Instrumental Rock Vinyl Review: Los Straitjackets-Somos (Ltd. Edition Yellow Vinyl - 1,000)

Release Date:  September 19, 2025

Label: Yep Rock

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After a decade-long break, the iconic Los Straitjackets have made a triumphant return with Somos (Are). The fact that the limited-edition yellow vinyl is nearly sold out as I write this only adds to the excitement. I am lucky to have secured my copy before the official release date.

 

Los Straitjackets have made a captivating return with Somos, offering a rich tapestry of 15 tracks that blend instrumental rock with surf-tinged elements. Throughout the album, you’ll hear echoes of retro sounds and be treated to some exceptional guitar work, showcasing the band’s diverse musical influences.

 

Listening to Somos, you’ll find yourself transported back to the golden era of music, with memories of The Ventures and Shadows (“Genesee River Rock”) flooding your mind. Los Straitjackets’ ability to evoke such nostalgic feelings is a testament to their musical prowess and connection with their audience.

 

“Bumper Car” kicks things off on side A with some melodic twang and a smooth rhythm section. This is a toe-tapper (and there are many of those) with some tasteful leads on the guitar (there are many of those too!).

 

“Polaris” resonates with reverb as the “island vibes” grab you, then the warmth of the sun's rays is imagined hitting your face. There is an acoustic rhythm guitar that is nice and steady, along with the bass and drums. Some shimmering leads from the electric guitar set the tone and atmosphere nicely.

 

“Genesee River Rock” is a throwback to the sound of The Shadows with some swinging leads and good rhythm guitar to accentuate all of that activity. Then the occasional drum rolls add their excitement to this retro classic.

 

“High Wire Act” steps up the pace and tempo significantly. Some rapid picking on the six-string is featured here with some reverb for extra measure. I enjoyed the transitions. Some great bass lines are added. You get the best of both worlds on this, as today and yesterday are combined. 

 

They shout “Numbskull” as the drums fire off, and then some hook-filled riffs, and that legendary “Whip Out” callout is perfected. Some crafty guitar is featured, and the switching up of tempos is good.

 

“Two Steps Ahead” brings on the heavy bass lines as the guitar provides a good riff (which at times recalls “Secret Agent Man”). The drums and cymbals play their part, adding some excitement and emotion.

 

“April Showers” closes out the first side with some catchy riffing, then a melodic lead as the rhythm guitar and bottom end are solid once again. Some tasteful playing and reverberating leads are excellent.

 

Side B opens with “Cry for a Beatle” as the energy level feels good to start. The bass part is fantastic, and the drums are very melodic. Strong leads coming from the lead guitar make it another winner.

 

“Catalina Farewell” slows things down but with a catchy riff on guitar. The tune is mellow and relaxing, sounding dreamy like a lullaby.

 

“Copy Cat” Returns to the more upbeat sounds. The guitars engage in a call-and-answer session, with the back end always providing a foundation. There are some drum rolls briefly and a bass solo.

 

“Sentimental Fool” brings the tasteful guitar leads back in focus. The rhythm section is very measured and timely as the guitar leads perk things up, then revert to the original melody, then back to the energy. The back and forth showcases the bands’ ability to be so diverse within one track.

 

You hear a girl’s voice say “Bad Apple” to start this track. The sound is entirely different than any other track on the album. Almost like something a band would add as a bonus track. The guitar’s bluesy leads are not something you would expect to hear on a recording like this, but the takeaway here is that it’s good. Some heavy bass lines are also featured—another example of their exceptional talent and diversity.

 

“Wicker Park” has some twangy leads and a toe-tapping rhythm—a very catchy track with smooth instrumentation.

 

“Spinout” is their all-out rocker on the album and one of the early tracks released. The drums start the engines, and you hear them holler Spinout! Twang and reverb dominate, and then that crazy “Wipe Out” laugh again. The bottom end is like a locomotive, and the rhythm guitar is exceptional.

 

“Virgon” closes out this return to greatness for Los Straitjackets. It starts slow, then they crank it up and go back again to the solo mellow guitar. The back and forth is great, and a super catchy song.

 

Somos is a satisfying return to form for Los Straitjackets. Lovers of instrumental rock will appreciate this recording. The mixture of rock, surf, and tracks that transition from slower to faster makes this a diverse listen without any filler. It’s solid and consistent from start to finish.

