Showing posts with label Surf Rock. Show all posts
Showing posts with label Surf Rock. Show all posts

Thursday, August 21, 2025

Surf Rock-Psych Instrumental Review: Insect Surfers-Infra Green

Release Date:  June 12, 2013 (Vinyl Released October 2024)

Label: Green Cookie Records

Website

The Insect Surfers Are:

Guitar: David Arnson

Guitar: Michael Abraham

Bass: Jonpaul Balak

Drums: Jeff Utterback

The Insect Surfers, after a significant 15-year hiatus, released Infra Green. This kind of return often raises questions about how a band can pick up where they left off. Yet, when they do, it’s like witnessing a magical resurrection of their musical prowess.

 

When I heard “Bay of Bengal” on Can’t Surf On A Gas Giant vol.1, I was mesmerized. The song’s guitar playing and rhythm section are excellent. I kept playing the track over and over. I had to see what the rest of the album sounded like, continued to listen (stream), and I ordered the vinyl (which was released in October 2024).

 

“DelMarVa” features a great melody line, with guitars transitioning back and forth. It sounds like the perfect combination of traditional surf as the anchor with progressions of psychedelic runs and heavy reverb effects. Excellent!

 

“Space Park Drive” starts quite differently, and it rocks along nicely. Many layers of guitars with one off in distance, letting you know it’s still there. This is a wild ride of freaked-out psych elements, with dissonant chords and experimental effects, and a steady bass and drum holding down the main melody—more rock than anything, but very cool.

 

“Orion Canyon” is the longest track so far at 4:32. It has a surf western slant to it. Very atmospheric, with epic guitar rhythms and leads that create vivid imagery. Think spaghetti western with rock and psychedelic mixed in. This band is not easy to put in any box; they make their unique sound that is sure to intrigue listeners.   

 

“El Diablo Habanero” kicks into high gear immediately. Guitar-driven music with so many things going on makes for an enjoyable listen. This is the hallmark of this band. They are using the traditional surf elements with a lot of spice and flavor from the guitars that take everything in a different direction. Tasty and full of surprises.

 

“Pinto Pacer Duster Gremlin” is car nostalgia! If you are old enough to remember those cars, you should have an inner chuckle, as they were all on the low end of the spectrum for car ownership. Just under the two-minute mark, they shout out the track title several times. It moves right along, probably faster than all those cars! Great guitar again, with some laser-sharp licks!

 

“Plankton Dance” takes you out to the ocean depths with the driving rhythm section and layered guitars. Infectious melodies and hooks stake their claim to your inner sea explorer. Guitars merge to create a sound that is both full and exciting.

 

“Sea Scorpion” explodes right out of the gate and multiple trips down the guitar neck as the locomotive rhythm section kills it yet again. Music muscles flex and stretch throughout as they transition to a crazy ending with some glissando and biting leads. Almost 3 minutes of straight-ahead rock and surf psych instro.

 

“Par Avion” takes off with a hook with rhythmic guitars, pounding bass, and drums. Guitars are in sync like a well-oiled musical machine. The echo with reverb and sustain holds and makes a complete circle back to the initial melody. Not your typical surf instrumental by any means. The complexity and constant movement in different directions keep it interesting.

 

“Pineapple Skies” made me think of SpongeBob SquarePants immediately. Things take on a mellow, tropical atmosphere at first, then build and shift to a more rhythmic guitar playing, with the bass and drums keeping time. This is a real toe tapper with a prominent bass running through it.

 

“Vaquita” is a species of porpoise endemic to the northern end of the Gulf of California, Baja California, Mexico. So, with that in mind, the guitar is making porpoise sounds to kick it off (and more during the track). This is a long one at 6:51, so expect a lot of changes. The bass is strong and prominently displayed as the guitars go through all its paces. Effects are the key here, and it all works very well. What a masterpiece of sound and color-Ahh, the magic of guitar pedals!

 

“Crab Crusher” continues with its energetic openings, with the rhythm section spot on as the guitars enter with authority. Catchy hooks populate their sound as the second guitar wails away, taking its path. This is what makes their music so multidimensional. This is an excellent example of that virtuosity.

 

“Kitsune,” in Japanese folklore, is a fox or fox spirit known for its shapeshifting abilities and supernatural powers, including the ability to bewitch other beings. It starts in a very apprehensive way to create a feeling of mystery at first, then kicks right in. They do not waste any time in getting things moving at their normal fast pace, with a multitude of changes and guitar effects to reflect the meaning of the track.  The bass is fantastic once again; you can feel it go right through you. Bewitching sounds that any fox or fox spirit would recommend.

