/pre-order): https://thekbk.bandcamp.com Facebook page (with announcements): https://www.facebook.com/thekbkal

Surf Through Death (listen on the Bandcamp Player) — Desert-tinged instrumental surf/psych trio from Phoenix, AZ. Album III digital release February 27, 2026, but vinyl/release show March 7, 2026 (at The Dirty Drummer). Pre-orders tie into March events. Bandcamp (pre-order digital/vinyl): https://surfthroughdeath.bandcamp.com/album/iii

Event details: https://www.thedirtydrummer.com/events/surf-through-death-vinyl-release

Surf Spy Rock Instrumental: Music For Alternate Realities: Vol. 1 by The Other Timelines

Just released today. This is very cool music! 

The Other Timelines is a Canadian/American instrumental band. Members are located in British Columbia, Alabama, and Louisiana. Featuring members of Man or Astro-man? and Seratones, their music is best described as a blend of 60’s and ’70s-style spy themes. They are signed to Double Crown Records.

The vinyl 7" is available on Tabu Recordings

Visit https://www.theothertimelines.com/

Surf Rock Instrumental Review: The Raygun Terror Hermits-Attack Of The Raygun Terror Hermits

Release Date: February 6, 2026

Label: Sharawaji Records

Website

How does a group of musicians come up with a name like The Raygun Terror Hermits? Well, they take two bands, The Terrorsurfs and My Dusty Raygun, and merge them. Of course, you knew that, right? If you’re a diehard surf instro fan, you probably got it straight away. If not, well, sit back and have a listen—then you might understand.

The Raygun Terror Hermits’ “Helldiver” explodes out of your speakers, and you know this band has arrived! The lead guitar speaks loudly with surf tones and stinging notes that linger. The drums and bass rumble along at tremendous speed. This is a powerful track with all the elements of surf and rock one could possibly ask for. Five minutes and eleven seconds of high-octane, rockin’ surf instro is a great way to kickstart this recording.

“The Terrorsurfs - Hoo Hah! (The Unresolved)” jumps as the bands take off on their own. This is a solid transition away from the previous track. The bottom end continues to roll on like a train ready to fly right off the tracks. The guitars do their thing with plenty of twang and reverb as they holler “Hoo-Hah!” In your mind, you are picturing an old TV series like Wagon Train or The Wild Wild West to begin. The fun thing about this music is its ability to transport you back in time, and this one certainly does!

“My Dusty Raygun - He Just Wanted His Machete Back” brings another entirely different slant to your ears. First off, you must love the title. Then, as the music kicks in, you are still impressed by that cranking bottom end—man, they just rock! The guitar’s sound has quite the machine to ride on as lick after lick is peeled off. This one feels like a straight-ahead rocker with a track title to match. There was no question in my mind that these bands could rock—it just sounds better with a little roughness around the edges for some flavor.

“The Surf Hermits - Dance Of The Tentacle” at the beginning reminded me of some early Mermen cuts, with echoing guitars and a certain psych edge. The guitar effects are more restrained compared to the previous tracks. That is not a drawback; it is a great track!

“My Dusty Raygun - $400 In Oysters” comes back at you on fire again. This raygun is not dusty! Some really cool six-string licks come into play before they launch into a full-force rocker, then pull back into the surfy mode, and then return to rocking. It’s rinsing and repeating, with a lot of salt water to keep those oysters moist.

“The Terrorsurfs - Swamp Planet” charges into some surf-spy intrigue. Then the sounds get weird with some organ effects—now it feels like The Creature from the Black Lagoon is going to come creeping out of the water any second. It’s atmospheric and spooky, with well-placed guitar transitions as the backend serves as the engine pushing it to a climax.

“The Surf Hermits - The Sten Is Mightier Than The Sword” winds things up with a last blast of energy and guitar-driven excellence. The wah-wah pedal does its thing with great effect. This ends up being one of my favorites, with crisp leads cutting through the air. It’s a quick but impressive last journey to show off their ability to crank up the volume with workmanlike skill.

Listeners who like a mix of surf, rock, and psych will really enjoy these tracks. Attack Of The Raygun Terror Hermits is a great listen, and the use of the word “attack” comes through loud and clear in the music.

