Release Date: April 1, 2025
Label: Independent
Jeffrey Locke - Drums
Fernando Gomez - Bass
Sarah Hayes - Guitar
Mike Panico - Guitar
Anyone who likes rock would be attracted to a band with the name The Dirty Licks. Then, if it's guitar-based instrumentals and surf, that's even better for some of us.
Shelf Break is the band's most recent release, and it
cooks right along, offering a varied sound and style within each of the six
tracks. This album is a testament to their growth and experimentation. What I found most impressive was their ability to change tempos and the quick
transitions within those changes. Considering the track run times, it keeps
your interest from start to finish. I also enjoyed how they stayed within the
realm of surf instro and explored sub-genres, focusing on melodicism.
“Helen Highwater” kicks things off with a good melody, then it
quickly increases (get used to that) the tempo with all instruments joining the
party. The twin guitar attack is strong going into the transitions, and there
are several (another trademark of their sound). It's an energetic opener that
sets the tone for what's coming next.
“Fez Dispenser” is a play on words for the legendary Pez
Dispensers, I am thinking. This one starts with quick riffs and driving
drums and bass. Suddenly, there is a change to a slower tempo, focusing on
their innate abilities to hook you in with melody. It works. In under two
minutes, they have many transitions. This is something that consistently
impressed me. This keeps your attention without pause. One of the changes was a
brief bass solo, followed by a return to the original riff and a swift
conclusion. You're getting used to the quick transitions, starts, and stops by
now.
“Cowboys and Aliens” is a testament to the band's versatility,
evoking a western atmosphere with its twangy guitar and rapid tempo changes.
The consistent rhythm section provides a solid foundation, allowing the
guitar to take flight with sharp licks. The band's unpredictability, with
sudden transitions and returns to the main melody, keeps the listener engaged and
excited.
“Ayah Zein” is the only cover on this album, and they do it very
well. This time, some glissando and tremolo effects come into play. These two
factors, which are a primary reason we listen to surf instro, are what give it
that special appeal. They are on fire from beginning to end. The back end holds
steady as the guitar's notes glide over the beats, then a Middle Eastern feel
takes hold two minutes in (which is what you expect based on the track title).
This is a complex composition that ends in a flash. You are left feeling that
this band could go in any direction they choose at the drop of a hat.
The title track “Shelf Break” features those tight bass and
drums, and the guitars come in to answer the call once again. There are some
rapid exchanges, like a gunfight with a reserve of ammunition. They
consistently demonstrate their explosive potential throughout this album. Then another
short-lived bass solo to remind you how important it is. It was like a day at
the races of guitars, then another sudden end.
“Enchilada Pinata” closes out the album with another nod to a
sub-genre, and this time on the Latin end of the spectrum. Of course, you
expected that based on the track title. Some flashes of glissando arrive, then a
return to the main melody. The fast-moving tempo ends suddenly once more.
Shelf Break is a solid release packed with a punch on every track. What sets it apart is the band's unique ability to blend the energy and focus of surf rock with a transitory nature that keeps the listener on their toes. The album is an exciting and colorful journey, making it a highly recommended listen for all fans of surf rock instrumental music.
Keith
“MuzikMan” Hannaleck-Surf Music and Art Reviews Founder
July 17,
2025
Tracks:
1. Helen Highwater 03:44
2. Fez Dispenser 03:23
3. Cowboys and Aliens 04:18
4. Ayah Zein 02:51
5. Shelf Break 03:05
6. Enchilada Pinata 02:44
