Surf Rock Instrumental Review: The Fathoms-Hard To Fathom

Release Date:  August 8, 2025

Label: Musick Recordings

Website

After an astounding eighteen-year hiatus, the return of this Boston-based band, The Fathoms, with a new album, Hard To Fathom, is a special occasion for surf instrumental fans. The album features eight tremendous tracks that cover all the sub-genres that make surf instrumental so enjoyable to listen to, marking a significant return to the music scene. 

Featuring lead guitarist Frankie Blandino, Rob Amaral, Sax Gordon, and the return of the original Fathoms rhythm section of Johnny Sciascia on bass and Stan Kozlowski on drums, this reunion is a complete circle for the band. Their previous work has left a lasting impact on the surf instrumental genre, and their return is highly anticipated.

 

The time they spent apart had no impact on them, based on what I heard.

 

The title track “Hard To Fathom” begins with power and conviction, followed by some smooth as silk tremolo, then the saxophone announces its entrance, albeit softly, in the background in comparison to the primary instrument’s strengths; however, it would eventually rise in volume in the mix. They could not have announced their return with a better sound.

 

“The Right One” is a country-flavored number that is a big step away from the opener. However, you will find that each track is a separate entity as the band uses all of their experience to keep your interest right until the end. Eclecticism is the rule of the day. The sax returns once again, offering more of its distinctive sound, and there is some excellent picking going on continuously as the drums and bass hold down the foundation. These flavorful twists in sound reminded me of the late great Danny Gatton’s music.

 

“Funny Farm” features a drum intro as it transitions into a different playing style. It is that retro ’60s sound, complete with the recognizable organ, that instantly transports you back to a time when all the sitcoms were on TV. There is some good string bending going on here that gives it that offbeat sound.

 

“Giddy Up” returns to the surf instro straight away with some biting licks, rapid drum rolls, and twang to give it the western feel. They circle back and forth with pinpoint precision as the sax adds its sauce to the musical stew. This is another eclectic mixture with many transitions worthy of note.

 

“Sea of Glass” transports you to a deserted island in the sun, where the tempo evokes a sense of warmth and smooth waves of sound gently caress your consciousness. The music sweeps you away as it cleverly paints the necessary scenes in your mind. There is a nice blend of acoustic and electric guitar, and good layering of each instrument. This was one of my favorites for all-around musicianship.

 

“Escape From Wormtown” will bring Davie Allan to mind and The Ventures’ track “2000 Pound Bee” with that definitive fuzztone sound. There is an air of mystery created in this musical atmosphere, like a scene in a James Bond movie. The steady bottom end is their rock to count on as each instrument is added to the mix. A good rhythm guitar melds well to complete their sound, then towards the finish line, a shift in sound again and a fade out.

 

“End of the Trail” is their ode to the Spaghetti Westerns. I envisioned a scene from The Good, The Bad, and the Ugly in my mind’s eye with this picturesque auditory experience. The guitar is the narrator here, and it sings the song so well. There is a surprising transition to the fuzztone, and then the drums sound like a call to arms to march into battle as the sun sets on the final scene.

 

“Planet of Rain” is the curtain closer on this cinematic journey of sound. And it’s off with a bang, just the way it all started with some rapid playing from all positions. The retro Shadows sound permeates your surroundings. If Hank Marvin were listening, he would be smiling. Cymbals play an essential role in different segments, once again proving how important the drums are in every song. They are the engine that drives this locomotive down the tracks.

 

Hard To Fathom is a superb recording and a fantastic return to form after a protracted absence. Let’s hope this is the beginning of another chapter in the history of one of the greatest surf instro bands of all time.

 

Besides a download and CD, it is available in excellent “Jazz master” colors splatter vinyl LP as well. I have the vinyl on the way!

 

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

August 11, 2025

Tracks:

1. HARD TO FATHOM 03:32

2. THE RIGHT ONE 02:49

3. FUNNY FARM 02:20

4. GIDDY-UP 03:03

5. SEA OF GLASS 03:44

6. ESCAPE FROM WORMTOWN 03:06

7. END OF THE TRAIL 05:24

8. PLANET OF RAIN 03:11

Surf Rock Instrumental Review (Holiday): Los Straitjackets- ‘Tis The Season For Los Straitjackets!

http://www.losstraitjackets.com

Admittedly, it is a little early to be listening to Christmas music. I could not help but put this on, though. By the end of the month, I will have had my fill of seasonal music to review, and I will be happy that it comes only once a year.

