Surf Instrumental Holiday Review: Blue Wave Theory-Sleigh The Waves

 Release Date: December 20, 2024

Label: Independent

Website

New Jersey-based Blue Wave Theory released their Holiday Surf recording Sleigh The Waves on [December 20, 2024]. As the first anniversary approaches, this lively album invites listeners to feel the festive spirit and joy of the season.

Blue Wave Theory Are:

Bob Trimble - guitars, percussion

Chiemena Ukazim - bass, tenor sax

Rick Eddy - drums, percussion

Steve Rabeler – guitars

Although “Greensleeves” is not originally a Christmas song, it is a traditional English folk song about Love. However, it is famously associated with the Christmas carol "What Child Is This?", which uses its melody.

It sets the mood with a twangy, retro-reverb guitar, a steady, strong bass line, cymbals crashing, and drums pounding, with rapid fills. Then the guitar goes off on a sleigh ride of its own. In about 4 minutes, the six-string goes through several transitions, keeping it interesting and colorful.  This energetic surf-instro style blends holiday themes with a lively, instrumental sound that sets the tone for the festive season.

“Rudolph the Red-Nosed Reindeer” is recognized straight away, then goes in different melodic directions as the guitar plows new paths through the woods. The drums and bass are subtle but steadily keep the main time rhythm in place.

“Blue Christmas” begins with a phase-shifting drum, then jumps into strong leads backed by a simple second guitar. The saxophone’s arrival adds a nostalgic ’60s surf flavor, creating a warm, familiar feeling that invites listeners to embrace the holiday mood.

“Mele Kalikimaka” is a Hawaiian-themed Christmas song written in 1949 by R. Alex Anderson. It surely has an island-Hawaiian feel and sound. If you are accustomed to experiencing Christmas with palm trees and the sounds of ocean waves, this will connect with you. Then again, if not, it still is a catchy track done well!

“The Little Drummer Boy” starts in an unusual yet effective way, with heavy, rocking guitars. It’s a short burst of energy, then switches to the traditional melody. The second longest track stands out for its complexity, marked by transitions and tempo changes.  This is a superb rendition that also features a bottom end that is like rocket fuel for the guitar. I would gladly take a second helping of a track like this!

“Christmas (Baby Please Come Home)” begins softly, then kicks in with a big bass sound, as the drums are strong and consistent, as they have been right along. This is the kind of track that warms your soul. The guitar, as usual, is excellent, leading the way to send the message.

Echoing reverb gives it that surf instro feel without taking anything away from the original melody.

Now we back pedal to “Wild Turkey (A Thanksgiving Treat)” with all the trimmings. The bass and drums are strong but subtle enough to match the restrained guitar notes. Suddenly, a strange synth adds a spooky vibe as the guitar resumes its lead.  The drum beat, with no significant changes, is the basic one we have all become accustomed to hearing.

“Frosty the Snowman” stays with the traditional melody, then the guitar, as usual, takes off into another direction, adding some spice and honey to the track. The second guitar provides a good backing rhythm as the lead is clear and crisp.

“Sleigh Ride” starts with a The Ventures “Walk Don’t Run” rhythm, then quickly transitions to the melody we all know, then circles back again. Then, interesting enough, they go into Blue Öyster Cult’s “Don’t Fear The Reaper” briefly. This may be one of the more interesting versions of this song you will ever hear! This is the longest track at 4:37, but enough time for all those crazy transitions to bloom.

It all ends appropriately with “Auld Lang Syne.” Everything stays the course for the sake of this ringing in the new year song. Just under two minutes is the perfect curtain closer, and the addition of the sax gives it some extra holiday jazz tones.

Blue Wave Theory “slays” the music on Sleigh The Waves. With a mix of traditional Holiday melodies, surf instro, and unexpected twists, this album aims to inspire admiration and excitement among listeners.

Keith “MuzikMan” Hannaleck-Surf Music and Art Founder

December 6, 2025

Tracks:

01. Greensleeves 03:39

02. Rudolph the Red-Nosed Reindeer 03:38

03. Blue Christmas 02:18

04. Mele Kalikimaka 02:34

05. The Little Drummer Boy 04:29

06. Christmas (Baby Please Come Home) 02:59

07. Wild Turkey (A Thanksgiving Treat) 03:19

08. Frosty the Snowman 02:24

09. Sleigh Ride 04:37

10. Auld Lang Syne 01:56

Surf Rock Instrumental Review: The Tourmaliners-Live & Alive

 Release Date: November 15, 2024

Label: Pacific Records

Website

The Tourmaliners hail from San Diego, where the weather is warm, and there are many beaches that surfers can enjoy. Being from that area instills a sense of history in their music, which is rooted in classic surf and rock instrumental sounds influenced by bands like The Ventures and The Shadows. You will hear that demonstrated in Live & Alive.

