Surf-Rock-Metal Instrumental Review: Phantom Lightkeeper-Shore Ghosts

Release Date: September 2, 2025

Label: Independent

Website

Shore Ghosts is the debut album from Phantom Lightkeeper, the new solo music project from Justin Beahm, who is best known for his documentary film work for Paramount Pictures, Shout! Factory, and Arrow Video. With Phantom Lightkeeper, he trades visual storytelling for a new experiment in instrumental surf, blending haunting atmospheres, fuzzed-out sludge, and cinematic soundscapes into the mix.

I felt intrigued and excited to listen to this album, Shore Ghosts. Out of the fourteen tracks, eight are under 2 minutes. Although this is not a takeaway, it’s a plus factor because Beahm makes his mark in these short periods of time.

“Red Tide” serves as an intro that runs for one minute and thirty-six seconds. So, the tide is in with a trad surf instro riff that hints at some vague blues around the fringes, at least that is what my ears heard. Then, fuzz tones conclude the sounds.

“Funeral At Sea” is dark, with some atmosphere and fuzzy tones, followed by meaty chords. Slightly echoing sounds are in the background, accompanied by a basic underlying riff with surf’s elemental brushings. It sounded like heavy metal at a slower speed, but with those surf notes interspersed—a good reminder of the seriousness of the subject matter for another lost sailor.

“Siren” features some trad surf instro in a heavier, murky mode. The sustain on the guitar resonates like a large bee buzzing. Some tones and colors create an atmosphere of the Old West (think spaghetti western), and then it finishes with the fuzz tone.

“Shore Ghosts” begins like Black Sabbath does surf. Man, this guy is one heavy dude! Things become atmospheric, then shift to a grungy feedback sound. However, he manages to incorporate it within a short timeframe while maintaining the eerie ambient sound in the background.

“Orchid” starts, then a voice comes on to say, “I kissed her as she lay there in the coffin, and her lips were cold.” Damn! Well, perfect timing with the Devil’s Holiday right around the corner. This is heavy metal surf with a hint of spookiness crawling right up your spine. Drums briefly announce themselves as the sound of howling winds close it out.

“Lost Island” brings back the trad surf instro; however, the heaviness of this music and subject matter consistently dominates. And as it should be based on the title of the album! Feedback and distortion give it an evil air once again.

“Lumbering Giant” begins with drums and bass pounding away with a staccato riff, wailing away, calling back to the rhythm section. Surf enthusiasts will appreciate this one but must be open-minded to the heaviness and concept of what this artist is conveying. The sound of the giant making some noise ends it, perfect.

“Sundance (For Link)” is a nod to one of the greats, Link Wray. And indeed, after hearing the previous tracks, you can listen to all the influences. Wray was probably one of the first guitar players to sound punk and grungy. And he nails it here with a real intense rocker, no surf, just a rockin’ instrumental with feedback and fuzz.

“Leviathan” is both heavy and melodic, with the rapid-fire surf instro riffing complemented by the drums and bass, which throw another knockout punch. Short and sweet but full of impact, per usual, keeping the audience engaged and captivated.

“Idyllwild” is atmospheric, featuring a wailing sound in the background—very traditional first-wave surf music with hard, fuzzy edges. Steady drums and bass are layered in nicely, but subdued at times, and other times just head-knockin’ hard. It’s a nostalgic journey for an audience, appreciating the traditional surf music with a modern twist

“Moonlight Strangler” marks a return to a more mellow sound for the first time. It catches you off guard, then, of course, it changes and gets heavier with the drums and bass, and then it backs off again. It keeps a surf/spy feel with the rapid picking. Surf instro purists will love this one!

“Nightdance” begins with a slower, mellow tempo and a soft, atmospheric background. Now, this is the longest-running track at 3:45, so you would anticipate several transitions. Not to disappoint, he goes off on a few higher-tempo guitar runs with surfy edges. The best of both worlds is offered here by this guitar maestro.

“Rain Catcher” begins with rain, of course, then straight into that trad reverberating surf instro guitar riffing. Again, he pulls out the stops with some fantastic staccato runs, then pulls back to the more mellow picking. All the while maintaining the surf instro sound and adding some smashing cymbals and drums for drama, the ending features the sound of rain.

“All Hallow’s Eve” is the perfect closer for this album. The wind blows and howls with the essence of evil all around it. Guitars begin with trepidation and softness, then watch out! It explodes into a wave of sound and metallic glory. Then, surfy riffs are added for extra measure to remind you of how he can switch back and forth at any time, sounding original and fresh.

The Phantom Lightkeeper (Justin Beahm) writes a book of mystery and horror with his music on Shore Ghosts. His unique blend of instrumental perfection, a mix of surf, metal, and atmospheric sounds, demands multiple listens to appreciate the scope and depth of what one musician can offer in one listen.

