Surf-Rock-Metal Instrumental Review: Phantom Lightkeeper-Shore Ghosts

Release Date: September 2, 2025

Label: Independent

Website

Shore Ghosts is the debut album from Phantom Lightkeeper, the new solo music project from Justin Beahm, who is best known for his documentary film work for Paramount Pictures, Shout! Factory, and Arrow Video. With Phantom Lightkeeper, he trades visual storytelling for a new experiment in instrumental surf, blending haunting atmospheres, fuzzed-out sludge, and cinematic soundscapes into the mix.

I felt intrigued and excited to listen to this album, Shore Ghosts. Out of the fourteen tracks, eight are under 2 minutes. Although this is not a takeaway, it’s a plus factor because Beahm makes his mark in these short periods of time.

“Red Tide” serves as an intro that runs for one minute and thirty-six seconds. So, the tide is in with a trad surf instro riff that hints at some vague blues around the fringes, at least that is what my ears heard. Then, fuzz tones conclude the sounds.

“Funeral At Sea” is dark, with some atmosphere and fuzzy tones, followed by meaty chords. Slightly echoing sounds are in the background, accompanied by a basic underlying riff with surf’s elemental brushings. It sounded like heavy metal at a slower speed, but with those surf notes interspersed—a good reminder of the seriousness of the subject matter for another lost sailor.

“Siren” features some trad surf instro in a heavier, murky mode. The sustain on the guitar resonates like a large bee buzzing. Some tones and colors create an atmosphere of the Old West (think spaghetti western), and then it finishes with the fuzz tone.

“Shore Ghosts” begins like Black Sabbath does surf. Man, this guy is one heavy dude! Things become atmospheric, then shift to a grungy feedback sound. However, he manages to incorporate it within a short timeframe while maintaining the eerie ambient sound in the background.

“Orchid” starts, then a voice comes on to say, “I kissed her as she lay there in the coffin, and her lips were cold.” Damn! Well, perfect timing with the Devil’s Holiday right around the corner. This is heavy metal surf with a hint of spookiness crawling right up your spine. Drums briefly announce themselves as the sound of howling winds close it out.

“Lost Island” brings back the trad surf instro; however, the heaviness of this music and subject matter consistently dominates. And as it should be based on the title of the album! Feedback and distortion give it an evil air once again.

“Lumbering Giant” begins with drums and bass pounding away with a staccato riff, wailing away, calling back to the rhythm section. Surf enthusiasts will appreciate this one but must be open-minded to the heaviness and concept of what this artist is conveying. The sound of the giant making some noise ends it, perfect.

“Sundance (For Link)” is a nod to one of the greats, Link Wray. And indeed, after hearing the previous tracks, you can listen to all the influences. Wray was probably one of the first guitar players to sound punk and grungy. And he nails it here with a real intense rocker, no surf, just a rockin’ instrumental with feedback and fuzz.

“Leviathan” is both heavy and melodic, with the rapid-fire surf instro riffing complemented by the drums and bass, which throw another knockout punch. Short and sweet but full of impact, per usual, keeping the audience engaged and captivated.

“Idyllwild” is atmospheric, featuring a wailing sound in the background—very traditional first-wave surf music with hard, fuzzy edges. Steady drums and bass are layered in nicely, but subdued at times, and other times just head-knockin’ hard. It’s a nostalgic journey for an audience, appreciating the traditional surf music with a modern twist

“Moonlight Strangler” marks a return to a more mellow sound for the first time. It catches you off guard, then, of course, it changes and gets heavier with the drums and bass, and then it backs off again. It keeps a surf/spy feel with the rapid picking. Surf instro purists will love this one!

“Nightdance” begins with a slower, mellow tempo and a soft, atmospheric background. Now, this is the longest-running track at 3:45, so you would anticipate several transitions. Not to disappoint, he goes off on a few higher-tempo guitar runs with surfy edges. The best of both worlds is offered here by this guitar maestro.

“Rain Catcher” begins with rain, of course, then straight into that trad reverberating surf instro guitar riffing. Again, he pulls out the stops with some fantastic staccato runs, then pulls back to the more mellow picking. All the while maintaining the surf instro sound and adding some smashing cymbals and drums for drama, the ending features the sound of rain.

“All Hallow’s Eve” is the perfect closer for this album. The wind blows and howls with the essence of evil all around it. Guitars begin with trepidation and softness, then watch out! It explodes into a wave of sound and metallic glory. Then, surfy riffs are added for extra measure to remind you of how he can switch back and forth at any time, sounding original and fresh.

The Phantom Lightkeeper (Justin Beahm) writes a book of mystery and horror with his music on Shore Ghosts. His unique blend of instrumental perfection, a mix of surf, metal, and atmospheric sounds, demands multiple listens to appreciate the scope and depth of what one musician can offer in one listen.

Keith “MuzikMan” Hannaleck-NAMR Review Founder

October 18, 2025

Tracks:

01. Red Tide 1:36

02. Funeral At Sea2:37

03. Siren 2:37

04. Shore Ghosts 3:09

05. Orchid 1:53

06. Lost Island 1:45

07. Lumbering Giant 1:55

08. Sundance (For Link) 1:52

09. Leviathan 1:29

10. Idyllwild 02:23

11. Moonlight Strangler 1:32

12. Nightdance 3:45 

13. Rain Catcher 1:45

14. All Hallow's Eve 2:36

Surf-Rock-Instrumental Review: Various Artists - An Evening in Nivram-A Tribute to The Shadows

Release Date: August 19, 2022

Label:  Musick Recordings

Website

Back in 2000, I had the pleasure of covering the original release of An Evening in Nivram-A Tribute to The Shadows. Now, twenty-two years later, a remastered version arrived, complete with newly recorded bonus tracks (although it's been 3 years since its release, it is worth revisiting).

