Monday, January 26, 2026

Surf Rock Instrumental Vinyl Review: The Aloha Joes - Self-Titled 7” Ocean Blue Vinyl EP

 Release Date: June 25, 2024

Label: Surf Wax

Website

The Aloha Joes are self-described as rippin’ surf 'n' roll from the howling barrels of North Beach, Tybee Island, Georgia. Their self-titled 7” ocean blue vinyl debut EP features four tracks.

 They Are:

Drew Fulton: Guitar

Beau Cayton: Bass

Evan Cantwell: Drums

Side A begins with “Betty Cooper.” A wailing guitar is supported by a ready and steady bass and drum. The guitar goes through several gyrations of tempos and rockin’ phrases. The rhythm is exceptional, with standout guitar lines that are filled with expressive color and energy. A fine way to get things cranked up and live up to their surf ‘n” roll description!

“Wetsuit Wiggle” keeps the momentum going with some great backend beats and a storming bass line. The guitar’s resonating lines are upfront and punctuated by the strong support of the rhythm section. As indicated by the cover art, the board and the surf await just to wiggle into that wetsuit!

Side B explodes with “Pinball Summer,” cranking the tempo up another notch with rapid rhythms, as the guitar continues to showcase the full power and surf-rock instrumental command this band possesses at every turn. The weather is warm, and after a brisk ride on the waves, it’s time to head to the arcade, grab a burger and soda, and play some pinball!

Art Alexakis (said some really nice things about us)” gets heavier right at the outset with some meaty chords. This is a flat-out rocker with crashing cymbals and a locomotive rhythm section just attacking it as the guitar’s aggressive stance is further enhanced by that support. The surf instro influences are left behind here as they prove to be straight-ahead rockers if they choose to.

The Aloha Joes put it all on the line on their debut release and leave a listener wondering how this could be topped on the next outing. Obviously, they have a talented lineup with the chops to continue growing and refining their sound. With all that said, I don’t think a debut could be much better than this!

Keith “MuzikMan” Hannaleck-Surf Reviews and Art Founder

January 26, 2026

Tracks

Side A:

1. Betty Cooper 2:11

2. Wetsuit Wiggle 1:57

Side B:

3. Pinball Summer 1:45

4. Art Alexakis (said some really nice things about us) 1:55

Sunday, January 25, 2026

Surf Instrumental Review: The Von Dwells- Self-Titled EP

 Release Date: January 20, 2026

Label: Independent

Website

The Von Dwells are from Portland, Oregon, and have released their debut self-titled EP. The first thing that grabs you is the classic hot rod monster art. This is a reach back to when this all started back in the 60s. The use of black and white is meant to draw your attention to all the activity.

This band has a decidedly Halloween feel to its concept and sound, and it gets it done with plenty of skill and energy.

"Meatball Flag" kicks off with a sound reminiscent of the start of an exciting or risky movie scene.  It is a great way to kick off this EP with a lot of energy and power, and some quick transitions to downtempo then back again.

“Firestorm” ups the ante on sustained energy with a fuzz guitar sound and the relentless bottom end pushing things along. Mid-point, it changes dramatically to a mellowed-out, sunny-beach sound, then, as quickly as that transitions, it jumps back into the original frenetic pace and starts rocking again. This is a fine surf instro track!

The song “Last Ride of the Damned” continues with heavy fuzz tones, very cool drums, and bongo sounds. You figure this should have a touch of evil, given the title. They succeed in maintaining that heavy sound from beginning to end. This is a killer track, a real rocker, and Davie Allan would be proud!

“Bananas Foster” features the legendary Evan Foster (Boss Martians etc.) on rhythm guitar. Evan is one of those guys who, for several decades, has been making great music with different bands and has had a hand in the success of other groups like The Von Dwells. This is a classic tremolo guitar run reminiscent of the first wave.

“Exit 13” sounds like a boding of what is to come, and it isn’t good! The music reflects that sentiment with an organ that gives it the necessary air of mystery and horror, right around the corner after taking that fateful exit to hell. Constant energy flows as the instruments’ power and excitement are once again highlighted in this track.

“Warlock Walk” finishes things up with more fuzz tone and powerful bass and drums kicking in for that guitar to take off again. An impressive amount of energy and precision is the modus operandi here, as it was in all the previous tracks, and an excellent way to end this exciting debut just as it started, with a flair for non-stop energy and the surf instro sound extraordinaire!

The Von Dwells have a great start into the surf instrumental world with a fine debut recording. They do not waste one second of their time and give all their energy and talent to every track. Even though this was just a taste, it will get you salivating for more once you hear it!

Credits:

Guitar: Grant Von Dwell

Bass: Rob Von Dwell

Drums and Percussion: Rick Von Dwell

Additional Musicians:

Mel Woodhavens - Rhythm guitar on "Meatball Flag" and gang vocal on "Last Ride of the Damned"

Evan Foster - Rhythm guitar on "Bananas Foster"

Dave Klein - Organ on "Exit 13"

Tien Doan - gang vocal on "Last Ride of the Damned"

 

Keith “MuzikMan” Hannaleck-Surf Music and Art Founder

January 25, 2026


Tracks:

1. Meatball Flag 02:41

2. Firestorm 03:00

3. Last Ride of the Damned 03:17

4. Bananas Foster 01:50

5. Exit 13 02:43

6. Warlock Walk 02:39


Sunday, January 18, 2026

Latin Jazz Surf Rock Instrumental Review: ChaChaBoom!-Self Titled

 Release Date: December 14, 2025

Label: Independent

Website

ChaChaBoom! is a Latin Jazz Surf Rock from NJ. Their self-titled full-length debut was released last December.