Credits:

Eddie Angel – Guitar (Bass on “Cry for a Beatle”)

Greg Townson – Guitar

Chris Sprague – Drums, Voices (Guitar on “Cry for a Beatle”)

Pete Curry – Bass (Drums on “Cry for a Beatle”)

With:

Simon Heeran – guitar on “April Showers,” “Virgon” and “Catalina Farewell”

Alex Hall – Vibes

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

September 5, 2025

Tracks:

Side A:

1. Bumper Car

2. Polaris

3. Genesee River Rock

4. High Wire Act

5. Numbskull

6. Two Steps Ahead

7. April Showers

Side B:

1. Cry for a Beatle

2. Catalina Farewell

3. Copy Cat

4. Sentimental Fool

Surf Rock Instrumental Review: Les Panches Surfers - La Balasera

Release Date:  May 17, 2023

Label: Independent

Website

I realize that this album from Les Panches Surfers titled La Balasera was released a few years ago, but it deserves some attention.

 

Their press kit says the following:

Les Panches Surfers is a Spain-based Instro Surf band that combines tremendous versions of surf classics with excellent and powerful songs of their own. Under his impeccable appearance of white clothes, masks of catrinas and Mexican hats hide an excessive force and Danger, as they demonstrate in every gig, is comparable to The Mummies. They have dynamited scenarios of the most essential venues from Madrid to Germany, and everyone who has ever seen them live knows that ...

 

I think that was a clever intro to the band, and with the masks, they remind me of many other bands doing the same thing, except this group all go by aliases, so you don’t know who they really are. Hailing from Madrid, Spain, this is yet another indication of the global presence of surf instro.

 

"La Balacera" is a Spanish term meaning “the shooting” or “the shootout,” referring to a gunfight or the act of firing guns. They kick it off with a bang (no pun intended) with their title track. They are letting you know this high-energy music with some good guitar licks and an explosive rhythm section. Off to a great start, and they get it done in a little over two minutes.

 

“Surf Division” begins in a more mellow manner compared to the opener. Some fast fingerpicking is going on here with the acoustic, transitioning into some fuzztone leads (ala Davie Allan). Then they circle back to the original melody with the glissando guitar, then back into the electric driving section. The drums and bass, always key in pushing the band along, do their thing well. I liked the quick drum rolls inserted a few times, then the weird string bending sound to close it out.

 

“GusFuzz,” you figure, is going to be interesting with a title like that, and it is. It begins with the retro ’60s surf sound, a style characterized by its upbeat tempo, reverb-heavy guitar, and catchy melodies, and features some additional glissando, adding a definitive Spanish flavor. The squealing guitar puts a picture of a surfer going tubular in your mind. The guitar is superb with all the warmth and inviting sound that you expect to emulate the beach, fun in the sun, and surfboards. Three-quarters of the way through, the fuzz arrives with some catchy licks.

 

“El Secuestro” is the Spanish word for kidnapping or abduction (yes, I always must look this stuff up). So immediately with that thought in mind, their sound is one of mystery and intrigue. It moves along nicely with a good flow and mixture of acoustic and electric riffs. Lots of hooks and the transition to the rhythm section showing its power, and entirely different licks add another layer.

 

“Último verano en Torremolinos” translates to last summer in Torremolinos. So, you imagine the sun, the beach, and memories come flooding into your mind. At least that is what the music should do. It does paint that picture nicely. It is a mellower melody with some layered guitar work. I appreciate the versatility the band demonstrates on this track. They can rock or kick back and play something with a great melody and tasteful hooks to pull you in.

 

“La Huida” translates to “the escape” in English. Knowing what these words mean before hearing the track is very helpful in picturing what the band is attempting to say in their music. This one explodes from the first note played. They return to a heavy rocking mode, incorporating some impressive guitar effects. Then the rhythm section gets their turn as they thump away, and you hear some of the quick drum rolls as the guitars wail away. The band’s ability to create a visual experience through their music is truly engaging!

 

“Tenebrosa” means dark. So here we go again, will it feel that way? Yes, indeed, it does, with a creepy intro and a devilish laugh. The guitars provide a lot of excitement and changes. There is that element of surprise and intrigue again as it builds through this track with several different sounds, transitions, and guitar lines ever changing.

 

“Rosarito” starts with a more retro sound on guitar (like the 1st wave in the 60s). More mellow again this time with subtle drums and bass (which is a change in comparison to most tracks). Nice flow and smooth guitar lines.

 

“Calçots” are a type of green onion, also known as scallions. This is a fun process, trying to figure out all these English translations! This is another one with the more traditional surf instro sound, with a steady flow of surging up and down guitar lines, with the bass and drums maintaining a constant rhythm throughout. Then suddenly that retro organ sound jumps in as the level of bass and drums rise along with it. Many changes make for one of the more diverse tracks yet.