The CD is available in a limited edition with autographs, and the digital version on Bandcamp includes six bonus tracks exclusive to the digital release. This brings the total number of tracks to 29. However, I received the CD version with 22 tracks to listen to and discover. This version includes the 11 bonus tracks that were recorded for the 2022 release.

Now, let’s delve into the bonus tracks I have yet to experience, sparking a sense of anticipation and excitement among us all!

“DANNY AMIS & TWIN TONES – FBI” is the first entry. It starts with a horn and some twangy country-inflected guitar lines. The sound effects are all created using instruments, such as a gun going off, etc. Even though it’s the FBI, it feels more like a spaghetti western track on steroids. It moves right along with energy and atmosphere.

“DRACULINA - JET BLACK” is a familiar tune, and I must say, they’ve done a commendable job in paying homage to the original release. The guitar, as always, takes the spotlight, executed with echoing, twangy reverb, and some superb bass and drums serving as the backbone. It’s a rendition that’s sure to be appreciated by fans of the original.

“THE BOSS MARTIANS - SCOTCH ON THE SOCKS / 36-24-36 (MEDLEY)” will be appreciated by all the rockers out there. The bass and drums kick in as the guitar starts screaming with a wah-wah effect. Some words are inserted like “Going down to see my baby,” with a gruff in the belly style. The guitar really takes off in this composition. This is instrumental rock, but it transitions to a surfier riff in the second half of the medley, with a brief burst of “Tequila” added for flavor. Yes, it cranks!

“THE SPACE COSSACKS - FIND ME A GOLDEN STREET” is the ultra-talented Ivan Pongracic. Get ready for some tasty guitar licks. Ivan was strongly influenced by The Shadows thanks to his father playing their music. And as they say, the rest is history, with all his contributions to the genre. This was played with love and respect for this music, and not to mention, done to perfection.

“HYPNOMEN – APACHE” does a great job on this all-time classic. It’s different, with some interesting sound effects courtesy of the guitar. The organ is very retro sounding, making it a perfect fit to accompany their own take on this. Lots of music packed into this one in under four minutes. There is an interesting step away, eventually sounding more blues-oriented and jamming. Very cool guitar licks to put the icing on the cake to finish it off.

“MARTIN CILIA – DIAMONDS” - Martin continues to impress with everything he produces. The sounds are retro with a twangy country sound, and each note reverberates wonderfully. Bass and drums are also key here. Excellent work.

THE MADEIRA - THE FRIGHTENED CITY brings back Ivan again with one of his fabulous bands. Their sound is full and explosive. Guitars are flying on this with different layers and tempos as the drums and bass do a great job of keeping this locomotive musical machine running at top speed. Wow!

“DRACULINA - THE STRANGER” continues to make its mark on surf, rock, and instro genres. The guitars rule once again. The leads are reverberating as the rhythm keeps a steady layer beneath. The drums and bass are strong and provide more than support or embellishment. They are a highlight just as much as the guitars. You will be reminded of the first wave, but with a more modern touch and production that is crisp and biting, yet musically potent, like waves hitting the beach. Superbly done!

“THE TROUBADOURS - THE LOST CITY” kicks right into high gear at the outset. The sound is retro and new at the same time. This is tasteful but rocking enough to turn your head. The drums are killer, pounding away as the bass lays down a solid line. Guitars and reverb!

“WAVE ELECTRIC - WALKIN'” is an Italian band I recently discovered thanks to Musick Recordings boss Art Bourasseau. This is surf rock at a fast gallop. Their energy is non-stop, so pay attention and follow the grooves. They get in the pocket with the bass and drums, as the guitar flies by like a bullet, and then they slow it down and do it tastefully as well. The many phases of their music are something to admire, as well as how they can pack it all into one track.

THE MARTINETS - DON’T MAKE MY BABY BLUE is a step away from everything I have heard until now. A straight-ahead, rocking guitar accompanies vocals. This takes a song and injects it with extra energy, featuring loud and proud guitar, drums, and bass. The vocals are also perfect for the music. If you love to rock, this is your track!

“INSECT SURFERS - THUNDERBIRDS THEME” is an instrumental gem. Dave Arnson and his band are one of the progenitors of the second wave. The combination of driving rock elements and surf is executed exceptionally well, with a lot of melody. Any track I have ever heard resonates with me. They are very original, and when you listen to them, it’s instant gratification.

An Evening in Nivram-A Tribute to The Shadows version two was more than just a fun listen. It was a thrilling experience. The remastering and addition of all the bonus tracks have truly elevated the album, further solidifying The Shadows’ legacy. I can’t help but wonder if this gem will eventually come out on vinyl. If it does, I have no doubt it will be a sell-out success.