Keith “MuzikMan” Hannaleck-NAMR Review Founder

October 18, 2025

Tracks:

01. Red Tide 1:36

02. Funeral At Sea2:37

03. Siren 2:37

04. Shore Ghosts 3:09

05. Orchid 1:53

06. Lost Island 1:45

07. Lumbering Giant 1:55

08. Sundance (For Link) 1:52

09. Leviathan 1:29

10. Idyllwild 02:23

11. Moonlight Strangler 1:32

12. Nightdance 3:45 

13. Rain Catcher 1:45

14. All Hallow's Eve 2:36

Surf-Rock-Instrumental Review: Various Artists - An Evening in Nivram-A Tribute to The Shadows

Release Date: August 19, 2022

Label:  Musick Recordings

Website

Back in 2000, I had the pleasure of covering the original release of An Evening in Nivram-A Tribute to The Shadows. Now, twenty-two years later, a remastered version arrived, complete with newly recorded bonus tracks (although it's been 3 years since its release, it is worth revisiting).

The CD is available in a limited edition with autographs, and the digital version on Bandcamp includes six bonus tracks exclusive to the digital release. This brings the total number of tracks to 29. However, I received the CD version with 22 tracks to listen to and discover. This version includes the 11 bonus tracks that were recorded for the 2022 release.

Now, let’s delve into the bonus tracks I have yet to experience, sparking a sense of anticipation and excitement among us all!

“DANNY AMIS & TWIN TONES – FBI” is the first entry. It starts with a horn and some twangy country-inflected guitar lines. The sound effects are all created using instruments, such as a gun going off, etc. Even though it’s the FBI, it feels more like a spaghetti western track on steroids. It moves right along with energy and atmosphere.

“DRACULINA - JET BLACK” is a familiar tune, and I must say, they’ve done a commendable job in paying homage to the original release. The guitar, as always, takes the spotlight, executed with echoing, twangy reverb, and some superb bass and drums serving as the backbone. It’s a rendition that’s sure to be appreciated by fans of the original.

“THE BOSS MARTIANS - SCOTCH ON THE SOCKS / 36-24-36 (MEDLEY)” will be appreciated by all the rockers out there. The bass and drums kick in as the guitar starts screaming with a wah-wah effect. Some words are inserted like “Going down to see my baby,” with a gruff in the belly style. The guitar really takes off in this composition. This is instrumental rock, but it transitions to a surfier riff in the second half of the medley, with a brief burst of “Tequila” added for flavor. Yes, it cranks!

“THE SPACE COSSACKS - FIND ME A GOLDEN STREET” is the ultra-talented Ivan Pongracic. Get ready for some tasty guitar licks. Ivan was strongly influenced by The Shadows thanks to his father playing their music. And as they say, the rest is history, with all his contributions to the genre. This was played with love and respect for this music, and not to mention, done to perfection.

“HYPNOMEN – APACHE” does a great job on this all-time classic. It’s different, with some interesting sound effects courtesy of the guitar. The organ is very retro sounding, making it a perfect fit to accompany their own take on this. Lots of music packed into this one in under four minutes. There is an interesting step away, eventually sounding more blues-oriented and jamming. Very cool guitar licks to put the icing on the cake to finish it off.

“MARTIN CILIA – DIAMONDS” - Martin continues to impress with everything he produces. The sounds are retro with a twangy country sound, and each note reverberates wonderfully. Bass and drums are also key here. Excellent work.

THE MADEIRA - THE FRIGHTENED CITY brings back Ivan again with one of his fabulous bands. Their sound is full and explosive. Guitars are flying on this with different layers and tempos as the drums and bass do a great job of keeping this locomotive musical machine running at top speed. Wow!

“DRACULINA - THE STRANGER” continues to make its mark on surf, rock, and instro genres. The guitars rule once again. The leads are reverberating as the rhythm keeps a steady layer beneath. The drums and bass are strong and provide more than support or embellishment. They are a highlight just as much as the guitars. You will be reminded of the first wave, but with a more modern touch and production that is crisp and biting, yet musically potent, like waves hitting the beach. Superbly done!

“THE TROUBADOURS - THE LOST CITY” kicks right into high gear at the outset. The sound is retro and new at the same time. This is tasteful but rocking enough to turn your head. The drums are killer, pounding away as the bass lays down a solid line. Guitars and reverb!

“WAVE ELECTRIC - WALKIN'” is an Italian band I recently discovered thanks to Musick Recordings boss Art Bourasseau. This is surf rock at a fast gallop. Their energy is non-stop, so pay attention and follow the grooves. They get in the pocket with the bass and drums, as the guitar flies by like a bullet, and then they slow it down and do it tastefully as well. The many phases of their music are something to admire, as well as how they can pack it all into one track.

THE MARTINETS - DON’T MAKE MY BABY BLUE is a step away from everything I have heard until now. A straight-ahead, rocking guitar accompanies vocals. This takes a song and injects it with extra energy, featuring loud and proud guitar, drums, and bass. The vocals are also perfect for the music. If you love to rock, this is your track!