 

“Waikiki” does not need translation, obviously. Big waves, right? Well, in one aspect, yes, for surfers, but not in this case. They get mellow and tasteful again with some excellent guitar work. Their Spanish heritage creeps in here; it’s not Andres Segovia, but it’s perfect! The organ is added again for another layer, followed by the quick shutdown.

 

“El Ahorcado” is translated as The Hanged Man. And it lines up perfectly with their “Spaghetti Western” sound on this closing track. The guitar resonates and echoes as a subtle organ plays off in the background—the drums and bass sound foreboding as they end the track.

 

Les Panches Surfers are an excellent surf instro band that knows how to rock or pull back and do something more tasteful and picturesque. All their many talents are on full display on La Balasera.

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

September 2, 2025

Tracks:

01. La Balasera 02:13

02. Surf Division 02:42

03. GusFuzz 04:02

04. El Secuestro 02:50

05. Último verano en Torremolinos 03:35

06. La Huida 02:25

07. Tenebrosa 02:52

08. Rosarito 02:23

09. Calçots 03:22

10. Waikiki 02:06

11. El Ahorcado 03:00

Surf Rock Instrumental Review: The NovaRays: Another Date With The NovaRays

Release Date:  June 26, 2025

Label: Independent

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The NovaRays, a trio comprising John Ashfield on Fender Bass IV, Rob Jacobs on drums, and Lewis Bailey on guitar, showcase their individual and collective mastery in this band.

"West of Eureka” begins with the sound of a horse galloping away, then the music kicks in.  The bass is powerful and upfront, with the guitar positioned in the background, which I found interesting —a kind of switch in positions you rarely see. The drums are tight and right there with the bass. They add some other sound effects to make it feel like you are starring in the latest Western.  It is very panoramic, as it ends with the sound of a whip cracking, ‘Yee-haw!’ The next episode of Rawhide will begin after these messages…

“Space Hero” begins with a funky bass riff, as the drums join in for the ride, and the guitar arrives with a touch of twang and reverb. This time, the guitar’s volume is turned up for your pleasure. This is a combination of rock and surf with an irresistible hook and beat. A nice tempo is held consistently, and it’s a very tasteful ditty, I might say.

 

“Wooden Horse” is very melodic right out of the gate with some skillful guitar playing. And that bass, oh my goodness, it is just excellent - how strong and accurate it is. The drumming also receives praise for consistently maintaining exceptional time. There is something about the melody that sounds familiar to me, maybe something I heard years ago from Wishbone Ash—a very steady track with some clever transitions.

 

“The Creeper” is a classic many folks are familiar with from the Ventures; however, this is an original. It has a Halloween feel to it, which helps bring the subject matter to life. Well, after this is creepy, right? They nail it down nicely with perfectly paced rhythms and some “cuts like a knife” leads from the guitar for further emphasis. Well done!

 

“The Haunting of Bath House B” continues with our Halloween theme. This time, it’s much more upbeat, with some killer guitar lines accompanied by a throbbing bass and drums to carry it along. Some cool effects kick in as the guitar enters full gallop mode, then it transitions back to the leads, with the rhythm guitar following along, and finally, the epic, resonating finish.

 

“Pink Slip” goes into hyperdrive immediately with some lightning-fast guitar riffs. The bottom end is once again strong, as the guitar is diverse and accentuated with front leads, as well as in the background. A lot is going on in this track, and they pack it all into 3:03. I liked the quick transitions and layered guitars, with one keeping the rhythm and the other just ripping it (although they do that a lot on this album).

 

“Three Blue Stars” takes you back to the first wave of guitar sounds, then transitions to a more prominent lead guitar, holding on to the roots of surf instro. It’s a nostalgic journey, sounding very retro but crisp, clean, and precise due to the use of good recording methods. The different types of guitar sounds you would hear from a band in the heyday of the early ’60s are what you will be able to enjoy with this one!

 

“Phantom of the Jetties” gets you into the full reverb and twang mode, but this time, spy sounds dominate the atmosphere. As the paint it out with the guitar lines and rhythmic bass and drums, laying down that solid foundation. The bass has a few standalone moments with some funky lines. It’s the guitars that make this real for the spy vs. spy sounds—one of the best tunes on the recording.

 

“Mr. Covington’s Wild Ride” wraps things up on the wild instrumental ride. A spiffy guitar line kicks things into high gear with a solid rhythm guitar chugging along, and the bass and drums doing their things like they do. The guitar weaves its magic throughout with many transitions. Almost three minutes of pure rock instrumental surfy greatness to close the curtain on one hell of an album!

 

Another Date With The NovaRays is a date you will want to keep. This is a solid outing with a diverse array of tracks covering the gamut of surf instro and surf rock. They give you a taste of it all and a few looks back to where it all started to complete the circle. It’s an exciting journey that you wouldn’t want to miss.