Surf-instrumental music has always been a personal favorite, and Los Straitjackets never fail to deliver a unique and fun experience. Their vibrant Mexican wrestling masks and infectious sound make them a joy to watch. ‘Tis The Season For Los Straitjackets!

Well then, now you can put all of that together and have yourself a CD that will get you in the mood for the season. Could there be a better way to jump-start the Holiday than to a rockin’ and twangy “A Marshmallow World”?  (Released on a red vinyl 45 a few years ago, B/W “Sleighride”) or “Feliz Navidad”? Even though it may not seem right without Jose Feliciano’s vocals, it still sounds great. Every song sounds so wonderful!

The CD is not too long or too short; it is just right, with 13 tracks, the longest one being a little over three minutes. You must love this kind of music to appreciate it fully, although there may be some converts just waiting for something different to feast their ears upon this year. Usually, the only instrumental Christmas CD I put on is The Ventures Christmas Album (who have a new Christmas CD out too). Now, I have another one to add to the list.

This CD is a joyous toboggan ride down a steep hill on a cold December day. The faster you go, the more excited you get! It’s a perfect blend of fun and the spirit of giving, which is what the holiday season is all about. Let Los Straitjackets’ music guide you to a season filled with joy and excitement.

Keith "MuzikMan" Hannaleck

November 3, 2002

Tracks:

01. Here Comes Santa Claus (Autry/Haldeman) - 2:11

02. A Marshmallow World (DeRose/Sigman) - 2:06

03. Feliz Navidad (Feliciano) - 3:10

04. Jingle Bell Rock (Prentis) - 2:41

05. Rudolph the Red Nosed Reindeer (Marks) - 2:18

06. God Rest Ye Merry Gentlemen (Traditional) - 2:23

07. Frosty the Snowman (Nelson/Rollins) - 1:57  

08. Christmas in Las Vegas (Amis/Angel/Curry/Lester) - 2:36

09. Let It Snow (Cahn/Styne) - 2:12

10. Sleigh Ride (Anderson) - 2:33

11. Christmas Weekend (Amis/Angel/Curry/Lester) - 1:53

12. Little Drummer Boy (Davis/Onarata/Simeone) - 2:40

13. The Christmas Song (Torme/Wells) - 3:16 

Surf Instro 7" 45 Vinyl Review and Interview (Bernard Yin): Par Avion – Featuring Paul Johnson and Friends - Mr. Moto/Squad Car

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Par Avion – Featuring Paul Johnson and Friends is a one-time special limited-edition release on black 7” vinyl with the classic surf tracks “Mr. Moto” and “Squad Car.”

The guitars on “Mr. Moto” were played by Paul Johnson, who originated the music with his band The Bel-Airs; John Blair (of Jon and The Nightriders); and Bernard Yin and his band Par Avion.

 

On bass, Rebecca Ramirez, piano, Marc Doten, and drums, the excellent Dusty Watson.

 

For “Squad Car,” the lineup includes Paul Johnson, Bernard Yin, Sys Malakian, and Ferenc Dobronyi on guitars. And DJ Bonebreak on drums, Rebecca Ramirez on bass.

The retro artwork is perfect for the release. Dirk Braun provided the front cover, and the back illustration was from the Rick Griffin estate; the layout comes courtesy of Kustom Deluxe Design and Printing.

These are all the various elements that came together to make this project complete. As Bernard said in his introduction packet, “It takes a village.”

 

Listening to these two legendary tracks in the “Longboard” style, as Bernard explains, is a treat for the ears. The sound is crystal clear, thanks to the high-quality vinyl, which ensures the best listening experience.

"Mr. Moto" has several guitar variations running throughout. I continue to listen in amazement at how these musicians can pack so much into a short running track. The drums and bass provide solid support, while the transitions are so intricate that kudos are due to the backend for keeping everything on track. I appreciate how they paid tribute to the original music and vibe before it fades out. It was a brief reminder of the value of looking back at where it all started with Paul Johnson.

"Squad Car" has a slower tempo, and the cymbals are subtle yet keep time with grace. The guitars resonate with reverb and pinpoint accuracy, featuring stinging leads. The melodicism is superbly done, and you get to hear a brief run of glissando towards the end, where the bass also peels off some strong notes.