Keith “MuzikMan” Hannaleck-Surf Music and Art Review Founder

October 12, 2025

Tracks:

01. THE SPACE COSSACKS - THE SAVAGE 02:11

02. DANNY AMIS & TWIN TONES - FBI (new bonus track) 02:31

03. DRACULINA - JET BLACK (new bonus track) 02:41

04. THE AQUA VELVETS - ATLANTIS 02:50

05. THE BOSS MARTIANS - SCOTCH ON THE SOCKS / 36-24-36 (MEDLEY) - (new bonus track) 04:35

06. THE SPACE COSSACKS - FIND ME A GOLDEN STREET (new bonus track) 02:48

07. HYPNOMEN - APACHE (new bonus track) 03:39

08. THE ALOHAS - EVENING COMES 02:46

09. MARTIN CILIA - DIAMONDS (new bonus track) 02:30

10. THE FATHOMS - MAN OF MYSTERY 02:54

11. THE MADEIRA - THE FRIGHTENED CITY (new bonus track) 02:09

12. DRACULINA - THE STRANGER (new bonus track) 03:53

13. THE TROUBADOURS - THE LOST CITY (new bonus track) 02:06

14. THE HUNTINGTON CADS - GONZALES 02:23

15. WAVE ELECTRIC - WALKIN' (new bonus track) 02:40

16. THE MARTINETS - DON'T MAKE MY BABY BLUE (new bonus track) 04:21

17. SATAN'S PILGRIMS - THE RISE AND FALL OF FLINGEL BUNT 02:47

18. THE TIKI TONES - TOMORROW'S CANCELLED 03:10

19. DAVIE ALLAN & THE ARROWS - TALES OF RAGGY TRAMLINE 02:50

20. TEISCO DEL REY - THEME FOR YOUNG LOVERS 02:36

21. INSECT SURFERS - THUNDERBIRDS THEME (new bonus track) 03:17

22. THE DEORAS - ZAMBESI 03:27

23. JIM MANKEY (CONCRETE BLONDE) - BACK HOME 04:24

24. LORDS OF ATLANTIS - MAROC 7 (exclusive digital only bonus track) 02:36

25. THE FALCONS - APACHE (exclusive digital only bonus track) 03:05

26. THE BOSS MARTIANS - DON'T IT MAKE YOU FEEL GOOD (exclusive digital only bonus track) 02:23

27. THE TRAVELERS OF TYME - MAROC 7 (exclusive digital only bonus track) 02:36

28. THE TROUBADOURS - THE LUTE NUMBER (exclusive digital only bonus track) 01:58

29. THE OMEGA MEN - MAIN THEME (exclusive digital only bonus track) 02:01

Surf Rock Instrumental Tracks: The Deathly Quiet-The Fly with 10,000 Eyes/Tail of the Black Cat

 Two more great and diverse tracks from The Deathly Quiet!

Surf Instro Reviews: Matt Hurray -‘Nofre Nuggets

Release Date: August 12, 2020

Label:  Independent

Website 

From the tender age of 15, Matt Hurray has been honing his skills as a guitarist, a testament to his unwavering dedication to his craft. Hailing from Balboa Island, CA, Hurray draws his musical inspiration from the vibrant surf scene that once ruled the beaches of Southern California in the late 1950s and 1960s.

That is an intro that should give you an idea of what kind of music you are in for with Matt. Since I took that right off the man’s site, I figure that was a good place to start. ‘Nofre Nuggets', released over 5 years ago, is a collection of tracks that continue to admire and reinvigorate the first wave of surf instro.

Discovering surf instro music, regardless of when it was released, is what I enjoy. And then, getting the word out is also essential. And you must love the guys from SoCal, so in tune (no pun intended) with the culture and music of surfing. Based on what I’ve heard on this album, this man seems to have it together.

Covering classic surf instrumental tracks as a personal tribute involves some risks.  You must be outstanding to do it well. Matt did a fine job taking all these tracks and injecting his own energy and sound. I found it all refreshing, and the production is top-notch.

With a generous dose of reverb, melodicism, and a clever mix of acoustic and electric guitar, 'Nofre Nuggets' takes a bold step forward. The volume is cranked up, giving many tracks a modern, robust sound that’s sure to pique your interest.

More than just a nostalgic trip, 'Nofre Nuggets is a gateway to the world of surf music for newcomers. It’s a fresh take on surf lore, inviting you to explore where it all began and how artists like Matt Hurray found their inspiration.

Keith “MuzikMan” Hannaleck-NAMR Review Founder

October 8, 2025

Tracks:

01. Pipeline 3:05

02. Mr. Moto 2:24

03. Theme From "The Endless Summer" 3:38

04. The Rising Surf

05. Perfidia 2:14

06. El Conquistador 1:48

07. Apache 3:31

08. 7th Street (2020) 3:37

09. Penetration 2:22

10. Wipe Out! 2:55

11. Telstar 2:56

Surf Rock Instrumental Review: The Electric Heaters - From The Film of The Same Name

Release Date:  September 2, 2022

Label: Eats Records

Website

The Electric Heaters, From The Film of The Same Name, is a musical journey that delves into the forgotten films of decades past, serving as a captivating time capsule. The band’s unique approach to this concept is sure to pique your interest.

The band’s decision to interpret movie soundtracks through the lens of surf rock instrumental music is a bold and impressive move. It’s a testament to their skill and creativity, and it’s sure to leave you appreciative of their musical prowess.

 

The Electric Heaters have masterfully crafted a 13-track album that is both atmospheric and genre-bending. Their focus on the guitar, a staple of surf instro music, is evident, but they also skillfully incorporate other elements, keeping you captivated and engaged throughout.

 

“Nice Little Sunday” marks the beginning of this cinematic musical journey. Straight away, you expect to hear some of that retro first-wave surf instro, and they don’t disappoint. This is not the explosive Dick Dale sound; it’s more like when the Shadows adopted their softer approach, featuring tasteful, low-key guitar playing. There is a driving bass and equally tasteful drum parts as well.