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

August 31, 2025

Tracks:

1. West of Eureka 02:57

2. Space Hero 02:44

3. Wooden Horse 02:31

4. The Creeper 04:10

5. The Haunting of Bath House B 02:36

6. Pink Slip 03:03

7. Three Blue Stars 02:29

8. Phantom of the Jetties 02:50

9. Mr. Covington's Wild Ride 02:58

Surf Instrumental 7" 45 Vinyl Review: The Divine Wind Brotherhood - Banzai Blue/Jo, Surfing

Release Date:  August 23, 2025

Label: Yaquina Break

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This is a unique release from The Divine Wind Brotherhood. Now you must love that name!

The 7” 45 is translucent blue, a visual representation of the “Banzai Blue” theme, and comes with a set of 3D glasses to view the back cover, which adds an interactive element to the experience. “Banzai Blue” is B/W “Jo, Surfing.”

The front cover is very colorful, keeping with the tradition of combining art with music in surf instrumental. The addition of keys and woodwinds was an interesting enhancement to their sound. It is another element that will give the listener more to focus on.

“Banzai Blue” achieves the “far east” sound with its guitars, incorporating elements of traditional Japanese music and culture, as they transition to sharp leads that will catch your ears. The steady rhythm is always there as the foundation for the guitars to take off. It is something you expect with surf instro music. The drums and bass are strong, with the continuous melodicism serving as a highlight.

“Jo, Surfing” starts with a more traditional surf sound, reminiscent of the classic surf instrumental tracks of the 1960s, and once again, the guitars are melodic with a nice flow. Some breakaway leads are crisp and clear, offering the listener an additional dimension to enjoy in their music.

The Divine Wind Brotherhood has a great sound, and their instrumental prowess is evident on this special release. With only 100 copies available, this is an infrequent and exclusive item that will likely sell out quickly, making it a highly sought-after collector’s piece.

The Divine Wind Brotherhood Is:

Bob Shade - Guitar

Isaac Jones - Bass

Jim Tucker - Guitar

Debbie Love - Keys & Woodwinds

TBone Empey – Drum

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

August 28, 2025

 

Surf Instrumental Compilation Review: Can't Surf On A Gas Giant vol.1 - Various Artists

Release Date: August 1, 2025

Label: Hitchslap Records

Website

There is nothing like a surf instro compilation to “wet” your appetite for the genre, and one with some eye-catching artwork that pulls you right in.

Hitchslap Records has put together a 14-track taster titled Can’t Surf On A Gas Giant vol.1 to discover some bands that may be new to you and to revisit some that are not.  This will resonate with listeners and bands all over the world. The variety and genre-bending tracks never let up. Take it for a test drive, but beware, some twists and turns come up on your fast!

 

The first band to receive instant recognition is at the top of the list, with track #1, the Insect Surfers. They were one of the leaders of surf rock when they arrived on the scene. They formed in Washington, D.C., in 1979. The group bills itself as “Planet Earth’s Longest-Running Modern Surf Band!” I would not argue with that!

 

Insect Surfers - "Bay of Bengal" kicks things off, and it’s a fantastic start! This is genuine musical artistry at work. Their sound is clear, sharp, and with the shifting guitar notes, it makes for an enjoyable listen — not your typical surf instrumental track, clocking in at 3:40. I had to listen twice; it’s a wave of sound with a powerful rhythm section. Their position in the community was established decades ago, and this track confirms they haven’t missed a step and are a flexible group of musicians. This fleeting surf rock instrumental will resonate loudly and clearly! To my ears, this is progressive surf.

 

Surfer Joe - "Sunset” - Is an excellent addition to this comp. Everyone knows who this man is! He does a lot for promoting the community and records some great surf instro music. This is a sample of his sound, which is a reach back to the first wave with some new pop and crackle.

 

Los SuperAvengers (yes, they spell it that way) - "Perfect Wave”- Is another nearly 4-minute exercise of musical prowess. They are all geared up like the legendary Los Straitjackets with their Mexican wrestling masks. They were formed in 2007 in Austin, TX, according to their Facebook page. They have a melodic, fast-moving sound that is very smooth and catchy. This is their own “Perfect Wave” of surf instro that is sure to raise a few eyebrows.

 

RAHMUS - "Dracula’s Castle" – Is the band with the interesting name and look with their “Ghost” masks, etc., as seen on their banner on Bandcamp. Just one look at that and you’re thinking that they will probably be on the fringes of surf and beyond. And they have a very cool sound! They take rock and reverb and set it to a steady beat with plenty of oomph! Their sound is irresistible and contagious.