“INSECT SURFERS - THUNDERBIRDS THEME” is an instrumental gem. Dave Arnson and his band are one of the progenitors of the second wave. The combination of driving rock elements and surf is executed exceptionally well, with a lot of melody. Any track I have ever heard resonates with me. They are very original, and when you listen to them, it’s instant gratification.

An Evening in Nivram-A Tribute to The Shadows version two was more than just a fun listen. It was a thrilling experience. The remastering and addition of all the bonus tracks have truly elevated the album, further solidifying The Shadows’ legacy. I can’t help but wonder if this gem will eventually come out on vinyl. If it does, I have no doubt it will be a sell-out success.

Keith “MuzikMan” Hannaleck-Surf Music and Art Review Founder

October 12, 2025

Tracks:

01. THE SPACE COSSACKS - THE SAVAGE 02:11

02. DANNY AMIS & TWIN TONES - FBI (new bonus track) 02:31

03. DRACULINA - JET BLACK (new bonus track) 02:41

04. THE AQUA VELVETS - ATLANTIS 02:50

05. THE BOSS MARTIANS - SCOTCH ON THE SOCKS / 36-24-36 (MEDLEY) - (new bonus track) 04:35

06. THE SPACE COSSACKS - FIND ME A GOLDEN STREET (new bonus track) 02:48

07. HYPNOMEN - APACHE (new bonus track) 03:39

08. THE ALOHAS - EVENING COMES 02:46

09. MARTIN CILIA - DIAMONDS (new bonus track) 02:30

10. THE FATHOMS - MAN OF MYSTERY 02:54

11. THE MADEIRA - THE FRIGHTENED CITY (new bonus track) 02:09

12. DRACULINA - THE STRANGER (new bonus track) 03:53

13. THE TROUBADOURS - THE LOST CITY (new bonus track) 02:06

14. THE HUNTINGTON CADS - GONZALES 02:23

15. WAVE ELECTRIC - WALKIN' (new bonus track) 02:40

16. THE MARTINETS - DON'T MAKE MY BABY BLUE (new bonus track) 04:21

17. SATAN'S PILGRIMS - THE RISE AND FALL OF FLINGEL BUNT 02:47

18. THE TIKI TONES - TOMORROW'S CANCELLED 03:10

19. DAVIE ALLAN & THE ARROWS - TALES OF RAGGY TRAMLINE 02:50

20. TEISCO DEL REY - THEME FOR YOUNG LOVERS 02:36

21. INSECT SURFERS - THUNDERBIRDS THEME (new bonus track) 03:17

22. THE DEORAS - ZAMBESI 03:27

23. JIM MANKEY (CONCRETE BLONDE) - BACK HOME 04:24

24. LORDS OF ATLANTIS - MAROC 7 (exclusive digital only bonus track) 02:36

25. THE FALCONS - APACHE (exclusive digital only bonus track) 03:05

26. THE BOSS MARTIANS - DON'T IT MAKE YOU FEEL GOOD (exclusive digital only bonus track) 02:23

27. THE TRAVELERS OF TYME - MAROC 7 (exclusive digital only bonus track) 02:36

28. THE TROUBADOURS - THE LUTE NUMBER (exclusive digital only bonus track) 01:58

29. THE OMEGA MEN - MAIN THEME (exclusive digital only bonus track) 02:01

Surf Rock Instrumental Tracks: The Deathly Quiet-The Fly with 10,000 Eyes/Tail of the Black Cat

 Two more great and diverse tracks from The Deathly Quiet!

Surf Instro Reviews: Matt Hurray -‘Nofre Nuggets

Release Date: August 12, 2020

Label:  Independent

Website 

From the tender age of 15, Matt Hurray has been honing his skills as a guitarist, a testament to his unwavering dedication to his craft. Hailing from Balboa Island, CA, Hurray draws his musical inspiration from the vibrant surf scene that once ruled the beaches of Southern California in the late 1950s and 1960s.

That is an intro that should give you an idea of what kind of music you are in for with Matt. Since I took that right off the man’s site, I figure that was a good place to start. ‘Nofre Nuggets', released over 5 years ago, is a collection of tracks that continue to admire and reinvigorate the first wave of surf instro.

Discovering surf instro music, regardless of when it was released, is what I enjoy. And then, getting the word out is also essential. And you must love the guys from SoCal, so in tune (no pun intended) with the culture and music of surfing. Based on what I’ve heard on this album, this man seems to have it together.

Covering classic surf instrumental tracks as a personal tribute involves some risks.  You must be outstanding to do it well. Matt did a fine job taking all these tracks and injecting his own energy and sound. I found it all refreshing, and the production is top-notch.

With a generous dose of reverb, melodicism, and a clever mix of acoustic and electric guitar, 'Nofre Nuggets' takes a bold step forward. The volume is cranked up, giving many tracks a modern, robust sound that’s sure to pique your interest.

More than just a nostalgic trip, 'Nofre Nuggets is a gateway to the world of surf music for newcomers. It’s a fresh take on surf lore, inviting you to explore where it all began and how artists like Matt Hurray found their inspiration.