The Terrorsurfs:

BAMALAM - feral bass

Reverend Tonto - twang

King Fuzzo - drum beast

 

My Dusty Raygun :

Frank Rangone - guitar

Devon Lambert - bass

Jared Brathwaite - synth

Jason Deathray - drums

Rodd Raygun - theremin

 

The Surf Hermits:

Jason Deatherage - Drums, Bass, Lead and Rhythm Guitars

Cover Art - Joe Yod, Rude Commissions

Keith “MuzikMan” Hannaleck-Surf Music and Art Founder

February 27, 2026

Tracks:

1. The Raygun Terror Hermits-Helldiver 5:11

2. The Terrorsurfs - Hoo Hah! (The Unresolved) 2:21

3. My Dusty Raygun - He Just Wanted His Machete Back 3:43

4. The Surf Hermits - Dance Of The Tentacle 3:29

5. My Dusty Raygun - $400 In Oysters 2:25

6. The Terrorsurfs - Swamp Planet 3:57

7. The Surf Hermits - The Sten Is Mightier Than The Sword 2:46

Surf Rock Instrumental Review: Langhorns- Showstopper

 Release Date: May 16, 2024

Label: Independent

Website

Since 1998, the Langhorns have released only a handful of recordings, but each one makes an impact. When they resurface, the music world takes notice. Showstopper was their 2024 full-length release.

The band originally started as a duo but quickly evolved into a tight-knit trio (often augmented by horns or organ):

Michael Sellers (Guitar): The band’s leader and primary songwriter, formerly of the Swedish rock band The Sinners.

Martin Berglund (Bass): Co-founder who provides the driving low-end.

Rikard Swärdh (Drums): Joined shortly after the initial sessions to complete the core sound.

Erik Wesser (Organ): A frequent contributor to their studio recordings and live shows.

“Showstopper” gets things rolling. As expected, some high energy and great rhythm kicked in without hesitation. There is constant strumming for a strong bottom layer as the lead guitar goes into twang mode at variable tempos. Three-quarters in, it comes to a very mellow interlude with not much going on, then it explodes back into the original high energy.

“Dr Münster, I Presume?” takes on a different atmosphere, but you knew it would once you looked at the title. It carries a retro sound that would have fit well into The Munsters TV series. Great rhythms from the bass and drums, then an organ comes in for the icing on the cake. I am sure Fred Gwynne is smiling in heaven after hearing this tribute.

“In An Oriental Mood” has an air of mystery courtesy of the organ, the drums, and the bass, and it is very strong here. The guitar’s resonant tone is just right. It creates many cinematic visions with changing directions. One moment it sounds Middle Eastern and the next parts spaghetti western, then back to mysterious organ. Talk about touching upon several sub-genres in one song? Yes, indeed they do!

“The Snoozer” goes in yet another direction with a piano that sounds like a soundtrack to a 50s spy movie. The guitar is beautifully done with some tasteful licks interspersed with the keys. Think of a smoke-filled room, then the beautiful nightclub singer walks out and starts singing, you are mesmerized, transfixed by the image in front of you. Jazzy and surfy all wrapped into one package.

“Project Grudge” reactivates their bouncy surf instro swagger. There is that great retro sound, complete with the grinding organ and twangy notes, morphing into a heavier fuzz tone. Just under two minutes gives you a look at their heavier side.

“Bad Karma” starts with the sound of creaking boards on a ship, and that organ to match comes in, leading you somewhere. This one is a slow burner, with a gradual build in the instrumentation; it leaves you hanging, wondering what will happen next, and that’s the point! This is a world away from the last track, which exhibits once again how diverse and talented this band is. Guitars punctuate the atmosphere with different layers. It fades out with the creaking boards from the lost ghost ship.

“Stoked” is a word that says it all for surfers in Southern California. I think it still does. The course’s energy level shifts dramatically from the prior track. This is why the Langhorns are one of the best in the world at what they do. This is a classic surf rocker!

“Stagger” emulates that world perfectly with a slow, drudging guitar, then shifts to a higher-end tone, and then shifts yet again to piercing notes as the drums and bass hold down the bottom end. The organ is very retro (think The Munsters again).

“The Sweet Farewell” takes you on a smoother route to some island sun and surf. It’s the guitars’ echoing notes that start off getting you there, then the organ adds its ambiance for further scenery. The bass and drums are kept restrained, highlighting the guitar’s passages and transitions. This is the moody atmospheric Langhorns.