 

The Invincible Speed Holes - "The Plague" -They are all out rockin’ surf comparable to Man or Astroman? Some serious guitar explosions occur during this track. It was like punk meets surf rock, with a crushing rhythm section that was powerful.

 

Nuclear Juarez - "Spy School Dropout" – Here we go with some surf spy music! Have to love these surf variations you can listen to. A band with another great name! Here we get back to the little over 2-minute jaunt, jam-packed with high-energy surf instro. Fast-moving and full of melody, they get it done. Their nuclear reaction ticks, and the bomb explodes to end the track, how appropriate considering their name.

 

Bat City Surfers - "The Lazer's Edge" – Are flat out rockers on this track. Drums and cymbals crash as the guitar cuts away its parts, razor sharp, with some use of a pedal for effects, making it more interesting. They move at hyper speed without coming up for air, then a quick transition to stopping for some commentary and back to their heavy surf rock sound to close it out.

 

Frank Mustard Project - "Fireball" – Wins the day for weird band names! They get it done in under 2 minutes with a fine guitar run with effects. Twangy and surfing on a monster wave of sound, I love it! The melody is familiar, and it certainly rocks hard.

 

Matagorda - "They Called Him Raven" – If you’re ready for some surf western spaghetti twang, then this band is your ticket to ride to that atmosphere, and they paint that picture well. Almost 5 minutes, this is the mega track of the comp. They take you through all the paces with their talents and get you right in the mood to go to your TV and look for a good Western! Well done!

 

The Nematoads - "Difference Engine"  -  I recently had the pleasure of covering this recent release. This one is a real rocker with a soundscape that would fit a movie with intrigue, mystery, guys and dolls, and fast cars. The music is full of cutting-edge guitar licks and effects. Thanks to Ted James at Deep Eddy Records and the guitar player for the band for recommending this fantastic compilation!

 

JUDODOJO - "First Wave" -Dismisses any idea that surf instro is one-dimensional. The guitar playing is superb on this track, and the rhythm section roars along to complement that transitioning guitar sound. The pedals for guitars are so crucial for this genre, and they make good use of those tools. One wave after another of amazing sounds that will have you diving in for another swim in their massive sound!

 

Northern Tides - "Route 32" -Has a confident sound with a traditional twist to the approach. A little bit of glissando peppered in there with some excellent guitar runs, all supported by the “surf beat” we are all familiar with. A blast from the past to remember how this all started, thanks, guys!

 

Sys Malakian - "Old Jaguar Twist" – Brings us back to the first wave with some killer sound. Sys has been making his mark and has the respect of fellow musicians from all over the planet. This is so good! I feel like I just jumped into a time machine, and I am in SoCal on the beach listening to all the favs of the day! Extraordinary musicianship, Sys!

 

AKAW! - "Invasion Eminent" – This band ends this comp with a bang! I love the way it starts with the voice of an announcer coming on to warn us of a full-scale attack! This is the fun and colorful surf instro music, taking all the elements and wrapping them into one track. They get it done in a little over 2 minutes, which is no easy feat. This is an explosion of sound!

 

Can’t Surf On A Gas Giant vol.1 is fourteen tracks of great music that are consistent, varied, and stay within the surf instrumental arena and sub-genres, which is always great fun. This kind of music injects energy and color into your day, and you’ll find yourself reaching for it again - I can guarantee it!

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

August 19, 2025

Tracks:

01. Insect Surfers - "Bay of Bengal" 03:40

02. Surfer Joe - "Sunset" 02:52

03. Los SuperAvengers - "Perfect Wave" 03:41

04. RAHMUS - "Dracula's Castle" 02:56

05. The Invincible Speed Holes - "The Plague" 02:09

06. Nuclear Juarez - "Spy School Dropout" 02:09

07. Bat City Surfers - "The Lazer's Edge" 02:47

08. Frank Mustard Project - "Fireball" 01:39

09. Matagorda - "They Called Him Raven" 04:50

10. The Nematoads - "Difference Engine" 03:45

11. JUDODOJO - "First Wave" 04:01

12. Northern Tides - "Route 32" 02:39

13. Sys Malakian - "Old Jaguar Twist" 02:12

14. AKAW! - "Invasion Eminent" 02:05

Surf Instro Review: The Breakers-Triple-Sided Single

Release Date:  July 19, 2025

Label: Independent

The Breakers Catalog

As The Breakers gear up to release another full-length recording, they decided to give us a taste of what is to come. And they are doing it with a unique concept-the Triple-Sided Single, a collection of three distinct tracks that showcase their versatility and creativity.

