Surf Rock-Psych Instrumental Review: Insect Surfers-Infra Green

Release Date:  June 12, 2013 (Vinyl Released October 2024)

Label: Green Cookie Records

Website

The Insect Surfers Are:

Guitar: David Arnson

Guitar: Michael Abraham

Bass: Jonpaul Balak

Drums: Jeff Utterback

The Insect Surfers, after a significant 15-year hiatus, released Infra Green. This kind of return often raises questions about how a band can pick up where they left off. Yet, when they do, it’s like witnessing a magical resurrection of their musical prowess.

 

When I heard “Bay of Bengal” on Can’t Surf On A Gas Giant vol.1, I was mesmerized. The song’s guitar playing and rhythm section are excellent. I kept playing the track over and over. I had to see what the rest of the album sounded like, continued to listen (stream), and I ordered the vinyl (which was released in October 2024).

 

“DelMarVa” features a great melody line, with guitars transitioning back and forth. It sounds like the perfect combination of traditional surf as the anchor with progressions of psychedelic runs and heavy reverb effects. Excellent!

 

“Space Park Drive” starts quite differently, and it rocks along nicely. Many layers of guitars with one off in distance, letting you know it’s still there. This is a wild ride of freaked-out psych elements, with dissonant chords and experimental effects, and a steady bass and drum holding down the main melody—more rock than anything, but very cool.

 

“Orion Canyon” is the longest track so far at 4:32. It has a surf western slant to it. Very atmospheric, with epic guitar rhythms and leads that create vivid imagery. Think spaghetti western with rock and psychedelic mixed in. This band is not easy to put in any box; they make their unique sound that is sure to intrigue listeners.   

 

“El Diablo Habanero” kicks into high gear immediately. Guitar-driven music with so many things going on makes for an enjoyable listen. This is the hallmark of this band. They are using the traditional surf elements with a lot of spice and flavor from the guitars that take everything in a different direction. Tasty and full of surprises.

 

“Pinto Pacer Duster Gremlin” is car nostalgia! If you are old enough to remember those cars, you should have an inner chuckle, as they were all on the low end of the spectrum for car ownership. Just under the two-minute mark, they shout out the track title several times. It moves right along, probably faster than all those cars! Great guitar again, with some laser-sharp licks!

 

“Plankton Dance” takes you out to the ocean depths with the driving rhythm section and layered guitars. Infectious melodies and hooks stake their claim to your inner sea explorer. Guitars merge to create a sound that is both full and exciting.

 

“Sea Scorpion” explodes right out of the gate and multiple trips down the guitar neck as the locomotive rhythm section kills it yet again. Music muscles flex and stretch throughout as they transition to a crazy ending with some glissando and biting leads. Almost 3 minutes of straight-ahead rock and surf psych instro.

 

“Par Avion” takes off with a hook with rhythmic guitars, pounding bass, and drums. Guitars are in sync like a well-oiled musical machine. The echo with reverb and sustain holds and makes a complete circle back to the initial melody. Not your typical surf instrumental by any means. The complexity and constant movement in different directions keep it interesting.

 

“Pineapple Skies” made me think of SpongeBob SquarePants immediately. Things take on a mellow, tropical atmosphere at first, then build and shift to a more rhythmic guitar playing, with the bass and drums keeping time. This is a real toe tapper with a prominent bass running through it.

 

“Vaquita” is a species of porpoise endemic to the northern end of the Gulf of California, Baja California, Mexico. So, with that in mind, the guitar is making porpoise sounds to kick it off (and more during the track). This is a long one at 6:51, so expect a lot of changes. The bass is strong and prominently displayed as the guitars go through all its paces. Effects are the key here, and it all works very well. What a masterpiece of sound and color-Ahh, the magic of guitar pedals!

 

“Crab Crusher” continues with its energetic openings, with the rhythm section spot on as the guitars enter with authority. Catchy hooks populate their sound as the second guitar wails away, taking its path. This is what makes their music so multidimensional. This is an excellent example of that virtuosity.

 

“Kitsune,” in Japanese folklore, is a fox or fox spirit known for its shapeshifting abilities and supernatural powers, including the ability to bewitch other beings. It starts in a very apprehensive way to create a feeling of mystery at first, then kicks right in. They do not waste any time in getting things moving at their normal fast pace, with a multitude of changes and guitar effects to reflect the meaning of the track.  The bass is fantastic once again; you can feel it go right through you. Bewitching sounds that any fox or fox spirit would recommend.

 

“Radar Road” is their magnum opus, clocking in at 9:27! It begins with a familiar spy motif, with the bass providing that atmosphere. The guitar jumps in with some biting, albeit smooth licks, then transitions several times for different effects and atmospheric touches. Get ready for all kinds of guitar wizardry as you move through nearly 10 minutes of prime Insect Surfers music. There is just too much going on here to discuss; you must hear it for yourself. Chances are, you have never heard anything like this on an album that fell into the surf instro genre. And if you did, I want to know about it!