Keith “MuzikMan” Hannaleck-NAMR Review Founder

October 8, 2025

Tracks:

01. Pipeline 3:05

02. Mr. Moto 2:24

03. Theme From "The Endless Summer" 3:38

04. The Rising Surf

05. Perfidia 2:14

06. El Conquistador 1:48

07. Apache 3:31

08. 7th Street (2020) 3:37

09. Penetration 2:22

10. Wipe Out! 2:55

11. Telstar 2:56

Surf Rock Instrumental Review: The Electric Heaters - From The Film of The Same Name

Release Date:  September 2, 2022

Label: Eats Records

Website

The Electric Heaters, From The Film of The Same Name, is a musical journey that delves into the forgotten films of decades past, serving as a captivating time capsule. The band’s unique approach to this concept is sure to pique your interest.

The band’s decision to interpret movie soundtracks through the lens of surf rock instrumental music is a bold and impressive move. It’s a testament to their skill and creativity, and it’s sure to leave you appreciative of their musical prowess.

 

The Electric Heaters have masterfully crafted a 13-track album that is both atmospheric and genre-bending. Their focus on the guitar, a staple of surf instro music, is evident, but they also skillfully incorporate other elements, keeping you captivated and engaged throughout.

 

“Nice Little Sunday” marks the beginning of this cinematic musical journey. Straight away, you expect to hear some of that retro first-wave surf instro, and they don’t disappoint. This is not the explosive Dick Dale sound; it’s more like when the Shadows adopted their softer approach, featuring tasteful, low-key guitar playing. There is a driving bass and equally tasteful drum parts as well.

 

As the listen continues, you will discover a lot of this type of sound, however, embellished with stronger guitar leads and various transitions into sub-genres. All of which I found very entertaining and eclectic, with excellent musicianship.

 

“Chai Yo!” begins with the clinking of glasses, then straight into a funkier sound with the guitar riffs. Then, there’s a brief glissando, followed by some fuzz tones. Yet another switch-up occurs with a country riff, then a circle back to surf instro. The Hammond B3 announces its arrival as it cranks away, creating another layer, then some more rock-oriented guitar riffs. Three styles emerge here, and although it was transitory, it all jelled nicely.

 

“Beyond Banzai” kicks off with a walking bass line with an air of mystery, accompanied by a soft, jazz-like guitar run, while the drums are subtle yet just right. Then, a change to a country riff, followed by a return to surf, which is tasty. Some rapid riffing, reminiscent of the Flamenco genre, fires off with conviction, accompanied by some fine string bending. It ended as it began with a mysterious vibe.   

 

“Pandemic Slippers” is a nice hypnotic island sound to relax and have a drink to (under that lone palm or coconut tree). The soft, feathery sounds are like a comfortable pillow to rest your head on. The guitar starts to spark with some tremolo, all the while maintaining a lower tempo, then it returns to a more mellow acoustic guitar sound. However, it is an electric guitar.

 

“Tainted Love” will be recognized by many listeners. The band takes this classic hit through their own paces, making it their own instrumental rock style. Notably, the bass and the drums, per usual, keep it all on track with a great flow.

 

“Smart Aleck Kill” takes off into spy and mystery mode. Guitar, bass, and drums collide for a great soundtrack. All the layers of instrumentation are superb while creating and enhancing the necessary effects to make it believable.

 

“Thing on the Doorstep” gets you wondering what exactly that could be! I’m not going to look! It features some tastefully done guitar picking. It is all very graceful with a touch of glissando for extra flavor.

 

“Rumble at The Rum Dungeon” is not what you would expect with a title like that. A horse gallop begins with some Western picking on the guitar as the drums set the pace. It picks up and moves on with more intense guitar, galloping along, then back again to the original melody. It’s quite a ride!

 

“Montrose Beach” returns to surf instro; however, it gradually gains some upward momentum with a slower tempo. Metaphorically, like going from low tide to high tide. They launch into some glissando to sprinkle it with traditional sounds. It was like being transported to that sunny beach in my mind in a heartbeat.

 

“Tidepool Eyes” is more of a slow-tempo with some excellent lap steel playing. It’s the beach or Hawaiian sound (but not slack guitar). The bottom end helps to keep the mode mellow as they subtly add their fills. A flavorful and atmospheric sound fills they are with musical beauty.

 

“Creepy Tango” is a tango with a dramatic edge. It’s funky, then a country lick, and back to the central theme, so a lot of back and forth (which is their hallmark). An organ “creeps” in as they make their musical circles with different styles within one track (another one of their strengths). Notably, the bass stood out once again.

 

“Nut-Free Table” and a drum roll, please…then another helping of the tasty guitar is offered (I am thinking about how much they are influenced by The Shadows again). The addition of some nice drum work with the bass is a highlight. Melodic guitar notes are featured, followed by a transition into a more decisive lead break. This is bluesy and very good! Then back to the original melody with hooks.

 

Imagine a “Taco Volcano”! Free food! Their Latin influences take over here with a surf flair. Restrained guitar notes flutter off as the bass and drums remain strong, maintaining the backbeat for the lead guitar to step into the spotlight. Very atmospheric, just as all the previous tracks were.