THE BREAKERS ARE:

Jim Abrahams - Guitar, Effects

Marc Lockett - Drums, Percussion

Jayson Slater – Bass

 

Creating music is not just a passion, but also a labor of love. All of us working stiffs must set aside time for this kind of work, so it is a process to get everything together. Just about anyone who is an independent recording artist is leading this double life. So, listeners are required to have some patience as they strive to deliver the best music possible.

 

So, if you have a craving for more killer surf instro to digest, I have just the remedy for you with these three tracks.

 

“Injection” gets your motor running right from the starting line. Fueled by a locomotive rhythm section and lead guitar that offers a mix of first wave and today’s tech to give it a clear and crisp sound. Melodicism is the word of the day here. There is some slick guitar work going on here with Abrahams doing some quick slides down the fretboard, kind of like a surfer taking a massive wave and getting in a sustained tube. (Check the track video provided)

 

“Facing The Sun” marks a shift towards more complex compositions, incorporating a touch of psych garage influence. Some cool transitions are found within this number. Then the old school sounds jump out suddenly for the ’60s organ sound (*which I suspected was a guitar), kind of like The Munsters’ intro if you can remember that or are familiar with it. This was a big step away from the previous track, reminding you of how eclectic surf rock can be if you have the talent of this remarkable trio.

*I asked Jim Abrahams, and he confirmed that the organ sound was the Eastwood Backlund Model 100 DLX Guitar through the Electro Harmonix C9 Organ Machine.

“Adios, Consciousness” takes another turn on the musical road. This track is a journey, with a mellow start, a prominent bass line, and a 60s psych vibe. Then, it surprises us with a heavier, meatier sound, complete with a sax and trumpet. The guitar, switching to tremolo mode, adds to the variety. It’s like listening to several songs all rolled into one session. No wonder they go past 3 minutes!

 

If the Triple-Sided Single is a taste of what’s to come with the whole album, I, for one, am eagerly awaiting its release. If you’re a fan of The Breakers, you won’t want to miss this!

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

August 15, 2025

Tracks:

1. Injection 02:32

2. Facing The Sun 02:50

3. Adios, Consciousness 03:26

Surf-Progressive Review: California Guitar Trio - Rocks The West

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Rocks The West, a 2000 live release from the California Guitar Trio, features Tony Levin on the Chapman stick bass and a fretless bass, and Bill Janssen on the saxophone. This unique combination adds an esoteric feel to the music, transforming the trio’s sound into a more layered and complex progressive free form experience.

The classic influences come through on Beethoven’s "Symphony No. 9." The creator would have been delighted if he heard their version. The one song that just knocked my socks off was "Bohemian Rhapsody." I have never listened to an instrumental version of this song; it’s gorgeous and so intricately played. The Ellington jazz classic "Caravan," which has several popular surf-instro interpretations, is heard in an entirely different musical domain.

 

The group does have the surf influences courtesy of Hideyo Moriya. Still, bandmates Paul Richards and Bert Lams allow the song to take on a life of its own due to the cooperative spirit of each player, allowing all their influences to meld into one big, beautiful, and stunning sound.

Surf, classical, jazz, rock, folk, progressive…it’s all present and accounted for on each track. The liner notes are very cool; they track their dates and venues with insightful and humor-filled commentary. There are also some good snapshots of the band.

 

The entire world is a stage at a CTG concert. The players are the puppeteers, and we are the puppets, allowing every note to transport us to a dimension free of worry and filled with happiness and wonderment.

 

This music is not just powerful; it’s a transformative experience that you owe it to yourself to have. You have to hear these men play to truly understand the impact and importance of what they do. Their music has the power to inspire and uplift, leaving you with a renewed sense of wonder and joy.

Keith "MuzikMan" Hannaleck

January 24, 2002

Tracks:

01. Scramble

02. Symphony No. 9

03. Bohemian Rhapsody

04. Caravan (Moroccan roll w/drum solo)

05. Punta Patri

06. Waters of Eden

07. Blue-eyed Monkey

08. Pathways

09. Pictures at an Exhibition

10. Happy Time In Fun Town

11. Misirlou

12. Rokudan

13. Blockhead

Progressive-Surf-Instrumental Review: California Guitar Trio- With Special Guests Tony Levin and Pat Mastelotto-Live At The Key Club

Tony Levin Website

California Guitar Trio came into being in 1991 after Bert Lams (Belgium), Hideyo Moriya (Japan), and Paul Richards (USA) met at a Robert Fripp guitar seminar in England. Fripp was impressed enough to take the trio on tour with him on the now-famous Fripp’s League of Crafty Guitarists Tour, a tour known for showcasing exceptional guitar talent. The result of that successful internship helped the three men decide to break off from the Fripp troupe and start their group. CGT was born, and the rest is history.

