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Tuesday, August 12, 2025

Surf Rock Instrumental Review: The Fathoms-Hard To Fathom

Release Date:  August 8, 2025

Label: Musick Recordings

Website

After an astounding eighteen-year hiatus, the return of this Boston-based band, The Fathoms, with a new album, Hard To Fathom, is a special occasion for surf instrumental fans. The album features eight tremendous tracks that cover all the sub-genres that make surf instrumental so enjoyable to listen to, marking a significant return to the music scene. 

Featuring lead guitarist Frankie Blandino, Rob Amaral, Sax Gordon, and the return of the original Fathoms rhythm section of Johnny Sciascia on bass and Stan Kozlowski on drums, this reunion is a complete circle for the band. Their previous work has left a lasting impact on the surf instrumental genre, and their return is highly anticipated.

 

The time they spent apart had no impact on them, based on what I heard.

 

The title track “Hard To Fathom” begins with power and conviction, followed by some smooth as silk tremolo, then the saxophone announces its entrance, albeit softly, in the background in comparison to the primary instrument’s strengths; however, it would eventually rise in volume in the mix. They could not have announced their return with a better sound.

 

“The Right One” is a country-flavored number that is a big step away from the opener. However, you will find that each track is a separate entity as the band uses all of their experience to keep your interest right until the end. Eclecticism is the rule of the day. The sax returns once again, offering more of its distinctive sound, and there is some excellent picking going on continuously as the drums and bass hold down the foundation. These flavorful twists in sound reminded me of the late great Danny Gatton’s music.

 

“Funny Farm” features a drum intro as it transitions into a different playing style. It is that retro ’60s sound, complete with the recognizable organ, that instantly transports you back to a time when all the sitcoms were on TV. There is some good string bending going on here that gives it that offbeat sound.

 

“Giddy Up” returns to the surf instro straight away with some biting licks, rapid drum rolls, and twang to give it the western feel. They circle back and forth with pinpoint precision as the sax adds its sauce to the musical stew. This is another eclectic mixture with many transitions worthy of note.

 

“Sea of Glass” transports you to a deserted island in the sun, where the tempo evokes a sense of warmth and smooth waves of sound gently caress your consciousness. The music sweeps you away as it cleverly paints the necessary scenes in your mind. There is a nice blend of acoustic and electric guitar, and good layering of each instrument. This was one of my favorites for all-around musicianship.

 

“Escape From Wormtown” will bring Davie Allan to mind and The Ventures’ track “2000 Pound Bee” with that definitive fuzztone sound. There is an air of mystery created in this musical atmosphere, like a scene in a James Bond movie. The steady bottom end is their rock to count on as each instrument is added to the mix. A good rhythm guitar melds well to complete their sound, then towards the finish line, a shift in sound again and a fade out.

 

“End of the Trail” is their ode to the Spaghetti Westerns. I envisioned a scene from The Good, The Bad, and the Ugly in my mind’s eye with this picturesque auditory experience. The guitar is the narrator here, and it sings the song so well. There is a surprising transition to the fuzztone, and then the drums sound like a call to arms to march into battle as the sun sets on the final scene.

 

“Planet of Rain” is the curtain closer on this cinematic journey of sound. And it’s off with a bang, just the way it all started with some rapid playing from all positions. The retro Shadows sound permeates your surroundings. If Hank Marvin were listening, he would be smiling. Cymbals play an essential role in different segments, once again proving how important the drums are in every song. They are the engine that drives this locomotive down the tracks.

 

Hard To Fathom is a superb recording and a fantastic return to form after a protracted absence. Let’s hope this is the beginning of another chapter in the history of one of the greatest surf instro bands of all time.

 

Besides a download and CD, it is available in excellent “Jazz master” colors splatter vinyl LP as well. I have the vinyl on the way!

 

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

August 11, 2025

Tracks:

1. HARD TO FATHOM 03:32

2. THE RIGHT ONE 02:49

3. FUNNY FARM 02:20

4. GIDDY-UP 03:03

5. SEA OF GLASS 03:44

6. ESCAPE FROM WORMTOWN 03:06

7. END OF THE TRAIL 05:24

8. PLANET OF RAIN 03:11

Monday, August 11, 2025

Surf-Rock-Garage Review: The Boss Martians - Move

www.bossmartians.com


“The Boss Martians” are boss; there is no doubt about it. This group has mastered the art of playing sixties rock-pop and surf-instrumental on Move. It’s unusual to find a group that does both, and very well. Well, let me rephrase that…they have it down better than some of the originators of the genres.

Move features the pumped-up leader Evan Foster (vocals, guitar), who has a good set of pipes on him, and he plays the guitar like he had one in his hand at birth. He must be reincarnated from the sixties; that’s the only logical explanation. The rest of the group is equal to the task. Nick Contento (organ, piano), Jason Reavis (drums), and Steve Esquerita Davis (bass) stay right with Foster and inspire him to rock that much harder.

Although Foster is unquestionably the leader, the group’s sound quality would be significantly compromised without the support of each member. There must be magic and cooperation on all levels of the creative process for an album to sound this good. Move is a great rock and roll album.

This CD goes from first to fifth gear in a heartbeat with the rockin’ “She’s In, You’re Gone.” It’s the classic AM single format, clocking in just over two minutes in length. Actually, except for two tracks, every song’s runtime is radio-ready, keeping the standard two-minute timeframe in mind. This music is all about cars and chicks…check out “Introducing-The 1971 Dodge Charger Super Bee.”  All the dudes get a warning with “Never Trust a Chick (In a 3 Window Coupe)”, and then there is plenty of fun in the sun with the instrumentals tucked in between all the vocal tracks.

Hey, if this stuff doesn’t get your ass off the couch and shakin’ that booty, I suggest you check in with your local undertaker. If you desire a break from all the vocal activity, then there are some fine instrumental numbers to satisfy that urge.

“The Last Ride” is an energized traditional surf-instro tune, and “Trouble On Two Wheels” is the most interesting track on the entire album. It starts with a country flavored guitar run ala The Hellecasters and then quickly switches over to a quick foreign (maybe Lebanese?) dance-like tempo and then back again, all in the space of three and a half minutes. It’s an awe-inspiring display of virtuosity. You must listen to it a few times to catch everything that they are doing.

I love this group; they have got it covered for the sixties as far as I am concerned. It’s refreshing to hear simple, no-frills rock and roll that creates a clear picture of a time gone by. This kind of music never gets stale or boring. So, what are you waiting for? Get off that couch and get a copy of this now! 

You can find one here if you are interested in Discogs, which is priced reasonably.

Keith "MuzikMan" Hannaleck

February 12, 2002

Tracks:

01. She's in, You're Gone (Foster) - 2:14

02. I Want More (Foster) - 2:47

03. The Last Ride (Foster) - 2:29

04. Introducing-The 1971 Dodge Charger Super Bee(Foster) - 0:18

05. Bad Ass '71 Dodge Super Bee (Foster/Trueblood) - 2:05

06. Trouble on 2 Wheels (Foster) - 3:29

07. This Time Around (Foster) - 2:37

08. Intermission (Foster) - 2:05

09. Move! (Foster) - 2:25

10. Never Trust a Chick (In a 3 Window Coupe) (Foster) - 2:20

11. Chihuahua del Diablo (Foster) - 2:26

12. Mugs O' Plenty (Foster) - 2:10

13. Little Sally Tease (Valley) - 2:45

14. Pandilla en Motocicleta (Foster) - 4:28