 

Par Avion – Featuring Paul Johnson and Friends will be available online and at SG 101 2025 by Frankie and The Pool Boys (check in with Ferenc). Also, at Par Avion’s upcoming Mountain Mini Tour, and The Tiki Oasis poolside at noon on August 9th. Don’t miss out on this special release!

 

These are the kind of releases that the surf community loves to see, and they become instant collector’s items. I appreciate how the artwork is integrated into this music, and that is what makes the surf instro genre so special to the artists and fans.

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

August 5, 2025

Surf Rock Instrumental Review: Various Artists-American Surf Treasures Volume 1 & 2

Paul Johnson’s importance to the development of surf-instrumental music, more specifically South Bay Surf, cannot be overstated. His contributions to the genre helped to create and establish the music as a viable source of entertainment for teenagers nationwide during the early sixties. He is so vital that he stands alongside The Ventures, The Shadows, Merrell Fankhauser, and Link Wray as one of the true pioneers and innovators of a musical genre that has a colorful past and continues to grow and evolve today.

These two CDs, aptly titled American Surf Treasures Volume 1 & 2, are a significant part of surf-instrumental music history. Volume one delves into PJ’s work and his collaboration with The Galaxies and Art Fisher of the Journeyman, offering a glimpse into the admiration and respect PJ had for Artie and his group. This is not just a collection of music, but a historical narrative of PJ’s journey and his influence on the genre.

 

PJ was ready to grow and move on as a developing and influential guitar player at all times, hence his continuing evolution in several different groups and metamorphosis into a fabulous solo career that is going with a full head of steam to this day (check out his MP3 site-remember that?).

 

Volume two gives you a glimpse of some of the more progressive groups of the time, chosen by PJ to record and be guided by his musical genius in the studio. The Nocturnes, Vibrants, Wheely McSidewalk & The Ball Bearings (how do you like that name!), and the Revelairs, known for their experimental and innovative approach to surf music, are given equal time with their priceless songs. It proves the influence, importance, and respect that PJ had from his peers in the genre early on.

 

Some of these songs are surprisingly rocking for the time they were recorded. You can tell that the playing is slightly restrained, so they would not veer off too far into the rock and roll sound, a more aggressive and vocal-driven style, that could have soon derailed the surf-instro music phenomenon dead in its tracks.

 

Volume one has twenty-five tracks while volume two is bulging with twenty-eight tracks. How could I possibly cite any one song as a standout? They are all timeless pieces of surf-instrumental history, forever linked together. There was not one song that I didn’t enjoy.

 

That says a lot for the selection and quality of the songs and the sound.

 

The only drawback to the entire set is that the folks at Gee-Dee ignored PJ’s request to proofread the liner notes. It’s rife with errors. It’s a shame because it’s an exciting and fabulous read that could have been given the care it deserved, to complement the immense quality and significance of the collection. It’s an easy enough error to overlook when you sit and listen to the music, so don’t let that stop you from picking up these priceless gems.

Keith "MuzikMan" Hannaleck
September 7, 2001

Track Listing

Volume One:

01. Tally Ho

02. Andele

03. Rise And Fall Of Flingel Blunt

04. The Shimmy (AKA Side Two)

05. Wild Goose

06. The Moldau

07. One Mint Julep

08. Rockin’ Pnuemonia & The Boogie Woogie Flu

09. Big Shot

10. Scouse

11. Lanky Bones

12. Comin’ Home Baby

13. Belly Button

14. Ramrod

15. Vamonos

16. (It’s Gonna) Work Out Fine

17. Squad Car

18. Mariah

19. Fink 20. Work Out

21. Bag’s Groove

22. Surfer’s Blues

23. Surfer’s Rule

24. Artie’s Blues

25. Rum Runner

 

*Tracks 1-14 are PJ & The Galaxies, 15-19 are PJ & Artie, 20-25 are the Journeyman.

 

Volume Two:

01. Third Star To The Left

02. Sticky

03. Bha-Ree-Ba!

04. Space Probe

05. Surfer Street

06. Midnight Run

07. Journey To The Stars

08. HonkyTonk

9. Comin’ Home Baby

10. Wipeout

11. Shootin’ The Pier

12. Memphis Beat

13. Funky Beat

14. Surf Beat

15. San-Ho-Zay

16. Hawaiian Warchant

17. Ridin’ High

18. Skokiaan

19. Scorpion

20. Zorchy

21. Stomp Crazy

22. Wild Fire

23. The Breeze

24. Fuel Injection

25. Whispering

26. Theme From “Blacksaddle”

27. Dark Eyes

28. The Cruel Sea Third Star To The Left

 

*Tracks 1-11 are the Nocturnes, 12-14 are Wheely McSidewalk & The Ball Bearings, 15-18 are the Revelairs, 19-24 are the Vibrants, 25-28 are the Revelairs.