Live At The Key Club features very special guests Tony Levin, bass player extraordinaire, and the in-demand percussionist Pat Mastelotto (Mr. Mister, King Crimson), delivering an indispensable performance with the group.

The combination of awe-inspiring jazz-inflected surf-progressive-rock sound is a rocking example of genre amalgamation. A notable inclusion to this set is the classic Surf tracks "Miserlou" (Dick Dale), "Apache" (The Shadows), and King Crimson’s phenomenal ‘Discipline’ to wet your diverse musical palette. If that isn’t enough for you, then John McLaughlin’s “Dance Of The Maya” will set your soul afire.

This group sounds like a literal guitar army. Keep in mind this is all acoustic guitar, although it doesn’t keep the sound down at all. With the addition of the incredible Tony Levin and the rhythmic percussion of Mastelotto, CGT is given more depth and breadth in their sound, and quite simply put, it’s out of this world.

Wizard engineer Ronan Chris Murphy mixed the recording, so they got the very best in that department; it’s more than obvious right from the start of the first track that Murphy’s stamp is on the mix. They do an ultra-fast version of “Heart Of The Sunrise” (Yes), and according to the group in the liner notes, it’s true to form when you listen to it.

Three dueling guitars at warp speed is something to witness. This recording will be just like being there. It will be as captivating as anything you have ever heard. Intricate notes are woven in multiplicity to create their three-man guitar sound. I have to give full credit to the rhythm section; it must have been complicated to keep pace with and make the proper exchange between the drums and bass without allowing the guitars to drop out of sync. They couldn’t have chosen a better duo than Levin and Mastelotto.

As a reviewer of progressive bands, my introduction to the California Guitar Trio was a revelation. Their name kept cropping up in my research, and I was not disappointed. Their sound is a masterclass for musicians, a sonic journey that I urge you to experience.

Keith "MuzikMan" Hannaleck

January 23, 2002

Tracks:

01. Train to Lamy (4'56") - Lams, Richards, Moriya

02. Zundoko Bushi (3:43") - unknown, arr. Moriya (w/ excerpts from 21st Century Schizoid Man - Fripp, McDonald, Lake, Giles, Sinfield)

03. Blockhead (3'36") - Richards

04. Apache (3'26") - Lordan, The Shadows (Atlantic)

05. Sketches on Sunset (6'48") - Mastelotto, Levin, Lams, Richards, Moriya Improvisation

06. Discipline (4'51") - King Crimson (BMG Music)

07. Miserlou (1'58") - Tauber, Wise, Rubanis, Leeds (Campbell Connelly, & Co. Ltd)        

08. “Many people ask us..." (3'05") - Richards

09. Melrose Ave. (2'15") - Moriya

10. Dance of Maya (5'54") - Mclaughlin (Warner-Tamerlane Publishing Corp.)

11. Heaven’s Bells (6'56") - Mastelotto, Levin, Lams, Richards, Moriya Improvisation

12. Heart of the Sunrise (7'22") - Anderson, Squire, Bruford (Atlantic)

13. Caravan (5'28") - D. Ellington, I. Mills, J. Tizal (EMI Mills Music Inc.)

14. Eve (4'02") - Richards, Lams, Moriya, Levin

Surf Rock Instrumental Review (Holiday): Los Straitjackets- ‘Tis The Season For Los Straitjackets!

http://www.losstraitjackets.com

Admittedly, it is a little early to be listening to Christmas music. I could not help but put this on, though. By the end of the month, I will have had my fill of seasonal music to review, and I will be happy that it comes only once a year.

Surf-instrumental music has always been a personal favorite, and Los Straitjackets never fail to deliver a unique and fun experience. Their vibrant Mexican wrestling masks and infectious sound make them a joy to watch. ‘Tis The Season For Los Straitjackets!

Well then, now you can put all of that together and have yourself a CD that will get you in the mood for the season. Could there be a better way to jump-start the Holiday than to a rockin’ and twangy “A Marshmallow World”?  (Released on a red vinyl 45 a few years ago, B/W “Sleighride”) or “Feliz Navidad”? Even though it may not seem right without Jose Feliciano’s vocals, it still sounds great. Every song sounds so wonderful!

The CD is not too long or too short; it is just right, with 13 tracks, the longest one being a little over three minutes. You must love this kind of music to appreciate it fully, although there may be some converts just waiting for something different to feast their ears upon this year. Usually, the only instrumental Christmas CD I put on is The Ventures Christmas Album (who have a new Christmas CD out too). Now, I have another one to add to the list.

This CD is a joyous toboggan ride down a steep hill on a cold December day. The faster you go, the more excited you get! It’s a perfect blend of fun and the spirit of giving, which is what the holiday season is all about. Let Los Straitjackets’ music guide you to a season filled with joy and excitement.