 

As the listen continues, you will discover a lot of this type of sound, however, embellished with stronger guitar leads and various transitions into sub-genres. All of which I found very entertaining and eclectic, with excellent musicianship.

 

“Chai Yo!” begins with the clinking of glasses, then straight into a funkier sound with the guitar riffs. Then, there’s a brief glissando, followed by some fuzz tones. Yet another switch-up occurs with a country riff, then a circle back to surf instro. The Hammond B3 announces its arrival as it cranks away, creating another layer, then some more rock-oriented guitar riffs. Three styles emerge here, and although it was transitory, it all jelled nicely.

 

“Beyond Banzai” kicks off with a walking bass line with an air of mystery, accompanied by a soft, jazz-like guitar run, while the drums are subtle yet just right. Then, a change to a country riff, followed by a return to surf, which is tasty. Some rapid riffing, reminiscent of the Flamenco genre, fires off with conviction, accompanied by some fine string bending. It ended as it began with a mysterious vibe.   

 

“Pandemic Slippers” is a nice hypnotic island sound to relax and have a drink to (under that lone palm or coconut tree). The soft, feathery sounds are like a comfortable pillow to rest your head on. The guitar starts to spark with some tremolo, all the while maintaining a lower tempo, then it returns to a more mellow acoustic guitar sound. However, it is an electric guitar.

 

“Tainted Love” will be recognized by many listeners. The band takes this classic hit through their own paces, making it their own instrumental rock style. Notably, the bass and the drums, per usual, keep it all on track with a great flow.

 

“Smart Aleck Kill” takes off into spy and mystery mode. Guitar, bass, and drums collide for a great soundtrack. All the layers of instrumentation are superb while creating and enhancing the necessary effects to make it believable.

 

“Thing on the Doorstep” gets you wondering what exactly that could be! I’m not going to look! It features some tastefully done guitar picking. It is all very graceful with a touch of glissando for extra flavor.

 

“Rumble at The Rum Dungeon” is not what you would expect with a title like that. A horse gallop begins with some Western picking on the guitar as the drums set the pace. It picks up and moves on with more intense guitar, galloping along, then back again to the original melody. It’s quite a ride!

 

“Montrose Beach” returns to surf instro; however, it gradually gains some upward momentum with a slower tempo. Metaphorically, like going from low tide to high tide. They launch into some glissando to sprinkle it with traditional sounds. It was like being transported to that sunny beach in my mind in a heartbeat.

 

“Tidepool Eyes” is more of a slow-tempo with some excellent lap steel playing. It’s the beach or Hawaiian sound (but not slack guitar). The bottom end helps to keep the mode mellow as they subtly add their fills. A flavorful and atmospheric sound fills they are with musical beauty.

 

“Creepy Tango” is a tango with a dramatic edge. It’s funky, then a country lick, and back to the central theme, so a lot of back and forth (which is their hallmark). An organ “creeps” in as they make their musical circles with different styles within one track (another one of their strengths). Notably, the bass stood out once again.

 

“Nut-Free Table” and a drum roll, please…then another helping of the tasty guitar is offered (I am thinking about how much they are influenced by The Shadows again). The addition of some nice drum work with the bass is a highlight. Melodic guitar notes are featured, followed by a transition into a more decisive lead break. This is bluesy and very good! Then back to the original melody with hooks.

 

Imagine a “Taco Volcano”! Free food! Their Latin influences take over here with a surf flair. Restrained guitar notes flutter off as the bass and drums remain strong, maintaining the backbeat for the lead guitar to step into the spotlight. Very atmospheric, just as all the previous tracks were.

 

From The Film of The Same Name is a trip around the surf, instrumental, and rock genres. There is a lot to cover on this listen, and it is all presented with conviction and taste. To be able to do both of those things while creating a soundtrack over decades of films deserves plenty of accolades.

 

Credits:

Matt Heaton: Guitar, Stylophone

Dave Piper: Bass

Jared Seabrook: Drums

With:

Michael Crane: Keyboards (2, 11)

Shannon Heaton: Flute (6)

Rich Hinman: Pedal Steel (10)

Val Mardot: Theremin (13)

Tracks:

01. Nice Little Sunday 02:19

02. Chai Yo! 02:46

03. Beyond Banzai 03:23

04. Pandemic Slippers 03:14

05. Tainted Love 03:48

06. Smart Aleck Kill 03:54

07. Thing on the Doorstep 02:57

08. Rumble at The Rum Dungeon 03:35

09. Montrose Beach 03:20

10. Tidepool Eyes 03:09

11. Creepy Tango 03:27

12. Nut-Free Table 04:59

13. Taco Volcano 04:10

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

September 26, 2025

Surf Rock Instrumental Vinyl Review: Wave Electric-Self-Titled

 

Release Date:  August 5, 2022

Label: MuSick Recordings

Website

Hailing from Milan, Italy, is the eclectic surf rock band Wave Electric. Their self-titled LP, released three years ago, is a significant milestone in their career. The album’s title, 'Wave Electric', not only represents the band’s identity but also serves as a testament to their unique sound and style. I want to thank Art Bourasseau of MuSick Recordings for getting this great slice of (yellow) vinyl to me.

The cover is intriguing and very suggestive, if not a blatant view of sexuality. This is rock and roll, and they were unashamed to display it. I say good for them! Let it rip, boys!