 

“Infra Green,” the title track, closes this incredible recording. The bass begins its powerful presence right away as the drums join in. Then a subtle guitar line comes in as you are just waiting for the whole thing to cut loose and explode. Surprisingly enough, it never does; the tempo that is set down initially holds on as the guitar’s effects take precedence and bring it all to a close. That was a surprise ending considering everything that came before it.

 

Despite being released 12 years ago, Infra Green sounds as fresh as if it were released yesterday. This timeless quality is a testament to the band’s musical prowess. In the realm of surf instrumental rock and psych, it is a masterpiece that will be revered for eternity.

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

August 21, 2025

Tracks:

01. Bay Of Bengal 03:38

02. DelMarVa 02:23

03. Space Park Drive 03:35

04. Orion Canyon 04:32

05. El Diablo Habanero 03:21

06. Pinto Pacer Duster Gremlin 01:53

07. Plankton Dance 02:34

08. Sea Scorpion 02:58

09. Par Avion 04:18

10. Pineapple Skies 04:02

11. Vaquita 06:51

12. Crab Crusher 04:28

13. Kitsune 04:37

14. Radar Road 09:27

15. Infra Green 03:06

Surf Instro Review: The Breakers-Triple-Sided Single

Release Date:  July 19, 2025

Label: Independent

The Breakers Catalog

As The Breakers gear up to release another full-length recording, they decided to give us a taste of what is to come. And they are doing it with a unique concept-the Triple-Sided Single, a collection of three distinct tracks that showcase their versatility and creativity.

THE BREAKERS ARE:

Jim Abrahams - Guitar, Effects

Marc Lockett - Drums, Percussion

Jayson Slater – Bass

 

Creating music is not just a passion, but also a labor of love. All of us working stiffs must set aside time for this kind of work, so it is a process to get everything together. Just about anyone who is an independent recording artist is leading this double life. So, listeners are required to have some patience as they strive to deliver the best music possible.

 

So, if you have a craving for more killer surf instro to digest, I have just the remedy for you with these three tracks.

 

“Injection” gets your motor running right from the starting line. Fueled by a locomotive rhythm section and lead guitar that offers a mix of first wave and today’s tech to give it a clear and crisp sound. Melodicism is the word of the day here. There is some slick guitar work going on here with Abrahams doing some quick slides down the fretboard, kind of like a surfer taking a massive wave and getting in a sustained tube. (Check the track video provided)

 

“Facing The Sun” marks a shift towards more complex compositions, incorporating a touch of psych garage influence. Some cool transitions are found within this number. Then the old school sounds jump out suddenly for the ’60s organ sound (*which I suspected was a guitar), kind of like The Munsters’ intro if you can remember that or are familiar with it. This was a big step away from the previous track, reminding you of how eclectic surf rock can be if you have the talent of this remarkable trio.

*I asked Jim Abrahams, and he confirmed that the organ sound was the Eastwood Backlund Model 100 DLX Guitar through the Electro Harmonix C9 Organ Machine.

“Adios, Consciousness” takes another turn on the musical road. This track is a journey, with a mellow start, a prominent bass line, and a 60s psych vibe. Then, it surprises us with a heavier, meatier sound, complete with a sax and trumpet. The guitar, switching to tremolo mode, adds to the variety. It’s like listening to several songs all rolled into one session. No wonder they go past 3 minutes!

 

If the Triple-Sided Single is a taste of what’s to come with the whole album, I, for one, am eagerly awaiting its release. If you’re a fan of The Breakers, you won’t want to miss this!

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

August 15, 2025

Tracks:

1. Injection 02:32

2. Facing The Sun 02:50

3. Adios, Consciousness 03:26

Surf-Garage Rock Vinyl Review: The Knights-I Don't Need You

Visit Artist Website

I Don’t Need You is the kind of music that reaches way back to another time, another world. Before the 60s became tumultuous, there were surf instrumental bands like The Ventures with a worldwide fan base. Then the mop tops in 1964 ruined all their fun.

Some bands emulated those wonderful Ventures like The Knights, led by guitarist Dick Stewart (AKA King Richard). Dick, who will be turning 80 this July, is more than just a musician to me. I met him when he was around 60, and our friendship has spanned decades. He was one of the key individuals that I met while developing as a writer and my “MuzikMan” persona. I just needed to say that because he became a friend, and I was a regular contributor with my Pick of The Month to his fanzine The Lance Monthly.

As time passes, people move on and get involved in other projects, as we both did. One day, I got a box in the mail from Dick with his most recent literary excursion and the LP by the Knights titled I Don’t Need You. I hadn’t heard this music in years, so I gave it a spin. The familiar tunes brought back a flood of memories and reignited my original love for the genre. This is how I ended up meeting Dick and folks like Merrell Fankhauser and a host of other similar artists. Many fond memories came flooding back with this great music!

Side one kicks off with some beautifully perfected surf instrumentals like “Precision,” “Cut-Out,” and “Moonbeam.” I had forgotten how good this music was, and it reignited my original love for the genre. This is how I ended up meeting Dick and folks like Merrell Fankhauser and a host of other similar artists. Many fond memories came flooding back with this great music!