 

Radar Road” is their magnum opus, clocking in at 9:27! It begins with a familiar spy motif, with the bass providing that atmosphere. The guitar jumps in with some biting, albeit smooth licks, then transitions several times for different effects and atmospheric touches. Get ready for all kinds of guitar wizardry as you move through nearly 10 minutes of prime Insect Surfers music. There is just too much going on here to discuss; you must hear it for yourself. Chances are, you have never heard anything like this on an album that fell into the surf instro genre. And if you did, I want to know about it!

 

“Infra Green,” the title track, closes this incredible recording. The bass begins its powerful presence right away as the drums join in. Then a subtle guitar line comes in as you are just waiting for the whole thing to cut loose and explode. Surprisingly enough, it never does; the tempo that is set down initially holds on as the guitar’s effects take precedence and bring it all to a close. That was a surprise ending considering everything that came before it.

 

Despite being released 12 years ago, Infra Green sounds as fresh as if it were released yesterday. This timeless quality is a testament to the band’s musical prowess. In the realm of surf instrumental rock and psych, it is a masterpiece that will be revered for eternity.

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

August 21, 2025

Tracks:

01. Bay Of Bengal 03:38

02. DelMarVa 02:23

03. Space Park Drive 03:35

04. Orion Canyon 04:32

05. El Diablo Habanero 03:21

06. Pinto Pacer Duster Gremlin 01:53

07. Plankton Dance 02:34

08. Sea Scorpion 02:58

09. Par Avion 04:18

10. Pineapple Skies 04:02

11. Vaquita 06:51

12. Crab Crusher 04:28

13. Kitsune 04:37

14. Radar Road 09:27

15. Infra Green 03:06

Monday, August 11, 2025

Surf-Rock-Garage Review: The Boss Martians - Move

www.bossmartians.com


“The Boss Martians” are boss; there is no doubt about it. This group has mastered the art of playing sixties rock-pop and surf-instrumental on Move. It’s unusual to find a group that does both, and very well. Well, let me rephrase that…they have it down better than some of the originators of the genres.

Move features the pumped-up leader Evan Foster (vocals, guitar), who has a good set of pipes on him, and he plays the guitar like he had one in his hand at birth. He must be reincarnated from the sixties; that’s the only logical explanation. The rest of the group is equal to the task. Nick Contento (organ, piano), Jason Reavis (drums), and Steve Esquerita Davis (bass) stay right with Foster and inspire him to rock that much harder.

Although Foster is unquestionably the leader, the group’s sound quality would be significantly compromised without the support of each member. There must be magic and cooperation on all levels of the creative process for an album to sound this good. Move is a great rock and roll album.

This CD goes from first to fifth gear in a heartbeat with the rockin’ “She’s In, You’re Gone.” It’s the classic AM single format, clocking in just over two minutes in length. Actually, except for two tracks, every song’s runtime is radio-ready, keeping the standard two-minute timeframe in mind. This music is all about cars and chicks…check out “Introducing-The 1971 Dodge Charger Super Bee.”  All the dudes get a warning with “Never Trust a Chick (In a 3 Window Coupe)”, and then there is plenty of fun in the sun with the instrumentals tucked in between all the vocal tracks.

Hey, if this stuff doesn’t get your ass off the couch and shakin’ that booty, I suggest you check in with your local undertaker. If you desire a break from all the vocal activity, then there are some fine instrumental numbers to satisfy that urge.

“The Last Ride” is an energized traditional surf-instro tune, and “Trouble On Two Wheels” is the most interesting track on the entire album. It starts with a country flavored guitar run ala The Hellecasters and then quickly switches over to a quick foreign (maybe Lebanese?) dance-like tempo and then back again, all in the space of three and a half minutes. It’s an awe-inspiring display of virtuosity. You must listen to it a few times to catch everything that they are doing.

I love this group; they have got it covered for the sixties as far as I am concerned. It’s refreshing to hear simple, no-frills rock and roll that creates a clear picture of a time gone by. This kind of music never gets stale or boring. So, what are you waiting for? Get off that couch and get a copy of this now! 

You can find one here if you are interested in Discogs, which is priced reasonably.