Surf Rock Instrumental Review: The Mulchmen - Greetings! From Planet Stupider

The only thing stupider than Greetings! From Planet Stupider, an instro fan would not pick up this fine slab of instro delight.

The Mulchmen, an immensely talented trio from Dayton, bring a unique sound that perfectly complements their sometimes-odd and unconventional musical surroundings. Their music is a delightful blend of instrumental rock that is sure to intrigue any music enthusiast.

 

The Mulchmen are Nick Kizirnis (cruise director), Brian Hogarth (Co-Pilot), and Gregg Spence (Navigator). That is lead guitar, bass, and drums in that order.

 

Big Beef Records has some prime cuts coming from their studios on this vibrant and diverse album. You can't quantify it as just surf, yet its influence echoes in the distance. This is instrumental rock. How do you stick a group like this in a particular genre? You just can't. Tabbed as surf-rock, they prove time and again that it's a very narrow description of their diverse sound. Their range is too far into the distant galaxies of instrumental wanderings to be categorized.

 

This is an excellent example of how to use your talent and explore and experiment with music. It's much easier to do when you don't have to sing a note. Let the music do the talkin'.  It speaks loud and clear, and it works.

 

Listening to The Mulchmen and their music was an entirely enjoyable experience. Their talent and creativity shine through in every note, making it a must-listen for any music fan.

 

As I listen to The Mulchmen, I find myself scratching my head and wondering why I haven't heard more of these guys. Their music is a testament to their talent and dedication, and it's a wonder they're not more well-known. They cook, and their fine-tuned synchronization is a joy to listen to. If you're an instro head, you need to get smarter and listen to Greetings! From Planet Stupider.

 

Keith "MuzikMan" Hannaleck

January 17, 2000

Tracks:

01. Delta Velocity

02. Backscratcher

03. Spank The Lightning

04. The Stalker

05. Go-Go-Boot Camp

06. Pocketful Of Pennies

07. Yek-259

08. Lowdown

09. Automatic Egypt

10. Tiddytwister

11. Demanding The Impossible

12. Shadow Walk

13. Ripchord

14. Dr. Cyclops/Danger Todd Robinson

Surf-Rock Instrumental Review: White Sands-Self Titled EP

Release Date:   August 20, 2024

Label: White Sands/Nomad Eel Records

Website

The White Sands six-song EP is a dynamic combination of surf and rock from an excellent trio. The colorful artwork, featuring a spooky Halloween font and an alien abduction, serves as a good lead into the track titles you will encounter before listening. The cover reminded me of early sci-fi posters from 1950s movies. This is a cinema set to music.

As with any exceptional instrumental music in this genre, the EP is guitar-centric, with robust backing from the bass and drums. Across the six tracks, you can hear three musicians at the peak of their craft, delivering a performance that is sure to impress.

The EP is readily available for download on Bandcamp, ensuring easy accessibility to all music enthusiasts. For those who appreciate a more tangible experience, a limited cassette version is also available.

"The Black Cat Is Deathless" features strong rhythms (something that is a strength of their music). There are twangy, clear-cut leads that take on this spine-tingling adventure of the evil black cat. Some nice tremolo effects are inserted for that surfy feel, then some tight rockin' leads for more impact. The bass and drums are synced nicely to hold down the back end, which they consistently do throughout this recording.

"Cult of the Crab King" has a subtle drum opening and a heavy bass as the guitar comes in with its surf reverb vibes, making you "feel" the waves of sound as you picture this bizarre creature prodding along. The constant cymbals echo throughout as the drummer's other hand maintains the steady pulse to match the bass.

"Revenge of the Tikibots" starts like a shot out of a cannon with lots of reverb flying off the strings of the guitar. The guitar dominates their sound, as it should. The proper effect to match the track titles is accomplished by the tempos created. Some fast picking occurs for a short time, approaching a glissando sound as closely as possible. The drums and bass answer the call and pick up the pace, then a sudden finish.