Side two offers up some garage and frat rock, a term used to describe the rock music popular in fraternity houses, as they called it back in the day. The vocal tunes are a step away from the surf instrumentals, but just as significant historically for their legacy, and quite enjoyable. It is everything a compilation should be as far as I am concerned.

I am deeply grateful for the relationships I have formed in the music industry, and Dick Stewart is one of the special people that I will never forget. His music will live on long after we are both gone from this planet. That is the beauty of music that made a difference and still does.

I Don’t Need You is a trip back in time when things were so much simpler with no internet, cell phones, social media, and everyone wasn’t worried about “offending” someone regardless of what they said. 

I sometimes wish I could go back to that time when I was a little boy, when all this music was so popular, but then again, I wouldn’t be who I am today, with an ear to the sounds of yesteryear and getting the word out to people who need to hear it!

Keith “MuzikMan” Hannaleck

February 16, 2020

Surf-Progressive Review: California Guitar Trio - Rocks The West

Listen On Pandora

Rocks The West, a 2000 live release from the California Guitar Trio, features Tony Levin on the Chapman stick bass and a fretless bass, and Bill Janssen on the saxophone. This unique combination adds an esoteric feel to the music, transforming the trio’s sound into a more layered and complex progressive free form experience.

The classic influences come through on Beethoven’s "Symphony No. 9." The creator would have been delighted if he heard their version. The one song that just knocked my socks off was "Bohemian Rhapsody." I have never listened to an instrumental version of this song; it’s gorgeous and so intricately played. The Ellington jazz classic "Caravan," which has several popular surf-instro interpretations, is heard in an entirely different musical domain.

 

The group does have the surf influences courtesy of Hideyo Moriya. Still, bandmates Paul Richards and Bert Lams allow the song to take on a life of its own due to the cooperative spirit of each player, allowing all their influences to meld into one big, beautiful, and stunning sound.

Surf, classical, jazz, rock, folk, progressive…it’s all present and accounted for on each track. The liner notes are very cool; they track their dates and venues with insightful and humor-filled commentary. There are also some good snapshots of the band.

 

The entire world is a stage at a CTG concert. The players are the puppeteers, and we are the puppets, allowing every note to transport us to a dimension free of worry and filled with happiness and wonderment.

 

This music is not just powerful; it’s a transformative experience that you owe it to yourself to have. You have to hear these men play to truly understand the impact and importance of what they do. Their music has the power to inspire and uplift, leaving you with a renewed sense of wonder and joy.

Keith "MuzikMan" Hannaleck

January 24, 2002

Tracks:

01. Scramble

02. Symphony No. 9

03. Bohemian Rhapsody

04. Caravan (Moroccan roll w/drum solo)

05. Punta Patri

06. Waters of Eden

07. Blue-eyed Monkey

08. Pathways

09. Pictures at an Exhibition

10. Happy Time In Fun Town

11. Misirlou

12. Rokudan

13. Blockhead

Progressive-Surf-Instrumental Review: California Guitar Trio- With Special Guests Tony Levin and Pat Mastelotto-Live At The Key Club

Tony Levin Website

California Guitar Trio came into being in 1991 after Bert Lams (Belgium), Hideyo Moriya (Japan), and Paul Richards (USA) met at a Robert Fripp guitar seminar in England. Fripp was impressed enough to take the trio on tour with him on the now-famous Fripp’s League of Crafty Guitarists Tour, a tour known for showcasing exceptional guitar talent. The result of that successful internship helped the three men decide to break off from the Fripp troupe and start their group. CGT was born, and the rest is history.

Live At The Key Club features very special guests Tony Levin, bass player extraordinaire, and the in-demand percussionist Pat Mastelotto (Mr. Mister, King Crimson), delivering an indispensable performance with the group.

The combination of awe-inspiring jazz-inflected surf-progressive-rock sound is a rocking example of genre amalgamation. A notable inclusion to this set is the classic Surf tracks "Miserlou" (Dick Dale), "Apache" (The Shadows), and King Crimson’s phenomenal ‘Discipline’ to wet your diverse musical palette. If that isn’t enough for you, then John McLaughlin’s “Dance Of The Maya” will set your soul afire.

This group sounds like a literal guitar army. Keep in mind this is all acoustic guitar, although it doesn’t keep the sound down at all. With the addition of the incredible Tony Levin and the rhythmic percussion of Mastelotto, CGT is given more depth and breadth in their sound, and quite simply put, it’s out of this world.

Wizard engineer Ronan Chris Murphy mixed the recording, so they got the very best in that department; it’s more than obvious right from the start of the first track that Murphy’s stamp is on the mix. They do an ultra-fast version of “Heart Of The Sunrise” (Yes), and according to the group in the liner notes, it’s true to form when you listen to it.