What I heard was a band that covered the surf instrumental genre and a good range of the sub-genres. Their versatility and talent come through splendidly on each track of this LP with all the complexities and transitions we enjoy as listeners. They provide all that exceptionally well.

“Shot In The Head” immediately gets your attention just by the title alone, and the music fits as well. They kick start things with some high-energy riffs and strong leads on the six-string. It’s soaked in the echoes of reverb.

At first blush, I recognized this sound, and it comes pretty quickly if you have familiarity with the genre and well-known bands; it’s Slacktone! I am not taking anything away from them here; it’s a compliment and a killer way to start the album.

“Berlin” has a slower intro before it breaks out into a full surf instro rock mode. Bass and drums are rock steady (and they are all the way through this album). The transition is notable here, going back to the beginning and then moving into a flat-out rocking section.

“Waves” (what an appropriate title!) begins with a drum intro, then straight into the guitar as they run up and down the frets with an emphasis on the twang and the use of the whammy bar for that reverberating effect, we all know and love. Suddenly, a brief “Wipe Out” like transition, then it closes out.

“Moon Surfing” brings in some heavy bass, which is very effective. Staccato riffs and the whammy bar provide all the right effects as you imagine actually surfing on the moon, how cool would that be!

“Alien Attack” is the perfect segue from the previous track (in relation to space).  Slow shimmering waves of guitar come flowing out of your speakers with a soft bottom end for it all to land on as the tempo rises with rapid fire riffs (like a machine gun) from the guitar men.

“Fantasmatron” is an excellent title for a song. It leaves a lot to the imagination. Twangy and atmospheric, it hints that evil is right around the corner. Then it morphs into something more with a change into a more lighthearted mode, albeit briefly, with some soft picking, then a return to the rocking surf instro sounds. The drum and bass are on fire here, providing a superb complement to the ever-changing guitar lines. This is all skillfully done, and the best track on the album.

“Margaritas By The Shore” is everything you would expect, with tempo and trying to imagine the scenery suggested by the title. Subtle picking and then it picks up as the rhythm guitar is spot on, driving along things with help from the bottom end. The guitars move back and forth between tempos and instrumentation, and the echoing licks, whether slower or faster, perfectly capture the surf and sand as you sip this cool drink of sound as the first side of the platter closes out.

“Hangover (Pt. III)” opens side two with an excellent bass line as the drums come in with some subtlety. The guitars join the mix with some slow, low-tempo melodicism. There is some good rhythm following all that as well. At no point do they cut loose on this one. I think the idea is to keep it low because a hangover can be very sensitive to loud and brash noise! All tastefully done, giving you doses of their exceptional versatility.

“Grandfather” continues along the softer side of their repertoire, but this time with a more retro feel to it all. It sounds like a 50s melody with a 60s take and surfy. There is a change with a quick burst, then back to a waltz on surf guitar sound. Once again, there is a solid rhythm guitar laying down a strong foundation for the leads.

“The Gypsy Fly” goes back to some high-steppin’ picking with a walking bass line, then into what sounds like a polka drum beat, and a guitar workout follows. The rhythm and tempo made me think of Slacktone again. Then yet another wild change with a “flight of the bumblebee” riff, then a quick switch to an Eastern European celebration gypsy dance! Insane mixture of influences and changes in this one, wow!

“Walking Under City Lights” features a pulsating bass line and a twangy, foot-tapping guitar, as the rhythm is fast and steady. Then, a slight fuzz tone is added for variation and a constant, reverberating guitar line. These colorful sounds are their trademark as they continually get on this merry-go-round of sound again, transitioning from beginning to end. Impressive.

“Cesenatico” features a fine bass line, and the drums are steady and straightforward for this boogie, with a hint of country twang. This is a real mover with a danceable rhythm. In case you were interested, Cesenatico is a port town with about 26,000 inhabitants on the Adriatic coast of Italy.

“A Song For Dick” is a fitting tribute to the King of the Surf Guitar, Dick Dale. Wave Electric’s rendition of his unmistakable sound is a powerful homage, with rapid-fire and powerful guitar licks that echo his legacy. It’s a nostalgic journey from rocking to the more melodic side, a reminder that Dick Dale’s influence will never fade.

Wave Electric is a master class in surf instrumental rock and all the variations of tempos and styles. This is continued proof of the many dimensions of surf instro and its global reach. Well done, gentleman!

Wave Electric Is:

Bass Guitar – Carlo Leonello Uberti

Drums – Andrea Bonzini

Lead Guitar, Rhythm Guitar – Alessandro Maderna

Lead Guitar, Rhythm Guitar, Acoustic Guitar – Mattia Dambrosio

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

September 18, 2025

Tracks:

Side A

1. Shot In The Head

2. Berlin

3. Waves

4. Moon Surfing

5. Alien Attack

6. Fantasmatron

7. Margaritas By The Shore

Side B

1. Hangover (Pt. III)

2. Grandfather

3. The Gypsy Fly

4. Walking Under City Lights

5. Cesenatico

6. A Song For Dick

Instrumental Rock Vinyl Review: Los Straitjackets-Somos (Ltd. Edition Yellow Vinyl - 1,000)

Release Date:  September 19, 2025

Label: Yep Rock

Website

After a decade-long break, the iconic Los Straitjackets have made a triumphant return with Somos (Are). The fact that the limited-edition yellow vinyl is nearly sold out as I write this only adds to the excitement. I am lucky to have secured my copy before the official release date.