"It Came From Hobbs" makes a grand entrance, showcasing the band's exceptional musicianship. The instrumentation kicks into high gear with immediate impact, and the various sections of music highlight the trio's superb skills. They certainly make a lot of noise for just three men, leaving the listener in awe of their talent.

The "Vampire Drug Party" begins with an eerie sound that fits the script of the vampire. This is a vampire on drugs, though, so I don't know how that would work out. Or maybe everyone at the party is drugged out, so it's easy picking for the bloodthirsty ghoul! Some rockin' surf leads and big drums and bass show their power as the lead guitar cuts through with its pinpoint notes. Now the atmosphere is set, and the time is right for the vampire to strike!

"Bamboo Forest" is just shy of 4 minutes, showing the band's exotica side of the equation. There is a cinematic entrance into the forest of mystery as the music's atmospheric sounds captivate your imagination, with the drummer's beats and well-placed leads from the guitar creating even more intrigue. The bass is meaty, adding more depth to the track. What lies around the corner of the maze of bamboo?

White Sands has crafted a captivating collection of tracks and made the most impact possible for a short EP release. Their sound can be complex and shifting; however, I found it highly entertaining and would look forward to a full-length album with more of the exotica elements mixed in.

The Players:

Chris V. – Guitars

Dustin Mortensen – Bass

Brian Burton – Drums

Keith “MuzikMan” Hannaleck-Surf Music and Art Founder

July 3, 2025

Tracks:

1. The Black Cat Is Deathless 03:42

2. Cult of the Crab King 02:53

3. Revenge of the Tikibots 02:15

4. It Came From Hobbs 02:58

5. Vampire Drug Party 02:41

6. Bamboo Forest 03:58

Surf Rock Instro Review: Slacktone-Into The Blue Sparkle

I was obviously gushing about this release, and I still am to this day. Yes, Slacktone was that good!

It's been a few years since we've heard from the surf-instrumental supergroup Slacktone. Their new album, Into The Blue Sparkle, is a title that perfectly captures their essence. The sparkling blue surf is where the group draws its inspiration, crafting a unique sound that is unmistakably theirs. They are a surf-instro band, and their music is a testament to that. With just the right blend of rock, they give their sound that extra push, making it a must-listen for any music enthusiast.

I couldn't stop listening to their debut CD. I nearly wore it out. I awaited this release with anticipation. All of my expectations were met after listening to this highly energetic set of instrumental pearls. You will discover sixteen tracks of non-stop, power-driven twang, drowning in reverb, blended with essential elements of traditional surf, such as tremolo picking, rapid drumming, and melodic bass lines.

Although this outing isn't as dynamic and infectious as their first release... It's excellent. It's also several notches above any other group attempting to accomplish the same sound. Mind you, few can replicate the sound that Slacktone produces. Any group would be hard pressed to duplicate what they did on their first CD. Out of this world guitar and consistency are commonplace on any Slacktone recording. You can always count on that.

The spitfire guitar of Dave Wronski, the pounding tsunami-like bass of Mike Sullivan, and the tribal rhythmic beat of Dusty Watson's drum kit push the whole group to the very limits of their potential. The mix and chemistry of the final product are constantly challenged by the sheer power and force that the trio generates.

How could you possibly miss the target with songs like "Coffin Closer", "Secret Exit Man," "Glide," and "Brian's Beached Piano" (rest in peace, brother). The titles of the songs alone embody the culture, people, and music of surf-instro 100%.

There's The Space Cossacks, Satan's Pilgrims, and Jon & The Nightriders...then there is Slacktone. There is only one Slacktone. They have not only secured their place in music history but have also carved a niche for themselves as one of the very best of the third wave of surf-instrumental music. As a fan, it's a proud moment to witness their contribution to the music world.

Keith "MuzikMan" Hannaleck

November 10, 2000

Tracks:

01. Coffin Closer    

02. Longboard Legato    

03. Bird Bone    

04. Daytona Mona    

05. Into The Blue Sparkle    

06. Blast Bolero

07. Brian’s Beached Piano    

08. Rell Sunn Aloha    

09. Stickman   

10. Glide   

11. Saga (of the Floating Cowboy Hat)

12. Slanky   

13. South Run   

14. Tiki Bar Crawl   

15. Avalon Slip    

16. Secret Exit Man