Three dueling guitars at warp speed is something to witness. This recording will be just like being there. It will be as captivating as anything you have ever heard. Intricate notes are woven in multiplicity to create their three-man guitar sound. I have to give full credit to the rhythm section; it must have been complicated to keep pace with and make the proper exchange between the drums and bass without allowing the guitars to drop out of sync. They couldn’t have chosen a better duo than Levin and Mastelotto.

As a reviewer of progressive bands, my introduction to the California Guitar Trio was a revelation. Their name kept cropping up in my research, and I was not disappointed. Their sound is a masterclass for musicians, a sonic journey that I urge you to experience.

Keith "MuzikMan" Hannaleck

January 23, 2002

Tracks:

01. Train to Lamy (4'56") - Lams, Richards, Moriya

02. Zundoko Bushi (3:43") - unknown, arr. Moriya (w/ excerpts from 21st Century Schizoid Man - Fripp, McDonald, Lake, Giles, Sinfield)

03. Blockhead (3'36") - Richards

04. Apache (3'26") - Lordan, The Shadows (Atlantic)

05. Sketches on Sunset (6'48") - Mastelotto, Levin, Lams, Richards, Moriya Improvisation

06. Discipline (4'51") - King Crimson (BMG Music)

07. Miserlou (1'58") - Tauber, Wise, Rubanis, Leeds (Campbell Connelly, & Co. Ltd)        

08. “Many people ask us..." (3'05") - Richards

09. Melrose Ave. (2'15") - Moriya

10. Dance of Maya (5'54") - Mclaughlin (Warner-Tamerlane Publishing Corp.)

11. Heaven’s Bells (6'56") - Mastelotto, Levin, Lams, Richards, Moriya Improvisation

12. Heart of the Sunrise (7'22") - Anderson, Squire, Bruford (Atlantic)

13. Caravan (5'28") - D. Ellington, I. Mills, J. Tizal (EMI Mills Music Inc.)

14. Eve (4'02") - Richards, Lams, Moriya, Levin

Surf Rock Instrumental Review (Holiday): Los Straitjackets- ‘Tis The Season For Los Straitjackets!

http://www.losstraitjackets.com

Admittedly, it is a little early to be listening to Christmas music. I could not help but put this on, though. By the end of the month, I will have had my fill of seasonal music to review, and I will be happy that it comes only once a year.

Surf-instrumental music has always been a personal favorite, and Los Straitjackets never fail to deliver a unique and fun experience. Their vibrant Mexican wrestling masks and infectious sound make them a joy to watch. ‘Tis The Season For Los Straitjackets!

Well then, now you can put all of that together and have yourself a CD that will get you in the mood for the season. Could there be a better way to jump-start the Holiday than to a rockin’ and twangy “A Marshmallow World”?  (Released on a red vinyl 45 a few years ago, B/W “Sleighride”) or “Feliz Navidad”? Even though it may not seem right without Jose Feliciano’s vocals, it still sounds great. Every song sounds so wonderful!

The CD is not too long or too short; it is just right, with 13 tracks, the longest one being a little over three minutes. You must love this kind of music to appreciate it fully, although there may be some converts just waiting for something different to feast their ears upon this year. Usually, the only instrumental Christmas CD I put on is The Ventures Christmas Album (who have a new Christmas CD out too). Now, I have another one to add to the list.

This CD is a joyous toboggan ride down a steep hill on a cold December day. The faster you go, the more excited you get! It’s a perfect blend of fun and the spirit of giving, which is what the holiday season is all about. Let Los Straitjackets’ music guide you to a season filled with joy and excitement.

Keith "MuzikMan" Hannaleck

November 3, 2002

Tracks:

01. Here Comes Santa Claus (Autry/Haldeman) - 2:11

02. A Marshmallow World (DeRose/Sigman) - 2:06

03. Feliz Navidad (Feliciano) - 3:10

04. Jingle Bell Rock (Prentis) - 2:41

05. Rudolph the Red Nosed Reindeer (Marks) - 2:18

06. God Rest Ye Merry Gentlemen (Traditional) - 2:23

07. Frosty the Snowman (Nelson/Rollins) - 1:57  

08. Christmas in Las Vegas (Amis/Angel/Curry/Lester) - 2:36

09. Let It Snow (Cahn/Styne) - 2:12

10. Sleigh Ride (Anderson) - 2:33

11. Christmas Weekend (Amis/Angel/Curry/Lester) - 1:53

12. Little Drummer Boy (Davis/Onarata/Simeone) - 2:40

13. The Christmas Song (Torme/Wells) - 3:16 

Surf Rock Review: The Fuzziyama Surfers-Nagahama / Chanbara Ogin EP

Release Date: August 2025

Website

After their debut album Wild Echizen (Otitis Media Records, 2022), The Fuzziyama Surfers from Japan’s megapolis Nagoya are back with a small CD. The four-track EP was successfully launched at the Surf Guitar 101 Festival in Long Beach, California, in August 2025. This marked the band’s inaugural live performance on American soil. Following this, the silver disc will only be available in their homeland.