“The Standoff” is spaghetti western time as the drums and bass provide the horses’ gallop as our hero rides off into another adventure. Crashing cymbals and organ notes add an air of the unknown. The guitar is superlative, taking many twists and turns. Excellent! (utmärkt!). Notable the drums are making a statement here as well.

“The Hog” is twangy and colorful. It has a laid-back feel, and the guitar has all the characteristics of a ’60s romp in the sun with surfboard in hand. The first wave of influence is strong here, and they are spot on. The organ is key again in making their sound luminous and original.

Leaving the longest track for the finale is perfect. “White Widow” runs 4:34. The sound features a surf background as one layer, with the guitar sounding a bit grungy at first, then reverting to a more rocking sound. The organ enters forcefully, and the volume rises at all stations, culminating in a powerful climax of sound and color. They decide to end this instrumental recording with a flourish, and they do so convincingly.

The Langhorns shift effortlessly between styles on Showstopper, making each track a surprise. Their diversity is their strength, ensuring listeners are never lulled by repetition—every song stands on its own. That’s the hallmark of true musicianship.

Keith “MuzikMan” Hannaleck-Surf Music and Art Founder

February 24, 2026

Tracks:

01. Showstopper 3:00

02. Dr Münster, I Presume? 3:07

03. In An Oriental Mood 3:05

04. The Snoozer 3:21

05. Project Grudge 1:55

06. Bad Karma 5:36

07. Stoked 2:22

08. Stagger 2:38

09. The Sweet Farewell 2:26

10. The Standoff 3:22

11. The Hog 2:29

12. White Widow 4:34

New Surf Releases (February 2026)

New Surf Releases (February 2026)

Here are some fresh 2026 reverb, drip, and surf instrumental releases for you to take a listen to! 

FEATURED RELEASE

🔥 The Raygun Terror Hermits – Attack of the Raygun Terror Hermits

Featured new collaborative surf album from underground surf acts The Terrorsurfs, The Surf Hermits, and My Dusty Raygun — out now on Sharawaji Records.

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🌍Hidden Gem / Discovery Pick  

Four by Four Compilation – Colorado Instrumental Fanzine

A limited‑edition surf instrumental compilation featuring 4 acts from around the world — great for discovery and collectible vinyl.

Instrumental Rock-Surf Review: ZOCKO! - Dial 'Z' For "ZOCKO!" - 7” Vinyl-4 Track EP

Release Date: September 6, 2024 

Label: Beef Platter Records

Facebook Page 

Dial’ Z' For "ZOCKO!" is their debut 4-song EP. Hailing from the DC and Baltimore area, they arrived via vinyl with some very colorful artwork. The first thought was the Batman TV series I remember watching as a little boy, and how they would get in a fight with the villains, and all those words would pop out on the screen like Bam! Pow! and probably Zocko!

They are an instrumental rock band with some surf edges, but more of the sub-genres of surf instro are touched upon.

“Fenwick Drainer” jump-starts side one of the 45 rpm slice of vinyl. There is an immediate influx of high energy, rapid guitar runs, fiery locomotive drums, and bass. One hell of a way to kick-start things, with a surf feel featuring some tasty nuggets of Mexican-influenced notes.

“The Lonesome Death of Billy Jack” begins with the epic spaghetti western intro, then a here-we-go gallop through a ready-made scenario for an Ennio Morricone film. The electric guitar leads are fine with the rapid strumming of an acoustic backing. Then, suddenly, a big colorful transition and quicker bursts of the six-strings coming at you from every angle. Excellent!

“My Summer With Ritu” surely has a summer feel. About halfway through, you hear some meatier guitar licks, then it transitions back to the softer tasteful leads. The tempos shift back and forth, keeping the mood upbeat and bright. Very catchy with plenty of hooks!

“A Taste of Honey (live)” is great! An Herb Alpert classic and one of my all-time favorite instrumental artists. The guitar walks the walk on this track as it should. Can’t say I have ever heard such a rockin’ version of this song! A unique way to end the platter.

ZOCKO! has recorded a memorable debut with this EP, showcasing their talent and unique sound. I’m eager to hear what they come up with next.

