Label: Independent
The Surf Hermits is the one-man show of multi-instrumentalist Jason Deathrage. A one-man band is not new currently; however, the admiration I have for someone of this caliber never wanes for this listener.
Road Trip is written, produced, and performed by Jason Deatherage.
Things start with “Ursa Major” and resonating twang and driving rhythms that get your blood pumping right at the outset of this 12-track slice of surf rock instrumental. Punctuated by fluid, piercing lead guitar runs, then ending with some cool wah-wah effects, this track has everything that makes surf rock so great!
“Red Dust Rider” is that crazy looking dude on the cover of this album. The colorful artwork by Rude Commissions pops with urgency. The guitar playing is transitional, switching from surfy twang to flat-out rock lines. The combination is lethal and so effective. Again, you get some wah-wah effects, then a quick switch back to more fuzzy surf lines. All the while, a second rhythm guitar keeps the energy consistent along with the drums and bass.
“Towards An Empty Land” opens with atmospheric guitar notes that build the composition. Wordless vocals arrive, adding another layer and making it sound like a worthy movie soundtrack. I really like the tone of this man’s guitar and the way he can transition so easily within one song. Tastefully done while maintaining a rock edge.
“When Waves Collide” is classic modern surf. An irresistible toe-tapping rhythm permeates this one. It reminded me of some of my favorite Merrell Fankhauser tracks, with that island/surf feel. I could listen to this kind of music for hours, love it! Excellent guitar work.
“Mountains Of Madness” continues along the same lines, however, with a darker edge to it. The bass and drums are the steering wheel, while the guitars are the accelerator. The sounds are full and twangy, resonating surf rock at its best. The effects come in towards the end with the wah-wah, which always adds another dimension to the overall sound. It winds things up with a hard-driving finality.
Now it’s time to take a “Road Trip.” The title track should be the most important one to focus on for its effects on the listener’s consciousness. The guitar playing on this track is superb! Full of effects with the leads and some good rhythm backing from the second guitar and bottom end, this is one of the most complete compositions that will resonate with the surf instro audience.
“Dr. Zira's Velvety Lips” is an interesting title. This one has a retro sound, with all the guitar notes. It does get a bit more complex as it transitions; however, it then retreats to the original lines. Think of the first wave of surf with a modern touch and some rock elements woven in for color and energy. Interesting way to end it as well.
“The Faces Of Our Fathers” is a slow-burner with silky-smooth lead guitar and strummed acoustic backing. The drums and bass perfectly complement this step away from the energetic rockers. This is the tasteful island vibe I absolutely love to hear. A great example of diversity and all-around talent on display.
“Yugen” is the longest track, clocking in at 4:38. This one takes another turn in sound and texture. The strumming guitar provides a constant rhythm as the leads take on a different tone this time. The drums and bass build along the way as the lead has that surfy twang that holds on to you without fail again. Then there are some different guitar transitions we have not heard yet. The time spent is needed, given all the different tempos and changes. Three-quarters of the way in, it morphs into an all-out surf rocker that reminded me of something The Space Cossacks would do. So good!
“Night Flight To R'lyeh” has a notable driving bass line as the guitar moves in and out of changes. The tone here carries a certain amount of mystery, as indicated by the track title. It’s all about creating an atmosphere. On the one hand, there is the surf instro with a Middle Eastern influence, then flat-out psych rock. Very complex.
“Mission To The Dreamworld” speeds things up again with a lot of quick licks and driving rhythms. The echoing guitar lines are the trademark of The Surf Hermits sound, and here is a great example of that, regardless of what direction the guitar goes. Three-quarters of the way into this, there is a dramatic change, and it goes into full-on rock mode.
“Speaking With Ghosts” is the closing track and the only one under the three-minute mark. This serves as a goodbye for now and a reminder of the resonant surf tones that this music commands at every turn. The drums and bass complete their fills, finishing off the spooky motif nicely.
Road Trip stands as a testament to Jason Deathrage’s musical vision and skill. The seamless blend of surf and rock elements keeps the listener engaged throughout, offering both energy and nuance with every track. Fans of instrumental surf—and anyone seeking a fresh take on the genre—will find plenty to enjoy in this dynamic, expertly crafted album.
Keith
“MuzikMan” Hannaleck-Surf Music and Art Founder
March 31, 2026
Tracks:
01. Ursa Major 3:05
02. Red Dust Rider 3:44
03. Towards An Empty Land 3:32
04. When Waves Collide 3:20
05. Mountains Of Madness 3:01
06. Road Trip 3:08
07. Dr. Zira's Velvety Lips 3:12
08. The Faces Of Our Fathers 3:22
09. Yugen 4:38
10. Night Flight To R'lyeh 3:33
11. Mission To The Dreamworld 3:17
12. Speaking With Ghosts 2:32