We know today that surf music was smuggled into Japan many decades ago by the secret agent Mr. Moto. There, he handed the electronic circuit diagrams over to the custodians of the three-string long-necked lute. This led to the electrification of plucked instruments in the Far East, and “Eleki” was born. The rest is history.

 

Fuzziyama is, as electric guitar players will immediately notice, a portmanteau of "Fujiyama" and "Fuzz Box". The latter is an essential distortion device used to create sawing sound effects on the guitar. Here, this marvelous thing is equated with the sacred mountain of the Japanese.

 

The band’s mastermind and composer is Masumi Fujio, who is known to everyone in the scene as “Fuzzio”. He already rocked with the “surfin’ instrumental band” The Windows and did his finger exercises diligently. He has long deserved a place in the “Nippon Guitars” hall of fame. No one else in the Far East plays “Misirlou” more in tune across the frets than he does.

 

In any case, the artwork for his new sound carrier, designed by Chiaki (the band’s second guitarist) using the two-color duplex process, is a success. The reduction in color makes it stand out from other record sleeves. But what’s even more striking is that the Fuzziyama Surfers have a female drummer.

 

It is said that Karen Carpenter from the Carpenters is the reason why there are comparatively many female drummers in Japan. During their successful 1974 tour (see Live at Budokan), a woman was seen drumming for the first time in Japan, triggering a boom that continues to have an impact today.

Nakkie from the Fuzziyamas is currently one of the best live drummers on the scene. Her playing swings, which is so crucial to surf beat. Through her personality and her spontaneous screeches, she also brings a lot of energy and vitality to the band.

 

This blood-pressure-increasing stage sound is captured unadorned on all of the band’s recordings. The following four tracks were frantically taped in spring 2025 in Geru Matsuishi’s earthquake-proof recording studio on the outskirts of Japan’s “motor city”, Toyota.

 

(1)“Nagahama” (長浜) means “long beach” in Japanese and possibly refers to the location of the band’s first guest performance in the US. Unusually for surf music, the piece begins with a piano chord progression, which immediately calls to mind the forgotten oldie “Nut Rocker” by B. Bumble and the Stingers. Although the piano was a vital element of early style-defining surf bands such as the Bel-Airs and the Challengers, it is reviled in the genre today and has largely been replaced by the organ. The fast-paced interludes in “Nagahama” even evoke progressive rock, revealing that the composer is a “child in time” who floats in deep purple spheres.

 

(2) “Oh! Showgatsu” (お正月) is a traditional Japanese lullaby sung to young children on New Year’s Eve. Shōgatsu, the turn of the year, is one of the most important holidays in Japan. However, a night’s sleep is not on the cards here. The band pulverizes the bedtime song with an unbridled “lock’n’lol” attitude.

 

(3) “Chanbara Ogin” (チャンバラお銀) is a nod to Kagerō Ogin, a female ninja character from a light-hearted Japanese soap opera who is adept at cheating and poisoning. “Chanbara” is the Japanese genre term for samurai films. Not entirely inappropriately, the track has a spaghetti western feel. However, the guitars remain as sharp as the blade of a katana longsword.

 

(4) Things continue to be martial in “Kita-Kaze” (キタカゼ). The title means “North Wind”, but also refers to the eponymous Japanese Tier IX destroyer of the Imperial Japanese Navy. The Second World War ship has long since been scrapped, old rivalries have blown away in the wind, and a pacific friendship has developed between Americans and Japanese people.

 

Japan may well be the main factor why the surf music community is global today. Bands like the Fuzziyama Surfers are continuing the instrumental rock tradition that Takeshi Terauchi and the Blue Jeans started so gloriously in the early ’60s.

 

Although their EP has only four tracks, it introduces you to a wide range of Japanese popular culture. Want more? This sample CD is meant to whet your appetite for the band’s upcoming LP. You could say it’s the miso soup before the sashimi.

 

Jimmy Dee, Staff Writer at Surf Music and Art

Tracklist:

01. Nagahama (長浜)

02. Oh! Showgatsu (お正月)

04. Chanbara Ogin (チャンバラお銀)

05. Kita-Kaze (キタカゼ)

 

 

 

Surf Instro Review: The Stingrays Surf Band - Don't Fear The Reverb

What do three kids from Southern California have in common with surf music? You wouldn’t think all that much. To the contrary, they play the music like they were born to spread the word of reverb like it was Gospel.

Their ages range from 14 to 16, and they are The Stingrays Surf Band, and their album is titled Don’t Fear The Reverb (their nod to Blue Öyster Cult). 

This is what it was like in the 60s. High school kids would surf, dance, and play this new thing called surf music. This is 1999, and things have changed. The excitement of the music is still alive, but the kids are different and have more resources available to them.

 

The talent of this young group is far beyond their years of experience.

 

They sound more like a group of seasoned veterans rather than a bunch of overzealous teenagers. They’re a lightning speed power trio with all the exuberance and optimism of youth going for them, plus a great future to look forward to. What more could you ask for? Life is good for The Stingrays.