I appreciate surf instro with a Latin flavor. There is something about that mixture of genres and cultures that blends so well. I cannot explain; it just works.

“Otra Guagua” translates to “Another Bus,” but I am not sure. I am always curious what the online translator will come up with. There are three tracks on this album, each under two minutes, and this intro is one of them. It sets the proper mood and tone for what they do very well: twangy, Latin-flavored guitar and strong bass and drums holding down the bottom end so those guitars can cut loose without drowning out anything else. And that comes with proper recording, engineering, and mastering. Based on what I heard, they have it together.

“El Niño” would be expected to have an emotional atmosphere. It moves back and forth like the tides of the sea in anticipation of what is coming. The warming of the sea is what it is, and the music should do the same. The transitory nature of weather is reflected in the music here as the instrumentation’s tempo rises and falls. Very atmospheric.

“Cuban Getaway” has a retro feel, with a standout bass and drums following the guitar’s resonant notes. The Latino color and the guitar’s effect put you in the right frame of mind. The twangy guitar sounds a bit country with the tremolo picking.

“Sway” does exactly that: it makes you feel like moving your body that way. The music has a great beat, backed by bass and drums, with the guitar punctuating its notes with crispness that makes the intent very clear. It has the “island” feel, where you go to the Tiki lounge to get your drink, then head back to the beach to catch some more rays.

“Temptation” features an alluring sound - perhaps a temptation to step into another place where you normally would not go, then boom! The tempo shifts to a more colorful, exciting feeling. This is one of my favorite tracks. The bass is prominent, while the drums remain consistently in sync. The quick fingers on the frets bring you to the land where you dare to go as the excitement of the music reaches higher levels. The power is forceful but subtle when it transitions. A good example of their strong musicianship.

“El Cumbanchero” keeps the steady flow of their music going. I am assuming this is in reference to a place, but one never knows. As the bass and drums continue to build, the guitars take the spotlight, transitioning from speedy rhythmic bursts to a down-tempo “spy” sound. Now that I found it interesting for a transition within a song with all that Latin flavor.

“Latin Soul” has a steady, rapid drumbeat, and the bass keeps up as the guitars’ twangy reverb makes its mark once again. The six-string diversity here is impressive. Compact and precise is their modus operandi. They do it all very well, especially when they finish in under two minutes. It’s enough time to appreciate that what they are doing isn’t an easy accomplishment, which at first blush may be assumed, looking at the time span, but that could not be further from the truth!

“Exotic” is as traditional in sound as it gets when following the surf instro baseline, then adding your own trademark. Although this sound is nothing new, you haven’t heard it; it is done very well and is entertaining as hell, with tremolo bursts all over the place. One of the more exciting fast-paced tracks. The bass is huge here (again).

“Cuarto de Tula” (Tula’s Room) has a nice catchy sound (as all their music does), and the drums make their presence known as the bass also takes its place with powerful riffs. The guitar continues with its magnificence and colorful playground of sound.

“Rumba Gitane” (Gypsy Rumba) takes you right to the streets with all the movement, sweat, and sensuality that the Latin music can encourage and inspire. It’s all about the movement and non-stop beat of the drums and the rhythm of the bass pushing the guitar along. Some terrific guitars work here, further solidifying their hold on the culture’s colorful aspects.

“Siboney” also known as "Canto Siboney", is a 1927 song by Cuban composer Ernesto Lecuona. Now, how is that for reaching back in time? The drums sound Latin jazz-influenced, as that bass gets in the groove nicely. The resonating guitar expresses the emotion within the music. Well played with style and precision.

“Bilongo” (Flowers) winds things up with their own tasteful playing with their influences blooming like a flower in the sun. They bask in the rays of that warmth, and the subtle drum fills allow the guitars’ notes to float effortlessly over the top. It ends with a quick remembrance of The Ventures, then fades out.

ChaChaBoom! was a fun listen. Those of you surf instro fans who like a little extra spice and flavor in the sound will love this album! Fine musicianship and production on this debut release will generate significant interest among listeners.

Credits: 

Guitar - David Adasse 

Drums - Jon Brody

Bass - Scott Tulloch

Engineered, mixed, and mastered by Dylan Saraciniello 


Keith “MuzikMan” Hannaleck-Surf Music and Art Founder

January 16, 2026


Tracks:

01. Otra Guagua 1:57

02. El Niño 1:55

03. Cuban Getaway 2:15

04. Sway 3:11

05. Temptation 2:58

06. El Cumbanchero 3:13

07. Latin Soul 1:53

08. Exotic 2:09

09. Cuarto de Tula 2:47

10. Rumba Gitane 2:51

11. Siboney 2:34

12. Bilongo 2:47