Credits:

Sean "Link" Lally (guitar)

Jerome "Jeronimo" McManus (guitar)

Joe "Gringo" Schwartz (bass)

Skizz "Skizz" Cyzyk (drums)

Recorded & mixed by Steve Shaw at Shaw Ranch Studio (Newville, PA), except A Taste Of Honey, recorded live at Holy Frijoles (Baltimore, MD) on December 22, 2023. Front cover art by El Gato Gomez. Back cover photos by Mike Landsman. Mastered by Shorty Poole. 

Keith “MuzikMan” Hannaleck-Surf Music and Art Founder

February 22, 2026

Tracks:

Side One:

1. Fenwick Drainer 01:22

2. The Lonesome Death of Billy Jack 03:01

Side Two:

3. My Summer With Ritu 02:28

4. A Taste of Honey (live) 02:14

Surf Instrumental Review: The Boss Jaguars-Peel Out with The Boss Jaguars! 7" Vinyl

Release Date: February 20, 2026

Label: Colorado Instrumental Fanzine

Website

The Boss Jaguars are a four-piece instrumental rock band based in Austin, Texas, known for their unique blend of surf, spy, spaghetti western, hot rod, and exotica. They have been performing since 2010 and typically play around 60 gigs a year.

Peel Out With The Boss Jaguars is their new 7” vinyl in partnership with the Colorado Instrumental Fanzine.

Peeling out means pressing down on the accelerator and having your car shoot out like a rocket (most people know this, but for listeners who have never heard the expression, it was worth mentioning). This band emulates that kind of speed on their two tracks: “Rust Bucket,” which points to an old car, and “2222 Go!,” which I thought was an interesting track title.

Food for thought is this: The recurring appearance of 2222 is a gentle nudge to seek balance in all areas of your life. It invites you to reflect on your priorities, let go of negativity, and embrace a more harmonious existence. Once you hear that track, I think you will be able to relate that reference to the music.

“Rust Bucket” is twangy surf rock with a retro, echoey sound and the tremolo so characteristic of the genre. The bass and drums are killer, and the guitar just screams, “Here I am!” It rocks with a retro first-wave feel and leaves a lasting impression.

“2222 Go!” takes it one step further with the retro sound. If you are familiar with early 60s surf music, this will pull you back there. It rocks with precision and a solid rhythm section. About midway, it calms down for a bit, like low tide, then the waves gradually get bigger and return to what you heard before that transition. The balance of the number 2222 is exemplified in this track, as they traverse the surf-instrumental landscape, from highly spirited tempos to a more laid-back surf-and-sun sound.

The Boss Jaguars are a powerhouse of instrumental rock, leaving an indelible mark with their electrifying sound. Releasing these two tracks on a specially designed 7” vinyl transforms the experience into something truly special—a collectible gem for music lovers and vinyl enthusiasts alike. With their vibrant energy, retro flair, and undeniable talent, The Boss Jaguars remind us why surf instro music continues to dazzle and outshine other genres, wave after wave.

Credits:

Guitar - Chris Harrison
Drums - Michael Bahan
Rhythm Guitar - Darren Kuper
Bass - Rick Watson

Keith “MuzikMan” Hannaleck-Surf Music and Art Founder

February 14, 2026

Tracks:

1. Rust Bucket 2:21

2. 2222 Go! 2:24

Surf Instrumental Track: Langhorns - Monte Carlo Confidenziale

 Release Date: November 20, 2025

Label: Independent

Website

Celebrating the Langhorns' 30 years (1995-2025) of making music, they released the track “Monte Carlo Confidenziale.”

They referred to it as a song inspired by a film that was never made.

The music and cover art clearly paint that scenario.

With a surf-spy atmosphere, the intrigue and mystery of a story come to life. The surf component is there, and the other quintessential elements of instrumental rock are also key.

The guitar has a distinct tone and just enough twang, while the bass and drums are equally prominent and drive the drama of the film playing in your mind as you listen.

The Langhorns have built a long and impressive legacy, consistently reaffirming their significance within the surf instrumental community. Their magic signature remains unmistakable, shining through every note on this track.

Keith “MuzikMan” Hannaleck-Surf Music and Art Founder

February 18, 2026

Surf Instrumental Holiday Review: Agent Octopus-Christmas On The Pier EP

 Release Date: December 17, 2021

Label: Independent

Website

Is it always a good time to hear Christmas music? Well, maybe for some folks. If you enjoy surf instrumental music and some seasonal favorites done with the surf flair and color, then you are in luck.