 

On the track "La Chancha," a Latin-salsa flavored trumpet gives it that south-of-the-border feel. That was an unexpected pleasure. They also do some good covers of the classics, "Pipeline" and "Nitro." However, it's their unique interpretation of these classics that truly sets them apart. Every song is very well done with the essence of that classic reverb-filled surf sound.

 

I can’t imagine how these young men will sound once they are further along in development. I wish more teenagers would start picking up guitars and create music like this. Who knows? Another golden age of surf could begin again...

 

Keith “MuzikMan” Hannaleck

December 29, 1999

 

Tracks:

01. Don’t Fear the Reverb

02. Los Mosquitos

03. Sunnyside Up

04. La Chancha

05. Hawaiian Pullout

06. Bodybag

07. Weiners and Beans

08. Pipeline

09. Larry’s Got A Longboard

10. Impact Zone

11. Sabrina

12. Gone Surfing

13. Nitro

Surf Instro Review: The Neptunes - People Of Earth, We Are The Neptunes

https://www.facebook.com/TheNeptunesBand/

How many people does it take to make one great surf group? Three very talented musicians, that’s how many. It’s all done very simply with guitar, bass, and drums. Tom Walzem (guitar, bass), Steve Carter (guitar, bass) and Eric DeGroot (drums) are The Neptunes. I am not sure if they are people of the Earth, though. They play like they’re from another world.

On People Of Earth, We Are The Neptunes, there is some of the best double-picking (I was probably referring to glissando at the time) and twang that I have heard from the third wave of surf groups. The boys commit a fine mixture of traditional, third-wave, and rock to CD. Infectious, rocking, and energetic surf-instro tunes come crashing upon your eardrums, each track brimming with a unique energy and originality. Beware of the wake that follows. It’s all done with style. Every song has its own originality (cover or original).

 

Music like surf can sound the same. Groups must be creative and possess the know-how to utilize their diverse talents to the fullest potential, ultimately creating something original and fresh. There is no redundancy in any of the material presented on this album. The Neptunes succeed in keeping it interesting.

 

I noticed on track nine, "Gemini," that there is a very familiar drum-beat and guitar break. Does "Wipe Out" ring a bell? That material still holds up after all these years. The Neptunes use it very cleverly, and it sounds terrific. I don’t know if it was intentional or if it just ended up sounding that way, but it works pretty nicely. This is a strong CD from start to finish.

Keith “MuzikMan” Hannaleck

December 29, 1999

Tracks:

01. Hannah

02. Cement Shoes

03. Wildcat

04. Beguiled

05. Spaghetti Luau

06. Iron Lung

07. Talking to Trees

08. Supercell

09. Gemini

10. Dance of the Moorish Idol

11. On to lo

12. In From the cold

13. My Dark Dream

14. Razilla

15. The Outsider

16. I Walk Alone

Surf Instro Review: The Woodhavens-Barkada

Release Date:  July 18, 2025

Label: Independent

Website

Barkada is The Woodhaven’s latest release. It is a Tagalog word meaning a group of friends or a gang of friends. It often refers to a close-knit group, sometimes even seen as a family-like unit. The band chose this name to reflect their strong bond and shared musical journey. This term can be used in various contexts, from casual gatherings to more organized groups like those found in Filipino communities or artistic organizations.

They are a band with a unique blend of surf instrumental and music culture, telling you straight away who they are and how it relates to their music.

 

Now on to the music, let’s see if this brotherhood can make their music great!

 

“Bodega Run” starts the engines. They burst out with all their strengths right out of the gate.  What a great way to kick this album off. The sound is retro in hyperdrive. The drums and bass are killing it too. In two minutes and eight seconds, you already know this band is a well-oiled music machine, showcasing their impressive technical skill.

 

The title track “Barkada” kicks it down a notch. Even so, the drums and bass are still flying high. Those dueling guitars create a layer of surf instro beauty, showcasing the band’s unique features. Clocking in at a bit over 3 minutes makes things meatier and more complex. Some fine glissando and tremolo make this one a classic.

 

“The Heat” is a quick jaunt into their world at 1:41. The steady beats and bass set the tone, and the guitars layer over that nicely. Measured strokes from the six strings and fine leads are the highlight here.

 

“Unlightened” begins with an atmosphere of intrigue, akin to spy/surf, but they maintain the rapidity of the bass and drums foundation. Nicely placed guitar notes from both players give this one a mellower tone like a lure to the beach to catch some waves and sun.

 

“The Warden” returns to that explosiveness they are so adept at. I am hearing some excellent guitar work throughout this recording, and this is yet another example of going up and down the frets for some great action, just like the first track.

 

“Andiamo!” features a thumping bass as the drums keep time. This sounds incredibly smooth, thanks to their guitar sound. It created imagery of an island beach front with the waves and warm air. It touched me that way, so picturesque.

 

“Eruptors” is a good name for a surf song, and of course, the music must match the title. It emulates that very well, as they consistently demonstrate their ability to explode with a wall of sound. Having two guitars layered over the bass and drums certainly adds depth.