 

Los Straitjackets have made a captivating return with Somos, offering a rich tapestry of 15 tracks that blend instrumental rock with surf-tinged elements. Throughout the album, you’ll hear echoes of retro sounds and be treated to some exceptional guitar work, showcasing the band’s diverse musical influences.

 

Listening to Somos, you’ll find yourself transported back to the golden era of music, with memories of The Ventures and Shadows (“Genesee River Rock”) flooding your mind. Los Straitjackets’ ability to evoke such nostalgic feelings is a testament to their musical prowess and connection with their audience.

 

“Bumper Car” kicks things off on side A with some melodic twang and a smooth rhythm section. This is a toe-tapper (and there are many of those) with some tasteful leads on the guitar (there are many of those too!).

 

“Polaris” resonates with reverb as the “island vibes” grab you, then the warmth of the sun's rays is imagined hitting your face. There is an acoustic rhythm guitar that is nice and steady, along with the bass and drums. Some shimmering leads from the electric guitar set the tone and atmosphere nicely.

 

“Genesee River Rock” is a throwback to the sound of The Shadows with some swinging leads and good rhythm guitar to accentuate all of that activity. Then the occasional drum rolls add their excitement to this retro classic.

 

“High Wire Act” steps up the pace and tempo significantly. Some rapid picking on the six-string is featured here with some reverb for extra measure. I enjoyed the transitions. Some great bass lines are added. You get the best of both worlds on this, as today and yesterday are combined. 

 

They shout “Numbskull” as the drums fire off, and then some hook-filled riffs, and that legendary “Whip Out” callout is perfected. Some crafty guitar is featured, and the switching up of tempos is good.

 

“Two Steps Ahead” brings on the heavy bass lines as the guitar provides a good riff (which at times recalls “Secret Agent Man”). The drums and cymbals play their part, adding some excitement and emotion.

 

“April Showers” closes out the first side with some catchy riffing, then a melodic lead as the rhythm guitar and bottom end are solid once again. Some tasteful playing and reverberating leads are excellent.

 

Side B opens with “Cry for a Beatle” as the energy level feels good to start. The bass part is fantastic, and the drums are very melodic. Strong leads coming from the lead guitar make it another winner.

 

“Catalina Farewell” slows things down but with a catchy riff on guitar. The tune is mellow and relaxing, sounding dreamy like a lullaby.

 

“Copy Cat” Returns to the more upbeat sounds. The guitars engage in a call-and-answer session, with the back end always providing a foundation. There are some drum rolls briefly and a bass solo.

 

“Sentimental Fool” brings the tasteful guitar leads back in focus. The rhythm section is very measured and timely as the guitar leads perk things up, then revert to the original melody, then back to the energy. The back and forth showcases the bands’ ability to be so diverse within one track.

 

You hear a girl’s voice say “Bad Apple” to start this track. The sound is entirely different than any other track on the album. Almost like something a band would add as a bonus track. The guitar’s bluesy leads are not something you would expect to hear on a recording like this, but the takeaway here is that it’s good. Some heavy bass lines are also featured—another example of their exceptional talent and diversity.

 

“Wicker Park” has some twangy leads and a toe-tapping rhythm—a very catchy track with smooth instrumentation.

 

“Spinout” is their all-out rocker on the album and one of the early tracks released. The drums start the engines, and you hear them holler Spinout! Twang and reverb dominate, and then that crazy “Wipe Out” laugh again. The bottom end is like a locomotive, and the rhythm guitar is exceptional.

 

“Virgon” closes out this return to greatness for Los Straitjackets. It starts slow, then they crank it up and go back again to the solo mellow guitar. The back and forth is great, and a super catchy song.

 

Somos is a satisfying return to form for Los Straitjackets. Lovers of instrumental rock will appreciate this recording. The mixture of rock, surf, and tracks that transition from slower to faster makes this a diverse listen without any filler. It’s solid and consistent from start to finish.

Credits:

Eddie Angel – Guitar (Bass on “Cry for a Beatle”)

Greg Townson – Guitar

Chris Sprague – Drums, Voices (Guitar on “Cry for a Beatle”)

Pete Curry – Bass (Drums on “Cry for a Beatle”)

With:

Simon Heeran – guitar on “April Showers,” “Virgon” and “Catalina Farewell”

Alex Hall – Vibes

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

September 5, 2025

Tracks:

Side A:

1. Bumper Car

2. Polaris

3. Genesee River Rock

4. High Wire Act

5. Numbskull

6. Two Steps Ahead

7. April Showers

Side B:

1. Cry for a Beatle

2. Catalina Farewell

3. Copy Cat

4. Sentimental Fool

Surf Rock Instrumental Review: The NovaRays: Another Date With The NovaRays

Release Date:  June 26, 2025

Label: Independent

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The NovaRays, a trio comprising John Ashfield on Fender Bass IV, Rob Jacobs on drums, and Lewis Bailey on guitar, showcase their individual and collective mastery in this band.

"West of Eureka” begins with the sound of a horse galloping away, then the music kicks in.  The bass is powerful and upfront, with the guitar positioned in the background, which I found interesting —a kind of switch in positions you rarely see. The drums are tight and right there with the bass. They add some other sound effects to make it feel like you are starring in the latest Western.  It is very panoramic, as it ends with the sound of a whip cracking, ‘Yee-haw!’ The next episode of Rawhide will begin after these messages…

“Space Hero” begins with a funky bass riff, as the drums join in for the ride, and the guitar arrives with a touch of twang and reverb. This time, the guitar’s volume is turned up for your pleasure. This is a combination of rock and surf with an irresistible hook and beat. A nice tempo is held consistently, and it’s a very tasteful ditty, I might say.