Keith "MuzikMan" Hannaleck

February 12, 2002

Tracks:

01. She's in, You're Gone (Foster) - 2:14

02. I Want More (Foster) - 2:47

03. The Last Ride (Foster) - 2:29

04. Introducing-The 1971 Dodge Charger Super Bee(Foster) - 0:18

05. Bad Ass '71 Dodge Super Bee (Foster/Trueblood) - 2:05

06. Trouble on 2 Wheels (Foster) - 3:29

07. This Time Around (Foster) - 2:37

08. Intermission (Foster) - 2:05

09. Move! (Foster) - 2:25

10. Never Trust a Chick (In a 3 Window Coupe) (Foster) - 2:20

11. Chihuahua del Diablo (Foster) - 2:26

12. Mugs O' Plenty (Foster) - 2:10

13. Little Sally Tease (Valley) - 2:45

14. Pandilla en Motocicleta (Foster) - 4:28

Monday, July 28, 2025

Instrumental Surf-Rock-Psychedelic Review: Kioea-Electric Surf EP

Release Date: June 7, 2025

Label: Independent

Website

Kioea Is:

Carand Burnet- Guitar, Sitar, Synth, Vocals

Neil Collins-Bass

Matt Wilson- Drums

When I received a package from the band Kioea, I knew that it was going to be something different. Based on the introduction I read, it wasn’t just going to be a surf instrumental album, and it got me excited for what I was about to hear. I love surf instro; however, hearing something that is a few steps beyond that can also be intriguing.

The Electric Surf EP is a unique blend of atmospheric surf, rock, and psych. This musical journey features intriguing Middle Eastern influences, courtesy of the sitar. The use of a synthesizer for various effects throughout the tracks is another notable element. This complex mixture of music, each bit of it superb, is a testament to the band’s innovative approach. Despite the name, Kioea is not a Hawaiian band; instead, it hails from the vibrant music scene of Portland, Maine, and its surrounding areas.

Every track you will hear Carand’s guitar and earthy, wordless vocals. This adds another layer to the many other layers of guitar, bass, synths, sitar, and drums.

“Orca” begins the journey with a slow tempo and an atmospheric drone sound, a continuous, low-pitched note that creates a sense of depth and space in the music. Then the tempo picks up with some fast picking and rhythm guitar. Surfy leads and powerful drums follow. Here they set the precedence for ever-changing tempos and a transitory sound that will keep you hooked from beginning to end.

“Canyon Wren” continues with the mellow vibes. A catchy melody then transitions to a different tempo, accompanied by a flash lead guitar lick before returning to the main melody. Another change comes with some echoing leads, which build up and then recede. Then you hear the bird itself (nice touch), and some wordless vocals come in again, and the bird sounds return with a dreamy atmosphere, creating an island paradise in your mind. Very picturesque and encouraging a listener to think about where they could be.

“Sun Fish” captivates the listener with its beautiful wordless vocals and strong bass and drums. The music’s transitory nature, changes in tempo and intensity, keep the listener engaged and intrigued. The band’s use of wordless vocals adds another layer of beauty to their music, making it a truly captivating listen.

“Paloma” is very melodic at the start, featuring wordless vocals. Drums and bass are excellent as they navigate through quick changes and sudden shifts in rhythm or melody, keeping the music fresh and engaging. Accompanied by guitar passages, which are a hallmark of these tracks, they provide a dynamic foundation.

The title track, “Electric Surf,” is quite different, featuring more wordless vocals. It is ambient and spacey, with a spacious and ethereal sound that creates a dreamy atmosphere, as the guitars, bass, and drums suddenly jump in. A smooth tempo is consistent, and excellent guitar work is a highlight. A changeover to some picking, followed by another switch, then a steady, rhythmic guitar, adds different layers of flavor as the tempos change. As with all their music, they create an atmospheric and dreamy soundscape with the addition of the wordless vocals.

“Province Lands” closes things out with a sitar and crickets chirping in the background. This is a live recording from a Simplify Yoga Retreat. It is an ambient meditative listen. So, the album ends like it was a new age instrumental album rather than a surf-tinged instrumental rock effort. Very different but quite enjoyable.

I would call their music progressive instrumental surf. Now that is a title you will rarely hear, and it takes a lot of elements for me even to suggest it. But here it is, have a listen and see for yourself.  If you are yearning for something entirely different, you will find it on the Electric Surf EP.

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

July 27, 2025

Tracks:

1. Orca 03:14

2. Canyon Wren 04:26

3. Sun Fish 03:31 video

4. Paloma 02:38

5. Electric Surf 05:34

6. Province Lands 03:44