 

From The Film of The Same Name is a trip around the surf, instrumental, and rock genres. There is a lot to cover on this listen, and it is all presented with conviction and taste. To be able to do both of those things while creating a soundtrack over decades of films deserves plenty of accolades.

 

Credits:

Matt Heaton: Guitar, Stylophone

Dave Piper: Bass

Jared Seabrook: Drums

With:

Michael Crane: Keyboards (2, 11)

Shannon Heaton: Flute (6)

Rich Hinman: Pedal Steel (10)

Val Mardot: Theremin (13)

Tracks:

01. Nice Little Sunday 02:19

02. Chai Yo! 02:46

03. Beyond Banzai 03:23

04. Pandemic Slippers 03:14

05. Tainted Love 03:48

06. Smart Aleck Kill 03:54

07. Thing on the Doorstep 02:57

08. Rumble at The Rum Dungeon 03:35

09. Montrose Beach 03:20

10. Tidepool Eyes 03:09

11. Creepy Tango 03:27

12. Nut-Free Table 04:59

13. Taco Volcano 04:10

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

September 26, 2025

Surf Rock Instrumental Review: The Chi-Tones-Salsipuedes

Release Date: August 12, 2025 

Label: McClean Music Publishing

Website

Chi McClean, a lifelong surfer and the one-person show (except the drums) of The Chi-Tones, is a rare gem in the surf instro genre. His versatility, not just in playing instruments but also in understanding the culture and sport, is evident in his album Salsipuedes.

 

“Salsipuedes” is a Spanish phrase that translates to “leave if you can” or “get out if you can” in English. The term is a contraction of “sal si puedes” and is used for places or situations that are difficult to escape, like a street that becomes impassable when it rains or a difficult-to-traverse creek. In the context of this album, 'Salsipuedes' could be interpreted as a metaphor for the unpredictable and challenging nature of the surf. 

 

Chi plays the following instruments: Electric + Resophonic + Acoustic Guitars, Bass Guitar, Electric Pianos, Mellotron, Toy Piano, Glockenspiel, Banjo, Electric Sitar, Whistle, Shouts + Hand Percussion. And Production.

 

The drums on this album are performed by the talented Miles McPherson, whose rhythmic contributions add depth and energy to the music. Buckley Miller was the mixing engineer and Ryan Smith the mastering engineer.

 

“Undercover Surfer” starts with a great beat, some guitar, and the electric sitar—a delicious way to kick things off. Everything sounds right on the edge of exploding, keeping you on the edge of your seat. Very cinematic and colorful.

 

“Tres Banderas” is a Spanish-influenced track that transports you to a different cultural landscape. The sounds of the Spanish guitar and the whistle reminiscent of a Spaghetti Western film soundtrack by Ennio Morricone create a unique and intriguing atmosphere.

 

“The Enforcer” is a high-energy track that keeps you on the edge of your seat. The infectious guitar grooves and driving rhythm build to a crescendo, creating an exciting and engaging musical experience.

 

“Salsipuedes” draws Chi back to Spanish influences by balancing the power of the guitar with the keyboard. The percussion is steady and done with conviction. The title track should always be a highlight, and he succeeds in accomplishing that.

 

“Odd Todd” is a funky, twangy number under two minutes. The feeling is light with plenty of rhythm for just enough spice. Diversification on the guitar is a specialty of this artist.

“Bad Vibes Bob” sounds eerie at first, evoking a sense of trepidation. The guitar briefly moves away from that, with some reverberating guitar lines, then returns to maintain that feeling.

 

Nearly 3 minutes this time, with some interesting sounds like the Glockenspiel.

“County Line “is a real mover, a boogie guitar kicks into action before changing into more stretched out sounds and some slide guitar. A lot is coming into focus here. This is very catchy and well done!

 

“Los Federales” is easy enough to understand without translating—the bass thumps along with a definitive Spanish flair and irresistible guitar and toe-tapping percussion.

“Down The Line” jumps right at the starting line, sounding like vintage first-wave surf instro. The drums are right in sync along those lines as the guitar does a great job creating that surfing sound. This is perfectly fun in the sun stuff!

 

“Mystic Maverick” returns with electric guitar staccato style as another lead is added with some bluesy slide. The backbeat is like a metronome for the guitars. Excellent.

 

“Eagles” shimmers like a wave in the sun. The guitar sounds like an invitation to the beach and a cool drink while watching the surfers fly through the waves like eagles. Very atmospheric and relaxing. I am continually impressed with the variety Chi delivers in all these tracks.

 

Being a surfer and ending with “Big Sur” was most appropriate. And it is the longest track at 4:13. This one begins with a leisurely tempo and slide guitar resonating as the rhythms backing it are right in step. It starts building in layers, then you hear the electric sitar with its unique sound. Once again, I am totally impressed with the diverse array of sounds and instrumentation found in one track.

