Monday, September 22, 2025

Surf Rock Instrumental Review: The Chi-Tones-Salsipuedes

Release Date: August 12, 2025 

Label: McClean Music Publishing

Website

Chi McClean, a lifelong surfer and the one-person show (except the drums) of The Chi-Tones, is a rare gem in the surf instro genre. His versatility, not just in playing instruments but also in understanding the culture and sport, is evident in his album Salsipuedes.

 

“Salsipuedes” is a Spanish phrase that translates to “leave if you can” or “get out if you can” in English. The term is a contraction of “sal si puedes” and is used for places or situations that are difficult to escape, like a street that becomes impassable when it rains or a difficult-to-traverse creek. In the context of this album, 'Salsipuedes' could be interpreted as a metaphor for the unpredictable and challenging nature of the surf. 

 

Chi plays the following instruments: Electric + Resophonic + Acoustic Guitars, Bass Guitar, Electric Pianos, Mellotron, Toy Piano, Glockenspiel, Banjo, Electric Sitar, Whistle, Shouts + Hand Percussion. And Production.

 

The drums on this album are performed by the talented Miles McPherson, whose rhythmic contributions add depth and energy to the music. Buckley Miller was the mixing engineer and Ryan Smith the mastering engineer.

 

“Undercover Surfer” starts with a great beat, some guitar, and the electric sitar—a delicious way to kick things off. Everything sounds right on the edge of exploding, keeping you on the edge of your seat. Very cinematic and colorful.

 

“Tres Banderas” is a Spanish-influenced track that transports you to a different cultural landscape. The sounds of the Spanish guitar and the whistle reminiscent of a Spaghetti Western film soundtrack by Ennio Morricone create a unique and intriguing atmosphere.

 

The Enforcer” is a high-energy track that keeps you on the edge of your seat. The infectious guitar grooves and driving rhythm build to a crescendo, creating an exciting and engaging musical experience.

 

“Salsipuedes” draws Chi back to Spanish influences by balancing the power of the guitar with the keyboard. The percussion is steady and done with conviction. The title track should always be a highlight, and he succeeds in accomplishing that.

 

“Odd Todd” is a funky, twangy number under two minutes. The feeling is light with plenty of rhythm for just enough spice. Diversification on the guitar is a specialty of this artist.

“Bad Vibes Bob” sounds eerie at first, evoking a sense of trepidation. The guitar briefly moves away from that, with some reverberating guitar lines, then returns to maintain that feeling.

 

Nearly 3 minutes this time, with some interesting sounds like the Glockenspiel.

“County Line “is a real mover, a boogie guitar kicks into action before changing into more stretched out sounds and some slide guitar. A lot is coming into focus here. This is very catchy and well done!

 

“Los Federales” is easy enough to understand without translating—the bass thumps along with a definitive Spanish flair and irresistible guitar and toe-tapping percussion.

“Down The Line” jumps right at the starting line, sounding like vintage first-wave surf instro. The drums are right in sync along those lines as the guitar does a great job creating that surfing sound. This is perfectly fun in the sun stuff!

 

“Mystic Maverick” returns with electric guitar staccato style as another lead is added with some bluesy slide. The backbeat is like a metronome for the guitars. Excellent.

 

“Eagles” shimmers like a wave in the sun. The guitar sounds like an invitation to the beach and a cool drink while watching the surfers fly through the waves like eagles. Very atmospheric and relaxing. I am continually impressed with the variety Chi delivers in all these tracks.

 

Being a surfer and ending with “Big Sur” was most appropriate. And it is the longest track at 4:13. This one begins with a leisurely tempo and slide guitar resonating as the rhythms backing it are right in step. It starts building in layers, then you hear the electric sitar with its unique sound. Once again, I am totally impressed with the diverse array of sounds and instrumentation found in one track.

 

The Chi-Tones is an excellent name for Chi’s one-man band because of all the ground he covers. I appreciate the coverage of surf instro and beyond. The many sub-genres make things a lot more interesting, and to perform at such a high level while also producing all the music is genuinely remarkable.

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

September 22, 2025

Tracks:

01. Undercover Surfer 02:08

02. Tres Banderas 02:03

03. The Enforcer 01:51

04. Salsipuedes 02:42

05. Odd Todd 01:50

06. Bad Vibes Bob 02:53

07. County Line 02:25

08. Los Federales 02:33

09. Down The Line 02:20

10. Mystic Maverick 02:31

11. Eagles 03:15

12. Big Sur 04:13

Thursday, September 18, 2025

Surf Rock Instrumental Vinyl Review: Wave Electric-Self-Titled

 


Release Date:  August 5, 2022

Label: MuSick Recordings

Website

Hailing from Milan, Italy, is the eclectic surf rock band Wave Electric. Their self-titled LP, released three years ago, is a significant milestone in their career. The album’s title, 'Wave Electric', not only represents the band’s identity but also serves as a testament to their unique sound and style. I want to thank Art Bourasseau of MuSick Recordings for getting this great slice of (yellow) vinyl to me.

The cover is intriguing and very suggestive, if not a blatant view of sexuality. This is rock and roll, and they were unashamed to display it. I say good for them! Let it rip, boys!

What I heard was a band that covered the surf instrumental genre and a good range of the sub-genres. Their versatility and talent come through splendidly on each track of this LP with all the complexities and transitions we enjoy as listeners. They provide all that exceptionally well.