Keith "MuzikMan" Hannaleck

November 3, 2002

Tracks:

01. Here Comes Santa Claus (Autry/Haldeman) - 2:11

02. A Marshmallow World (DeRose/Sigman) - 2:06

03. Feliz Navidad (Feliciano) - 3:10

04. Jingle Bell Rock (Prentis) - 2:41

05. Rudolph the Red Nosed Reindeer (Marks) - 2:18

06. God Rest Ye Merry Gentlemen (Traditional) - 2:23

07. Frosty the Snowman (Nelson/Rollins) - 1:57  

08. Christmas in Las Vegas (Amis/Angel/Curry/Lester) - 2:36

09. Let It Snow (Cahn/Styne) - 2:12

10. Sleigh Ride (Anderson) - 2:33

11. Christmas Weekend (Amis/Angel/Curry/Lester) - 1:53

12. Little Drummer Boy (Davis/Onarata/Simeone) - 2:40

13. The Christmas Song (Torme/Wells) - 3:16 

Surf Instro Live Review & Interview (John Blair): Jon & The Nightriders-Recorded Live At Hollywood’s Famous Whisky A Go-Go (January 10, 1981)

Release Date:  April 18, 2014

Label: VOXX

ORDER THE VINYL

Jon & the Nightriders tore the roof off Hollywood’s Whisky A Go-Go in January 1981. This legendary venue has hosted some of the most iconic live performances in music history, and that night in January was captured for this LP.

 

The Live At Hollywood’s Famous Whisky A Go-Go LP is heavyweight quality vinyl purchased directly from Jon Blair.

 

Here is the lineup of musicians for the classic surf rock recording:

Jon Blair-Lead Guitar

Dave Wronski-Rhythm Guitar

Niki Sixx-Bass (Not the Motley Crue band member. Listen to the interview)

Dusty Watson-Drums

 

What a powerhouse of talent! Wronski’s rhythm guitar is a force to be reckoned with, a fact proven by his future lead performances with Slacktone. And with his bandmate Dusty Watson on drums, this lineup is a force of nature.

 

If you’re a surf instro fan, you will immediately recognize all the classic tracks the band covered.

The recording is excellent musically and for overall clarity and crispness of sound. Additionally, you get a download card for your digital archives with four bonus tracks. These include three alternate versions of classic tracks, providing a unique perspective on the band’s performance.  It is quite the package of music.

 

This record explodes with some incredible surf rock instrumentals. “Rumble At Waikiki” kicks things off, and it’s a wild way to start. The music is blasting at full volume. This is the way this music should be played, just as Dick Dale did when the first wave of surf commenced.

 

Every track is superbly done with the vintage reverb, tremolo, and glissando riffing in the spotlight every step of the way. For instance, on “Surf Party,” the band cranks, and you get a good taste of all those aspects of this music.  

 

While every track is played with speed and accuracy, more than a few are in hyperdrive. “Force of Gravity,” a bonus track, is an excellent example of that.

 

Worthy of note are all the transitions they make within each track. Even though the music is known for its short recording times, one of the trademarks is how transitory it can be.

 

The Marketts get a nod on the other bonus track on Side B with “Outer Limits.” The Ventures’ “Walk Don’t Run” and The Astronauts’ “Baja” get their due as well on the digital download. You will hear fired-up versions of those legendary tunes, with the bass and guitar cranking it out.

 

The six-and-a-half-minute “Medley” is excellent. As “Banzai Washout,” “Surf Jam,” and “Pipeline” get the Nightrider treatment. Chances are, you have not heard these songs played live in such a way on a surf instro LP too often. They just cut loose on every track and rock out.

 

Recorded Live At Hollywood’s Famous Whisky A Go-Go is not just a look at surf music history; it’s a visceral experience. The passion, color, and precision with which each track is played are a testament to the enduring power of live music.

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

August 4, 2025

Tracks: A1. Rumble At Waikiki 2:44 A2. Mr. Moto 1:58 A3. Surf Party 2:21 A4. The Nightrider 2:03 A5. Surfin' And Spyin'1:31 A6. Hawaii Five-O 1:39 A7. Force of Gravity * Bonus B1. Baja 2:34 Medley (6:13) B2.a Banzai Washout B2.b Surf Jam B2.c Pipeline B3. Church Key 2:15 B4. Squad Car 1:55 B5. Outer Limits* Bonus Digital Download Bonus Tracks: 15. Walk Don't Run 2:41            16. The Nightrider (alt) 2:15       17. Squad Car (alt) 1:55 18. Baja (alt) 2:47