Agent Octopus is sure to cure those winter blues and the bah-humbugs with their Christmas On The Pier 4-track EP.

“Christmas on the Pier” instantly creates a light, airy atmosphere with soft tones and resonant notes. The rhythm section is right on cue, and the rhythm guitar is an added layer. Keyboards are the final ingredient in making this a complete track of snowy joy.

“Surf Child of Light (Silent Night)” is the twangiest “Silent Night” tribute you may have yet to hear. Many of its transitions stand out while preserving the core melody. The guitars have a resonant tone that captures the holiday spirit. Kind of like rockin’ around the Christmas tree fun! Excellent musicianship, as I have come to expect from this band.

“Rudolph the Red-Nosed Spy” is an interesting one as it starts off with a “Secret Agent Man” riff, then quickly transforms into their own unique blend of tasty traditional treats. Halfway through, what’s that I hear? The James Bond theme? This band often includes short tributes in their songs, which I always appreciate.

“O Holy Night (Cantique de Noel)” closes this EP with a solid stretch at 4:03. Not your typical surf-instrumental workout, but then none of these tracks are. But that is the point here: present some traditional holiday music that still appeals to their audience. Very tasteful guitar lines are laid down as the bass and drums are quietly doing their job in the background to let the six-string magic take hold.

Whether you’re still bundled up in the snowy Northeast or soaking up the sun somewhere warm, these surf-inspired holiday tracks can transport you right back to the festive season. It’s easy to imagine swapping snow boots for flip-flops and celebrating Christmas with sand between your toes. No matter where you are, Agent Octopus proves that surf-instrumental music brings holiday cheer all year round.

Credits:

Art Svrjcek - lead/rhythm guitars/keys on 3 & 4

Jim Colby - bass/rhythm guitars

Jason Mendelson - additional guitars on Christmas on the Pier

Mike Jarjoura - keyboards on Christmas on the Pier

Drums - Gio Maucieri & Jason Deatherage

 

Keith “MuzikMan” Hannaleck-Surf Music and Art Founder

February 16, 2026

Tracks:

1. Christmas on the Pier 02:40

2. Surf Child of Light (Silent Night) 03:52

3. Rudolph the Red-Nosed Spy 02:39

4. O Holy Night (Cantique de Noel) 04:03

Surf Rock Instrumental Review: Del Sotos-Self Titled

 Release Date: November 12, 2021

Label: Altered State of Reverb

Website

Del Sotos are an instrumental surf rock band from Moscow, Russia. They’ve been active since 2011, playing classic-style surf music with reverb-heavy guitars, twangy tones, and a fun, retro vibe inspired by 1960s surf rock (think Dick Dale or The Ventures, but with their own Russian twists).

The band is led by guitarist Roman Sokolov, who reached out to me to share this self-titled release.

The internet makes the world smaller, and this is a perfect example of that! To hear from a band so far away is always such a welcome treat.

“Sweet Girls of St. Petersburg” gets the party started. Right away, I recognized the excellent separation of instruments, allowing listeners to hear the entire band and each instrument individually. I have always appreciated strong production values like that because I listen that way all the time; it helps me appreciate all positions in a band. A great opener with good energy and flair for the retro surf instro sound!

“Reverboard” is their fast mover, coming in just under two minutes. After reading what they were about, I have to say the description is spot on. They are inspired by the progenitors of the genre, like Dale and The Ventures, and this track is a shining example of that sound.

“Yessentuki Number 17 (Sparkling Water)” starts off with, you guessed it, a glass of water being poured (nope, not a wave this time!). Continuing their consistent approach, you will again notice how each instrument stands out with a clear, crisp sound. Cymbals are crashing on this one (a large glass of water?). This is a real mover and a look back at the roots of this music. Their focus is intended to be that way, and they do it all very well.

“Gift Gun” transitions to a different sound with strummed guitar, then the lead comes in with a spaghetti western color and atmosphere. Then they increase the tempo, and it becomes more complex. This is one of my favorites. I loved the scenario they created.

“Moscow River Coast” uses diverse guitar techniques and effective tremolo and reverb. Here, they sound like a modern band, taking bits and pieces of yesteryear and adding their own stamp, creating a real rocker. Loved the non-stop energy as the guitar weaves in and out, and the bass and drums follow beautifully.