 

“Wooden Horse” is very melodic right out of the gate with some skillful guitar playing. And that bass, oh my goodness, it is just excellent - how strong and accurate it is. The drumming also receives praise for consistently maintaining exceptional time. There is something about the melody that sounds familiar to me, maybe something I heard years ago from Wishbone Ash—a very steady track with some clever transitions.

 

“The Creeper” is a classic many folks are familiar with from the Ventures; however, this is an original. It has a Halloween feel to it, which helps bring the subject matter to life. Well, after this is creepy, right? They nail it down nicely with perfectly paced rhythms and some “cuts like a knife” leads from the guitar for further emphasis. Well done!

 

“The Haunting of Bath House B” continues with our Halloween theme. This time, it’s much more upbeat, with some killer guitar lines accompanied by a throbbing bass and drums to carry it along. Some cool effects kick in as the guitar enters full gallop mode, then it transitions back to the leads, with the rhythm guitar following along, and finally, the epic, resonating finish.

 

“Pink Slip” goes into hyperdrive immediately with some lightning-fast guitar riffs. The bottom end is once again strong, as the guitar is diverse and accentuated with front leads, as well as in the background. A lot is going on in this track, and they pack it all into 3:03. I liked the quick transitions and layered guitars, with one keeping the rhythm and the other just ripping it (although they do that a lot on this album).

 

“Three Blue Stars” takes you back to the first wave of guitar sounds, then transitions to a more prominent lead guitar, holding on to the roots of surf instro. It’s a nostalgic journey, sounding very retro but crisp, clean, and precise due to the use of good recording methods. The different types of guitar sounds you would hear from a band in the heyday of the early ’60s are what you will be able to enjoy with this one!

 

“Phantom of the Jetties” gets you into the full reverb and twang mode, but this time, spy sounds dominate the atmosphere. As the paint it out with the guitar lines and rhythmic bass and drums, laying down that solid foundation. The bass has a few standalone moments with some funky lines. It’s the guitars that make this real for the spy vs. spy sounds—one of the best tunes on the recording.

 

“Mr. Covington’s Wild Ride” wraps things up on the wild instrumental ride. A spiffy guitar line kicks things into high gear with a solid rhythm guitar chugging along, and the bass and drums doing their things like they do. The guitar weaves its magic throughout with many transitions. Almost three minutes of pure rock instrumental surfy greatness to close the curtain on one hell of an album!

 

Another Date With The NovaRays is a date you will want to keep. This is a solid outing with a diverse array of tracks covering the gamut of surf instro and surf rock. They give you a taste of it all and a few looks back to where it all started to complete the circle. It’s an exciting journey that you wouldn’t want to miss.

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

August 31, 2025

Tracks:

1. West of Eureka 02:57

2. Space Hero 02:44

3. Wooden Horse 02:31

4. The Creeper 04:10

5. The Haunting of Bath House B 02:36

6. Pink Slip 03:03

7. Three Blue Stars 02:29

8. Phantom of the Jetties 02:50

9. Mr. Covington's Wild Ride 02:58

Surf Instrumental 7" 45 Vinyl Review: The Divine Wind Brotherhood - Banzai Blue/Jo, Surfing

Release Date:  August 23, 2025

Label: Yaquina Break

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This is a unique release from The Divine Wind Brotherhood. Now you must love that name!

The 7” 45 is translucent blue, a visual representation of the “Banzai Blue” theme, and comes with a set of 3D glasses to view the back cover, which adds an interactive element to the experience. “Banzai Blue” is B/W “Jo, Surfing.”

The front cover is very colorful, keeping with the tradition of combining art with music in surf instrumental. The addition of keys and woodwinds was an interesting enhancement to their sound. It is another element that will give the listener more to focus on.

“Banzai Blue” achieves the “far east” sound with its guitars, incorporating elements of traditional Japanese music and culture, as they transition to sharp leads that will catch your ears. The steady rhythm is always there as the foundation for the guitars to take off. It is something you expect with surf instro music. The drums and bass are strong, with the continuous melodicism serving as a highlight.

“Jo, Surfing” starts with a more traditional surf sound, reminiscent of the classic surf instrumental tracks of the 1960s, and once again, the guitars are melodic with a nice flow. Some breakaway leads are crisp and clear, offering the listener an additional dimension to enjoy in their music.

The Divine Wind Brotherhood has a great sound, and their instrumental prowess is evident on this special release. With only 100 copies available, this is an infrequent and exclusive item that will likely sell out quickly, making it a highly sought-after collector’s piece.

The Divine Wind Brotherhood Is:

Bob Shade - Guitar

Isaac Jones - Bass

Jim Tucker - Guitar

Debbie Love - Keys & Woodwinds

TBone Empey – Drum

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

August 28, 2025

 

Surf Rock-Psych Instrumental Review: Insect Surfers-Infra Green

Release Date:  June 12, 2013 (Vinyl Released October 2024)

Label: Green Cookie Records

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The Insect Surfers Are:

Guitar: David Arnson

Guitar: Michael Abraham

Bass: Jonpaul Balak

Drums: Jeff Utterback

The Insect Surfers, after a significant 15-year hiatus, released Infra Green. This kind of return often raises questions about how a band can pick up where they left off. Yet, when they do, it’s like witnessing a magical resurrection of their musical prowess.