 

“Bankshot” has a different tempo and overall tone, which I appreciated. There is some repetitiveness in all music, and with surf instro, the key is the drums, always. This was very melodic, more so than all the other tracks so far, which gave it that different feel.

 

“JoJo & The Seven Seas” is an interesting title. It begins with a slower melody, reminiscent of something you would hear in the 50s. At least it hit me that way. Also, it does have the “island” sound. Some more glissando done well and a nice transition to the other guitar. This was their surf waltz, if you will.

 

“Tunnel” cranks from the first note over to a quick transition. The drums are magnificent, and you can hear the rapid beats and crashing cymbals as the guitars take you through the tunnel of sound (like through a gnarly wave). The guitars fire away like machine guns!

 

So why not close this out with their longest track on the recording? A magnum opus!  “The Dreamer” clocks in at 4:03. I love it when surf instro bands decide to stretch things out, and the fun part is listening to how many different directions they take their music. Here, they combine their talents in the most significant way possible, demonstrating their creativity. So many transitions and tempo changes make this a grand finale and a tsunami of sound to drop the curtain on an outstanding performance from start to finish.

 

Barkada is consistently entertaining, and ending it all in a most untypical way was a pleasant surprise.

The Woodhavens Are:

Mel Anthony - Guitars

Jay Hooton - Guitars

Lukas Myhan - Bass, Howls

Jeffrey Warden - Drums

Note: Additional guitar on "Andiamo!" and "JoJo & The Seven Seas" by Evan Foster

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

July 31, 2025

Tracks:

01. Bodega Run 02:08

02. Barkada 03:21

03. The Heat 01:41

04. Unlightened 02:55

05. The Warden 02:15

06. Andiamo! 02:23

07. Eruptors 02:50

08. Bankshot 02:03

09. JoJo & The Seven Seas 02:43

10. Tunnel 02:03

11. The Dreamer 04:03

Surf Insto Reviews: The Nematoads-Difference Engine

Release Date: August 1, 2025 

Label: Deep Eddy Records

Website

The Nematoads, a surf rock trio with a unique musical approach, unveil their 4-track EP, Difference Engine, a testament to their distinctiveness and creativity. 

Ted James, the lead guitarist, is the driving force behind the band’s energy, with his label and website serving as a vibrant hub for surf instro music and more. David Escamilla (bass) and George Pestana (drums) complete this dynamic and electrifying group.

 

The EP’s theme, as you might expect, is race cars. The Nematoads have masterfully integrated this theme into their music, creating an immersive and engaging sonic experience that resonates with the listener.

 

“Difference Engine” kicks things off. The sound of revving engines and fast-paced rockin’ surf gets the party started. I noticed right away that the guitar sounded a bit low in the mix and needed to be boosted in volume. Perhaps this was the design of recording it that way.

 

Even so, we are off to a great start with some brief tremolo, then rapid transitions back to the harder-edged riffing. There is your standard reverb placed in the piece, and one super-fast run up the frets for some added spice. The drums and bass are on cruise control as they enter the pits to change some tires (move on to the next track), as the other racers go whizzing by.

 

“Armadillo Races” begins with a drum roll, and we are back on the track racing. You would think it may be a bit slower when thinking about that animal, but twangy licks with superb surf/spy sound enter your atmosphere. I liked the brief sustain on the guitar.  Some heavy riffs are peppered throughout this trip around the track. The echoing guitars bring it to a fitting end.

 

“Squid Racer” demonstrates how reverb can take center stage and add that definitive surf instro stamp to your music. Some melodicism is evident here, accompanied by some nicely placed crashing cymbals. Lots of reverb is soaked in, too, in passages with a notable bass line. This music remains transitory, offering the listener a wealth of enjoyment within a single track. The reverberating guitar closes the track.

 

4 is the track with the excessively long title and very short run. The title is a playful nod to the band’s love for both music and racing, as it mirrors the quick, intense experience of a race. Here, it’s only the drums and bass having some fun as cars go flying by, accompanied by a crash sound, sirens, and the end.

 

The Difference Engine is jam-packed with The Nematoads, who give everything they have at their disposal to create a very colorful and entertaining EP. They provide a classic surf sound, modified by rock and hot rod sound effects, and they do it their way with distinction.

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

July 25, 2025

Tracks:

1. Difference Engine

2. Armadillo Races

3. Squid Racer

4. The Track George Doesn't Like Because He Doesn't Like the Sound of Car Crashes, David Thinks is OK Because He's OK with Car Crash Sounds in Songs, and Ted Came Up with the Idea so He Probably Likes It

Surf Instro Review: The Frigidaires-Hot Vacation

Release Date:  September 26, 2025

Label: Colorado Instrumental Fanzine

Website

It’s that time of year to take a Hot Vacation with The Frigidaires. That’s right, folks, get your ticket to a surf music paradise. As part of the experience, they also offer an in-flight cocktail. This refreshing concoction perfectly complements the album’s retro surf rock vibe, complete with the recipe for their favorite drink (on the back cover).