 

The Chi-Tones is an excellent name for Chi’s one-man band because of all the ground he covers. I appreciate the coverage of surf instro and beyond. The many sub-genres make things a lot more interesting, and to perform at such a high level while also producing all the music is genuinely remarkable.

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

September 22, 2025

Tracks:

01. Undercover Surfer 02:08

02. Tres Banderas 02:03

03. The Enforcer 01:51

04. Salsipuedes 02:42

05. Odd Todd 01:50

06. Bad Vibes Bob 02:53

07. County Line 02:25

08. Los Federales 02:33

09. Down The Line 02:20

10. Mystic Maverick 02:31

11. Eagles 03:15

12. Big Sur 04:13

Instrumental Rock Vinyl Review: Los Straitjackets-Somos (Ltd. Edition Yellow Vinyl - 1,000)

Release Date:  September 19, 2025

Label: Yep Rock

Website

After a decade-long break, the iconic Los Straitjackets have made a triumphant return with Somos (Are). The fact that the limited-edition yellow vinyl is nearly sold out as I write this only adds to the excitement. I am lucky to have secured my copy before the official release date.

 

Los Straitjackets have made a captivating return with Somos, offering a rich tapestry of 15 tracks that blend instrumental rock with surf-tinged elements. Throughout the album, you’ll hear echoes of retro sounds and be treated to some exceptional guitar work, showcasing the band’s diverse musical influences.

 

Listening to Somos, you’ll find yourself transported back to the golden era of music, with memories of The Ventures and Shadows (“Genesee River Rock”) flooding your mind. Los Straitjackets’ ability to evoke such nostalgic feelings is a testament to their musical prowess and connection with their audience.

 

“Bumper Car” kicks things off on side A with some melodic twang and a smooth rhythm section. This is a toe-tapper (and there are many of those) with some tasteful leads on the guitar (there are many of those too!).

 

“Polaris” resonates with reverb as the “island vibes” grab you, then the warmth of the sun's rays is imagined hitting your face. There is an acoustic rhythm guitar that is nice and steady, along with the bass and drums. Some shimmering leads from the electric guitar set the tone and atmosphere nicely.

 

“Genesee River Rock” is a throwback to the sound of The Shadows with some swinging leads and good rhythm guitar to accentuate all of that activity. Then the occasional drum rolls add their excitement to this retro classic.

 

“High Wire Act” steps up the pace and tempo significantly. Some rapid picking on the six-string is featured here with some reverb for extra measure. I enjoyed the transitions. Some great bass lines are added. You get the best of both worlds on this, as today and yesterday are combined. 

 

They shout “Numbskull” as the drums fire off, and then some hook-filled riffs, and that legendary “Whip Out” callout is perfected. Some crafty guitar is featured, and the switching up of tempos is good.

 

“Two Steps Ahead” brings on the heavy bass lines as the guitar provides a good riff (which at times recalls “Secret Agent Man”). The drums and cymbals play their part, adding some excitement and emotion.

 

“April Showers” closes out the first side with some catchy riffing, then a melodic lead as the rhythm guitar and bottom end are solid once again. Some tasteful playing and reverberating leads are excellent.

 

Side B opens with “Cry for a Beatle” as the energy level feels good to start. The bass part is fantastic, and the drums are very melodic. Strong leads coming from the lead guitar make it another winner.

 

“Catalina Farewell” slows things down but with a catchy riff on guitar. The tune is mellow and relaxing, sounding dreamy like a lullaby.

 

“Copy Cat” Returns to the more upbeat sounds. The guitars engage in a call-and-answer session, with the back end always providing a foundation. There are some drum rolls briefly and a bass solo.

 

“Sentimental Fool” brings the tasteful guitar leads back in focus. The rhythm section is very measured and timely as the guitar leads perk things up, then revert to the original melody, then back to the energy. The back and forth showcases the bands’ ability to be so diverse within one track.

 

You hear a girl’s voice say “Bad Apple” to start this track. The sound is entirely different than any other track on the album. Almost like something a band would add as a bonus track. The guitar’s bluesy leads are not something you would expect to hear on a recording like this, but the takeaway here is that it’s good. Some heavy bass lines are also featured—another example of their exceptional talent and diversity.

 

“Wicker Park” has some twangy leads and a toe-tapping rhythm—a very catchy track with smooth instrumentation.

 

“Spinout” is their all-out rocker on the album and one of the early tracks released. The drums start the engines, and you hear them holler Spinout! Twang and reverb dominate, and then that crazy “Wipe Out” laugh again. The bottom end is like a locomotive, and the rhythm guitar is exceptional.

 

“Virgon” closes out this return to greatness for Los Straitjackets. It starts slow, then they crank it up and go back again to the solo mellow guitar. The back and forth is great, and a super catchy song.

 

Somos is a satisfying return to form for Los Straitjackets. Lovers of instrumental rock will appreciate this recording. The mixture of rock, surf, and tracks that transition from slower to faster makes this a diverse listen without any filler. It’s solid and consistent from start to finish.