“Music for Lap Dancers” is a title you wouldn’t expect on a surf instro album, yet it still carries elements of the genre. I would refer to it as more of a rock instrumental, though. Good work for a nice change in flow.

“Late” is the longest stretch on the album at 3:31. Once again, they change the tempo and in and out of transitions over to some quick picking in between and around the edges. This is very atmospheric, with a surfy edge. Very tasteful guitar notes with measured bottom end.

“Salt Waves” brings the energy level back up to their core retro sound. It’s like saying “The last one was for relaxing and watching the waves,” but this one will make you want to go buy a vintage surf record from one of the ’60s bands! Great guitar work, as you have come to expect on every track.

“Moon Lover” cranks up the energy level another notch, especially with the drums and bass, and then the Hammond organ arrives in all its glory. That sound is always so distinct, adding another element that changes any song. This is the prime mover so far!

“Step to Me” carries a great deal of rhythm and excellent guitar work, with variable tones and an exceptional foundation from the bass and drums. It’s a real toe-tapper, which many of these tracks are. The mood is bright, and the musicianship is spot on.

“Surfing Аround Fort Boyard” gets a little heavier with some superb tremolo work. This is a great way to close out this recording with some high, colorful energy. The power of the music is on display, and their sound is amazing and so addictive!

The Del Sotos release may be celebrating their fifth year in 2026, but what truly matters is how their music transcends time. I felt like I had one foot in the past and one in the present day, which isn’t easily achieved.

Each track combines a dynamic feel with a nod to classic surf rock.  Their musicianship—brilliant guitar lines, powerhouse bass, and forceful drums—sets a new standard for what current surf instro can achieve. This album doesn’t just revisit the genre’s roots; it reinvents them, proving Del Sotos are a force that can’t be ignored.

Credits:

All music & arrangements by Del Sotos, except 11: music by Paul Koulak, arrangement by Del Sotos

Roman Sokolov - guitar

Dmitry Andreev - bass guitar

Nick Radchenkov - drums

Alexey Blohin - Hammond organ (9)

Keith “MuzikMan” Hannaleck-Surf Music and Art Founder

February 15, 2026

Tracks:

01. Sweet Girls of St. Petersburg 2:28

02. Reverboard 1:57

03. Yessentuki Number 17 (Sparkling Water) 2:00

04. Gift Gun 2:15

05. Moscow River Coast 2:53

06. Music for Lap Dancers 2:02

07. Late 3:31

08. Salt Waves 2:51

09. Moon Lover 2:53

10. Step to Me 2:48

11. Surfing Аround Fort Boyard 2:34

Surf Music and Art Top 2025 Albums

These are the best surf rock instrumental albums I heard in 2025—and trust me, narrowing it down was brutal. Each one brings something exceptional to the table, from scorching guitar work to hypnotic rhythms that’ll transport you straight to the beach. Whether you’re a longtime surf rock devotee or just curious about what makes this genre so addictive, you’re in for a treat. I’ve included the essentials below, but the full reviews dive deep into what makes each album unforgettable. Don’t just take my word for it—click through and discover your next obsession. 

*Each review includes the Bandcamp player to stream the albums*

#1. Frankie and The Pool Boys - Endless Drummer

Endless Drummer is a marvelous trip in the way-back sound machine with stellar modern-day production values. The best of both worlds collide for a fantastic and consistent album. My interest did not fade while listening to all 15 tracks. My interest and attention intensified.

Read The Review and Listen To The Interview

#2. Las Arañas del Neptuno-Ride The Madam Psychosis Radio Waves

One can never say this brand of surf instro is simplistic; it is quite the opposite. Ride The Madam Psychosis Radio Waves is one of the best surf instro albums of 2025!

Viva! Las Arañas del Neptuno.

Read The Review

#3.  The Fathoms-Hard To Fathom 

Hard To Fathom is a superb recording and a fantastic return to form after a protracted absence. Let’s hope this is the beginning of another chapter in the history of one of the greatest surf instro bands of all time.

Read The Review

#4. The Woodhavens-Barkada

They are a band with a unique blend of surf-instrumental music and culture, telling you straight away who they are and how it relates to their music.

Read The Review

#5. Los Straitjackets-Somos  

Somos is a satisfying return to form for Los Straitjackets. Lovers of instrumental rock will appreciate this recording. It’s solid and consistent from start to finish.

Read The Review