The fourteen tracks on this long player bring you all the twists and turns and transitions a band can come up with in each track. And for a bit of spice and variety, they offer three vocal tracks.

 

This album is available for download, CD, and a 12” vinyl version, Limited edition of 500 in the following variants:

100 Summer Heat (red)

100 Summer Sun (yellow, this version)

300 Summer Night (black)

 

This is an excellent album that not only embodies retro sounds but also has the power to transport you to different settings. The high-energy guitars, bass, and drums create vivid imagery, whether it’s the pounding surf at high tide or the relaxed atmosphere of a beach veranda. These atmospheres are expertly crafted by this band from Atlanta, making you feel as though you’re right there.

 

Most appropriately, they lead off with the title track “Hot Vacation.” Driving rock-pop with the essence of the Beach Boys’ harmonies and melodies reaches out to you. Starting with a vocal track, I found it an interesting choice, as they primarily focus on their colorful instrumentals. There is a surfy picking interlude tucked in there for a teaser, and it closes out with some Davie Allan-like fuzz. Essentially, what you get are bits and pieces of what they are in the lead-off track. What you find going forward, you will Love.

 

“The Beast” jumps right into surf instro with impact, followed by some trumpet to give it that “at the bullfight” feel, reminiscent of Herb Alpert. Then, a transition into some twang and reverb with a Latino twist. The bass and drums are exceptional, as the mysterious and intriguing atmosphere draws you in. It’s a fine day to bring your surfboard to the bullfight!

 

“Weary Travelers,” indeed, after trying to surf at a bullfight. The tempo is dialed back a few notches to evoke a warm, beachy atmosphere. The guitar paints the picture nicely. Smooth transitions with tempo changes are all well done. You can almost feel the sun and warm breeze.

 

“Cliff Divers” are legendary in remote beach areas. The track also reaches back to the retro first-wave sound, featuring a good melody and strong band interplay, with tastefully executed crashing cymbals, as the guitar has a clear pathway to take the lead and dive in.

“Pipe Dreams” continues with a retro sound, featuring a solid rhythm section, as the guitar creates its beauty with resonating strings. Those strings sing their song as you look back in time when all this started.

 

“Why Do You Run?” is the second vocal track. The tempo is like a waltz, a dance for lovers. The sounds reminded me of songs you would hear in the 50s, like on Ozzie and Harriet and Rickey doing one of his hits. Simple times are portrayed in a song. It doesn’t get any more real than that. This is the longest track at 4:29.

 

“Beachcomber’s Gold” is a sound coming from the Tiki Lodge on the beach. As you sip your cold drink in a coconut, you know, the one with the little umbrella in it? You can picture it as you sit under the palm tree, away from the heat of the sun. The surf guitar lines and the beat create a distinctive sound reminiscent of a visit to the surf lounge.

 

 “La Calle” returns to surf rock and melodicism of the utmost excellence.  The rhythm guitar lays down a steady riff as the lead glides over the top with definition, like the perfect wave every surfer looks for. Some of the best guitar playing is showcased in this track, which is filled with hooks and consistent tempos.

 

“Mavericks” begins with rapid picking, then transitions quickly to a more melodic style, before returning to a glissando style. Back and forth it goes, like a tide coming in and going out. Excellent rhythm guitar is key here, and the lead riffing cuts loose with straight-ahead surf instro magic.

 

“Roger, Roger” was my favorite track. The drums lay down the beat as the resonating guitar line instantly made me think of The Shadows. The galloping licks are a highlight. Clear, crisp, and wonderful percussion is executed once again, with their sound emulating a horse trotting. A brief organ passage closes it out.

 

“Canyon’s Call” is tremolo perfected at the outset. It sounds like a western theme is developing here, kind of like the old Clint Eastwood spaghetti westerns. Drums are excellent when paired with the bass, and some fine guitar work, along with a climactic ending, make this a picturesque journey.

 

“You Read My Mind” is their last vocal arrangement.  And it is such a big step away from the previous track. Like someone walked up to the jukebox and kicked it, put their quarter in, and chose their songs to change the mood. You are reminded of this band’s diversity and overall talent.

 

“Arrows Out” is their tribute to Davie Allan and The Arrows. And man, do they do it right. The distorted guitar is yet one more huge step away from their core sound. The drums are nice and loud, and the pace is evenly paced, as the bass holds a steady line.

 

Surf music is all about the imagery it can create in your mind’s eye. To do it without words is more difficult, however, I believe it’s more effective. The Frigidaires accomplish that with conviction on Hot Vacation.

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

July 25, 2025

Tracks:

01. Hot Vacation

02. The Beast

03. Weary Travelers

04. Cliff Divers

05. Pipe Dreams

06. Why Do You Run?

07. Beachcomber’s Gold

08. La Calle

09. Mavericks

10. Roger, Roger

11. Canyon’s Call

12. You Read My Mind

13. Arrows Out

14. He Who Greets With Fire