Credits:

Eddie Angel – Guitar (Bass on “Cry for a Beatle”)

Greg Townson – Guitar

Chris Sprague – Drums, Voices (Guitar on “Cry for a Beatle”)

Pete Curry – Bass (Drums on “Cry for a Beatle”)

With:

Simon Heeran – guitar on “April Showers,” “Virgon” and “Catalina Farewell”

Alex Hall – Vibes

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

September 5, 2025

Tracks:

Side A:

1. Bumper Car

2. Polaris

3. Genesee River Rock

4. High Wire Act

5. Numbskull

6. Two Steps Ahead

7. April Showers

Side B:

1. Cry for a Beatle

2. Catalina Farewell

3. Copy Cat

4. Sentimental Fool

Surf Rock Instrumental Review: Les Panches Surfers - La Balasera

Release Date:  May 17, 2023

Label: Independent

Website

I realize that this album from Les Panches Surfers titled La Balasera was released a few years ago, but it deserves some attention.

 

Their press kit says the following:

Les Panches Surfers is a Spain-based Instro Surf band that combines tremendous versions of surf classics with excellent and powerful songs of their own. Under his impeccable appearance of white clothes, masks of catrinas and Mexican hats hide an excessive force and Danger, as they demonstrate in every gig, is comparable to The Mummies. They have dynamited scenarios of the most essential venues from Madrid to Germany, and everyone who has ever seen them live knows that ...

 

I think that was a clever intro to the band, and with the masks, they remind me of many other bands doing the same thing, except this group all go by aliases, so you don’t know who they really are. Hailing from Madrid, Spain, this is yet another indication of the global presence of surf instro.

 

"La Balacera" is a Spanish term meaning “the shooting” or “the shootout,” referring to a gunfight or the act of firing guns. They kick it off with a bang (no pun intended) with their title track. They are letting you know this high-energy music with some good guitar licks and an explosive rhythm section. Off to a great start, and they get it done in a little over two minutes.

 

“Surf Division” begins in a more mellow manner compared to the opener. Some fast fingerpicking is going on here with the acoustic, transitioning into some fuzztone leads (ala Davie Allan). Then they circle back to the original melody with the glissando guitar, then back into the electric driving section. The drums and bass, always key in pushing the band along, do their thing well. I liked the quick drum rolls inserted a few times, then the weird string bending sound to close it out.

 

“GusFuzz,” you figure, is going to be interesting with a title like that, and it is. It begins with the retro ’60s surf sound, a style characterized by its upbeat tempo, reverb-heavy guitar, and catchy melodies, and features some additional glissando, adding a definitive Spanish flavor. The squealing guitar puts a picture of a surfer going tubular in your mind. The guitar is superb with all the warmth and inviting sound that you expect to emulate the beach, fun in the sun, and surfboards. Three-quarters of the way through, the fuzz arrives with some catchy licks.

 

“El Secuestro” is the Spanish word for kidnapping or abduction (yes, I always must look this stuff up). So immediately with that thought in mind, their sound is one of mystery and intrigue. It moves along nicely with a good flow and mixture of acoustic and electric riffs. Lots of hooks and the transition to the rhythm section showing its power, and entirely different licks add another layer.

 

“Último verano en Torremolinos” translates to last summer in Torremolinos. So, you imagine the sun, the beach, and memories come flooding into your mind. At least that is what the music should do. It does paint that picture nicely. It is a mellower melody with some layered guitar work. I appreciate the versatility the band demonstrates on this track. They can rock or kick back and play something with a great melody and tasteful hooks to pull you in.

 

“La Huida” translates to “the escape” in English. Knowing what these words mean before hearing the track is very helpful in picturing what the band is attempting to say in their music. This one explodes from the first note played. They return to a heavy rocking mode, incorporating some impressive guitar effects. Then the rhythm section gets their turn as they thump away, and you hear some of the quick drum rolls as the guitars wail away. The band’s ability to create a visual experience through their music is truly engaging!

 

“Tenebrosa” means dark. So here we go again, will it feel that way? Yes, indeed, it does, with a creepy intro and a devilish laugh. The guitars provide a lot of excitement and changes. There is that element of surprise and intrigue again as it builds through this track with several different sounds, transitions, and guitar lines ever changing.

 

“Rosarito” starts with a more retro sound on guitar (like the 1st wave in the 60s). More mellow again this time with subtle drums and bass (which is a change in comparison to most tracks). Nice flow and smooth guitar lines.

 

“Calçots” are a type of green onion, also known as scallions. This is a fun process, trying to figure out all these English translations! This is another one with the more traditional surf instro sound, with a steady flow of surging up and down guitar lines, with the bass and drums maintaining a constant rhythm throughout. Then suddenly that retro organ sound jumps in as the level of bass and drums rise along with it. Many changes make for one of the more diverse tracks yet.

 

“Waikiki” does not need translation, obviously. Big waves, right? Well, in one aspect, yes, for surfers, but not in this case. They get mellow and tasteful again with some excellent guitar work. Their Spanish heritage creeps in here; it’s not Andres Segovia, but it’s perfect! The organ is added again for another layer, followed by the quick shutdown.