“Shot In The Head” immediately gets your attention just by the title alone, and the music fits as well. They kick start things with some high-energy riffs and strong leads on the six-string. It’s soaked in the echoes of reverb.

At first blush, I recognized this sound, and it comes pretty quickly if you have familiarity with the genre and well-known bands; it’s Slacktone! I am not taking anything away from them here; it’s a compliment and a killer way to start the album.

“Berlin” has a slower intro before it breaks out into a full surf instro rock mode. Bass and drums are rock steady (and they are all the way through this album). The transition is notable here, going back to the beginning and then moving into a flat-out rocking section.

“Waves” (what an appropriate title!) begins with a drum intro, then straight into the guitar as they run up and down the frets with an emphasis on the twang and the use of the whammy bar for that reverberating effect, we all know and love. Suddenly, a brief “Wipe Out” like transition, then it closes out.

“Moon Surfing” brings in some heavy bass, which is very effective. Staccato riffs and the whammy bar provide all the right effects as you imagine actually surfing on the moon, how cool would that be!

“Alien Attack” is the perfect segue from the previous track (in relation to space).  Slow shimmering waves of guitar come flowing out of your speakers with a soft bottom end for it all to land on as the tempo rises with rapid fire riffs (like a machine gun) from the guitar men.

“Fantasmatron” is an excellent title for a song. It leaves a lot to the imagination. Twangy and atmospheric, it hints that evil is right around the corner. Then it morphs into something more with a change into a more lighthearted mode, albeit briefly, with some soft picking, then a return to the rocking surf instro sounds. The drum and bass are on fire here, providing a superb complement to the ever-changing guitar lines. This is all skillfully done, and the best track on the album.

“Margaritas By The Shore” is everything you would expect, with tempo and trying to imagine the scenery suggested by the title. Subtle picking and then it picks up as the rhythm guitar is spot on, driving along things with help from the bottom end. The guitars move back and forth between tempos and instrumentation, and the echoing licks, whether slower or faster, perfectly capture the surf and sand as you sip this cool drink of sound as the first side of the platter closes out.

“Hangover (Pt. III)” opens side two with an excellent bass line as the drums come in with some subtlety. The guitars join the mix with some slow, low-tempo melodicism. There is some good rhythm following all that as well. At no point do they cut loose on this one. I think the idea is to keep it low because a hangover can be very sensitive to loud and brash noise! All tastefully done, giving you doses of their exceptional versatility.

“Grandfather” continues along the softer side of their repertoire, but this time with a more retro feel to it all. It sounds like a 50s melody with a 60s take and surfy. There is a change with a quick burst, then back to a waltz on surf guitar sound. Once again, there is a solid rhythm guitar laying down a strong foundation for the leads.

“The Gypsy Fly” goes back to some high-steppin’ picking with a walking bass line, then into what sounds like a polka drum beat, and a guitar workout follows. The rhythm and tempo made me think of Slacktone again. Then yet another wild change with a “flight of the bumblebee” riff, then a quick switch to an Eastern European celebration gypsy dance! Insane mixture of influences and changes in this one, wow!

“Walking Under City Lights” features a pulsating bass line and a twangy, foot-tapping guitar, as the rhythm is fast and steady. Then, a slight fuzz tone is added for variation and a constant, reverberating guitar line. These colorful sounds are their trademark as they continually get on this merry-go-round of sound again, transitioning from beginning to end. Impressive.

“Cesenatico” features a fine bass line, and the drums are steady and straightforward for this boogie, with a hint of country twang. This is a real mover with a danceable rhythm. In case you were interested, Cesenatico is a port town with about 26,000 inhabitants on the Adriatic coast of Italy.

“A Song For Dick” is a fitting tribute to the King of the Surf Guitar, Dick Dale. Wave Electric’s rendition of his unmistakable sound is a powerful homage, with rapid-fire and powerful guitar licks that echo his legacy. It’s a nostalgic journey from rocking to the more melodic side, a reminder that Dick Dale’s influence will never fade.

Wave Electric is a master class in surf instrumental rock and all the variations of tempos and styles. This is continued proof of the many dimensions of surf instro and its global reach. Well done, gentleman!

Wave Electric Is:

Bass Guitar – Carlo Leonello Uberti

Drums – Andrea Bonzini

Lead Guitar, Rhythm Guitar – Alessandro Maderna

Lead Guitar, Rhythm Guitar, Acoustic Guitar – Mattia Dambrosio

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

September 18, 2025

Tracks:

Side A

1. Shot In The Head

2. Berlin

3. Waves

4. Moon Surfing

5. Alien Attack

6. Fantasmatron

7. Margaritas By The Shore

Side B

1. Hangover (Pt. III)

2. Grandfather

3. The Gypsy Fly

4. Walking Under City Lights

5. Cesenatico

6. A Song For Dick

Wednesday, September 17, 2025

Man...or Astro-Man?-ROYGBIV (Recordings From The BBC)

I just got my copy of Man...or Astro-Man?-ROYGBIV (Recordings From The BBC) before they disappeared! This includes 35 tracks for download.

Note listed on Bandcamp:

To clear out the warehouse, we decided to invert the ROYGBIV spectrum and make it VIBGYOR instead with varying results. The flexi is printed with reflex blue. The insert has different colors. The box is the coated version. The only thing that stayed the same was the sticker. 110 copies to go around.

Includes unlimited streaming of ROYGBIV (Recordings From The BBC) via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

Download available in 24-bit/44.1kHz.

ships out within 1 day