 

When I heard “Bay of Bengal” on Can’t Surf On A Gas Giant vol.1, I was mesmerized. The song’s guitar playing and rhythm section are excellent. I kept playing the track over and over. I had to see what the rest of the album sounded like, continued to listen (stream), and I ordered the vinyl (which was released in October 2024).

 

“DelMarVa” features a great melody line, with guitars transitioning back and forth. It sounds like the perfect combination of traditional surf as the anchor with progressions of psychedelic runs and heavy reverb effects. Excellent!

 

“Space Park Drive” starts quite differently, and it rocks along nicely. Many layers of guitars with one off in distance, letting you know it’s still there. This is a wild ride of freaked-out psych elements, with dissonant chords and experimental effects, and a steady bass and drum holding down the main melody—more rock than anything, but very cool.

 

“Orion Canyon” is the longest track so far at 4:32. It has a surf western slant to it. Very atmospheric, with epic guitar rhythms and leads that create vivid imagery. Think spaghetti western with rock and psychedelic mixed in. This band is not easy to put in any box; they make their unique sound that is sure to intrigue listeners.   

 

“El Diablo Habanero” kicks into high gear immediately. Guitar-driven music with so many things going on makes for an enjoyable listen. This is the hallmark of this band. They are using the traditional surf elements with a lot of spice and flavor from the guitars that take everything in a different direction. Tasty and full of surprises.

 

“Pinto Pacer Duster Gremlin” is car nostalgia! If you are old enough to remember those cars, you should have an inner chuckle, as they were all on the low end of the spectrum for car ownership. Just under the two-minute mark, they shout out the track title several times. It moves right along, probably faster than all those cars! Great guitar again, with some laser-sharp licks!

 

“Plankton Dance” takes you out to the ocean depths with the driving rhythm section and layered guitars. Infectious melodies and hooks stake their claim to your inner sea explorer. Guitars merge to create a sound that is both full and exciting.

 

“Sea Scorpion” explodes right out of the gate and multiple trips down the guitar neck as the locomotive rhythm section kills it yet again. Music muscles flex and stretch throughout as they transition to a crazy ending with some glissando and biting leads. Almost 3 minutes of straight-ahead rock and surf psych instro.

 

“Par Avion” takes off with a hook with rhythmic guitars, pounding bass, and drums. Guitars are in sync like a well-oiled musical machine. The echo with reverb and sustain holds and makes a complete circle back to the initial melody. Not your typical surf instrumental by any means. The complexity and constant movement in different directions keep it interesting.

 

“Pineapple Skies” made me think of SpongeBob SquarePants immediately. Things take on a mellow, tropical atmosphere at first, then build and shift to a more rhythmic guitar playing, with the bass and drums keeping time. This is a real toe tapper with a prominent bass running through it.

 

“Vaquita” is a species of porpoise endemic to the northern end of the Gulf of California, Baja California, Mexico. So, with that in mind, the guitar is making porpoise sounds to kick it off (and more during the track). This is a long one at 6:51, so expect a lot of changes. The bass is strong and prominently displayed as the guitars go through all its paces. Effects are the key here, and it all works very well. What a masterpiece of sound and color-Ahh, the magic of guitar pedals!

 

“Crab Crusher” continues with its energetic openings, with the rhythm section spot on as the guitars enter with authority. Catchy hooks populate their sound as the second guitar wails away, taking its path. This is what makes their music so multidimensional. This is an excellent example of that virtuosity.

 

“Kitsune,” in Japanese folklore, is a fox or fox spirit known for its shapeshifting abilities and supernatural powers, including the ability to bewitch other beings. It starts in a very apprehensive way to create a feeling of mystery at first, then kicks right in. They do not waste any time in getting things moving at their normal fast pace, with a multitude of changes and guitar effects to reflect the meaning of the track.  The bass is fantastic once again; you can feel it go right through you. Bewitching sounds that any fox or fox spirit would recommend.

 

“Radar Road” is their magnum opus, clocking in at 9:27! It begins with a familiar spy motif, with the bass providing that atmosphere. The guitar jumps in with some biting, albeit smooth licks, then transitions several times for different effects and atmospheric touches. Get ready for all kinds of guitar wizardry as you move through nearly 10 minutes of prime Insect Surfers music. There is just too much going on here to discuss; you must hear it for yourself. Chances are, you have never heard anything like this on an album that fell into the surf instro genre. And if you did, I want to know about it!

 

“Infra Green,” the title track, closes this incredible recording. The bass begins its powerful presence right away as the drums join in. Then a subtle guitar line comes in as you are just waiting for the whole thing to cut loose and explode. Surprisingly enough, it never does; the tempo that is set down initially holds on as the guitar’s effects take precedence and bring it all to a close. That was a surprise ending considering everything that came before it.

 

Despite being released 12 years ago, Infra Green sounds as fresh as if it were released yesterday. This timeless quality is a testament to the band’s musical prowess. In the realm of surf instrumental rock and psych, it is a masterpiece that will be revered for eternity.

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

August 21, 2025

Tracks:

01. Bay Of Bengal 03:38

02. DelMarVa 02:23

03. Space Park Drive 03:35

04. Orion Canyon 04:32

05. El Diablo Habanero 03:21

06. Pinto Pacer Duster Gremlin 01:53

07. Plankton Dance 02:34

08. Sea Scorpion 02:58

09. Par Avion 04:18

10. Pineapple Skies 04:02

11. Vaquita 06:51

12. Crab Crusher 04:28

13. Kitsune 04:37

14. Radar Road 09:27

15. Infra Green 03:06