 

“El Ahorcado” is translated as The Hanged Man. And it lines up perfectly with their “Spaghetti Western” sound on this closing track. The guitar resonates and echoes as a subtle organ plays off in the background—the drums and bass sound foreboding as they end the track.

 

Les Panches Surfers are an excellent surf instro band that knows how to rock or pull back and do something more tasteful and picturesque. All their many talents are on full display on La Balasera.

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

September 2, 2025

Tracks:

01. La Balasera 02:13

02. Surf Division 02:42

03. GusFuzz 04:02

04. El Secuestro 02:50

05. Último verano en Torremolinos 03:35

06. La Huida 02:25

07. Tenebrosa 02:52

08. Rosarito 02:23

09. Calçots 03:22

10. Waikiki 02:06

11. El Ahorcado 03:00

Surf Rock Instrumental Review: The NovaRays: Another Date With The NovaRays

Release Date:  June 26, 2025

Label: Independent

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The NovaRays, a trio comprising John Ashfield on Fender Bass IV, Rob Jacobs on drums, and Lewis Bailey on guitar, showcase their individual and collective mastery in this band.

"West of Eureka” begins with the sound of a horse galloping away, then the music kicks in.  The bass is powerful and upfront, with the guitar positioned in the background, which I found interesting —a kind of switch in positions you rarely see. The drums are tight and right there with the bass. They add some other sound effects to make it feel like you are starring in the latest Western.  It is very panoramic, as it ends with the sound of a whip cracking, ‘Yee-haw!’ The next episode of Rawhide will begin after these messages…

“Space Hero” begins with a funky bass riff, as the drums join in for the ride, and the guitar arrives with a touch of twang and reverb. This time, the guitar’s volume is turned up for your pleasure. This is a combination of rock and surf with an irresistible hook and beat. A nice tempo is held consistently, and it’s a very tasteful ditty, I might say.

 

“Wooden Horse” is very melodic right out of the gate with some skillful guitar playing. And that bass, oh my goodness, it is just excellent - how strong and accurate it is. The drumming also receives praise for consistently maintaining exceptional time. There is something about the melody that sounds familiar to me, maybe something I heard years ago from Wishbone Ash—a very steady track with some clever transitions.

 

“The Creeper” is a classic many folks are familiar with from the Ventures; however, this is an original. It has a Halloween feel to it, which helps bring the subject matter to life. Well, after this is creepy, right? They nail it down nicely with perfectly paced rhythms and some “cuts like a knife” leads from the guitar for further emphasis. Well done!

 

“The Haunting of Bath House B” continues with our Halloween theme. This time, it’s much more upbeat, with some killer guitar lines accompanied by a throbbing bass and drums to carry it along. Some cool effects kick in as the guitar enters full gallop mode, then it transitions back to the leads, with the rhythm guitar following along, and finally, the epic, resonating finish.

 

“Pink Slip” goes into hyperdrive immediately with some lightning-fast guitar riffs. The bottom end is once again strong, as the guitar is diverse and accentuated with front leads, as well as in the background. A lot is going on in this track, and they pack it all into 3:03. I liked the quick transitions and layered guitars, with one keeping the rhythm and the other just ripping it (although they do that a lot on this album).

 

“Three Blue Stars” takes you back to the first wave of guitar sounds, then transitions to a more prominent lead guitar, holding on to the roots of surf instro. It’s a nostalgic journey, sounding very retro but crisp, clean, and precise due to the use of good recording methods. The different types of guitar sounds you would hear from a band in the heyday of the early ’60s are what you will be able to enjoy with this one!

 

“Phantom of the Jetties” gets you into the full reverb and twang mode, but this time, spy sounds dominate the atmosphere. As the paint it out with the guitar lines and rhythmic bass and drums, laying down that solid foundation. The bass has a few standalone moments with some funky lines. It’s the guitars that make this real for the spy vs. spy sounds—one of the best tunes on the recording.

 

“Mr. Covington’s Wild Ride” wraps things up on the wild instrumental ride. A spiffy guitar line kicks things into high gear with a solid rhythm guitar chugging along, and the bass and drums doing their things like they do. The guitar weaves its magic throughout with many transitions. Almost three minutes of pure rock instrumental surfy greatness to close the curtain on one hell of an album!

 

Another Date With The NovaRays is a date you will want to keep. This is a solid outing with a diverse array of tracks covering the gamut of surf instro and surf rock. They give you a taste of it all and a few looks back to where it all started to complete the circle. It’s an exciting journey that you wouldn’t want to miss.

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

August 31, 2025

Tracks:

1. West of Eureka 02:57

2. Space Hero 02:44

3. Wooden Horse 02:31

4. The Creeper 04:10

5. The Haunting of Bath House B 02:36

6. Pink Slip 03:03

7. Three Blue Stars 02:29

8. Phantom of the Jetties 02:50

9. Mr. Covington's Wild Ride 02:58