The Tourmaliners Are:

Deven Berryhill - Guitar

Joe Dameron- Guitar

Matt Clowminzer - Bass

John MacElwee- Drums

Live & Alive, recorded live at Tio Leo’s Lounge in San Diego, CA, on July 16, 2024, is my first experience with this band, so it should prove to be a gratifying listen. The atmosphere was vibrant, with an energetic crowd that responded enthusiastically to the surf instrumental sounds, making the live experience even more compelling. Surf instrumental music played live is exciting and explosive. This recording captures the band’s energy in their hometown, providing a clear overview of material from all their recordings.

“Espania” starts the performance. Colorful expressions influenced by Spain fill the air. The guitars provide smooth lines, along with the glissando playing so well known in the surf genre. The bass and drums are massive, but do not drown out the lead guitar; it all blends very well. Over four minutes of vintage surf instro that any fan of the genre will appreciate! A great way to kick things off.

“Point Break” serves as surf reference, and as one would suspect, it’s pure surf instro from start to finish. The music is transitory, just like the surfer’s ride on the waves. The energy is tremendous with another powerful showing from the bass and drums setting the beat for the guitars to ride over. It lives up to its name.

“Coyote” starts with a slower tempo and atmospheric echoing notes that resonate through the air. Your mind wanders into a scenery where the coyote may roam; in this case, I envisioned a spaghetti western movie soundtrack in the desert, like one of the classics with Clint Eastwood. The drums and bass make the necessary adjustments for the definitive tempo and fills. Wordless vocals are added to give it a more realistic big movie screen feel. At 5:13, it is the second longest composition, and every moment is excellent!

“Swanky” gets heavy with fat bass lines and pounding drum sequences, and as the guitar arrives, it matches that intensity with a harder rocking edge than previous tracks. The second guitar is complementary with more subdued lines to balance things out. This track is not only swanky, but it also has some swagger and shows off the powerful chops this band can command.

“Con Permiso” translates to “excuse me.” This is where the band’s twang and reverb are highlighted once again, as the bottom end’s strength provides a solid foundation for everything else the guitars do. About halfway through, you hear some tasteful guitar licks, and the wordless background vocals lend the cinematic atmosphere once more. This shows strong Latin influence, with rapid fingerwork.

“Glasshouse” takes things in a different direction with a nice rhythm guitar and a clear hook that pulls you in right away. The lead guitar explores new territories, showcasing its versatility. While the surf influence is held, there are elements of rock and island sounds that give that feeling of being under a hot sun on a clear day as you watch the tide roll. The bass and drums perfectly pay respect to the genre. Smooth as silk and tastefully done makes it one of my favorites. The 5:39 track is the longest and effectively highlights their varied skills.

“Loco-Moco“ is very retro, reaching back to the first wave of surf, particularly with the guitars. This one is a real moving dance number, with a consistent beat and a rising tempo, from high to low, then back up again. If I were standing in a crowd at this concert listening to this number, my head would never stop bobbing.

“Voyage To Mars” continues the retro sound’s flow. I was brought back to when I first discovered surf instro and instrumental rock, listening to The Ventures and The Shadows. It was like imagining Nokie Edwards and Hank Marvin exchanging licks on stage.

“Surfidia” is their slow burner with a 50s resonant sound like “Sleepwalk.” Classic reverb twang with the waltz-like drums and bass setting the tone for those beautiful guitars to take flight. Tastefully done!

“Tiki Woodbridge” brings you back to the island surf setting. A medium tempo and well-placed guitar lines with a steady bass and drums bring you there instantly. The second guitar is just as essential in making this composition complete, each complementing the other nicely.

“Picante!” returns to the more traditional surf instro spaghetti western sound, with a Latin flair and color. The feeling of that cinematic front row seat to the Western comes to mind again easily. The dueling guitars answer the call as the bass and drums lay down a steady rhythm, and the guitars smoothly cross over the top. It eventually reaches a crescendo, then the tempo drops back down again.

“Grimace” closes out this fantastic set. They don’t hold back, and it starts with frenetic energy as the bass and drums are big again, as the guitar rips through with authority. Razor-sharp guitar lines punctuate the air as the pure power of this band is on display to leave a lasting reminder of just how good they are. This is a killer rocker!

Live & Alive is a superb live recording featuring the many facets of surf instrumental music. The players are spot-on, bring their “A” game, and give the audience a complete course on what surf and instrumental music can be and should be in a live setting.

Keith “MuzikMan” Hannaleck-NAMR Review Founder

December 2, 2025

Tracks:

01. Espania (Live)  04:07 

02. Point Break (Live) 03:32

03. Coyote (Live) 05:13

04. Swanky (Live) 03:08

05. Con Permiso (Live) 03:58

06. Glasshouse (Live) 05:38

07. Loco-Moco (Live) 03:05

08. Voyage To Mars (Live) 02:58

09. Surfidia (Live) 05:15

10. Tiki Woodbridge (Live) 02:44

11. Picante! (Live) 04:07

12. Grimace (Live) 03:44

Surf Rock Instrumental Review: The Aqua Barons-Back On Track With The Aqua Barons

Release Date: November 27, 2025

Label: Independent

Website

The Aqua Barons were formed in January 2010 in Lechaion, Corinth by the two brothers Petros & Philippos Sotiropoulos.

They are advertised as accurate to the first wave of surf instro, aiming to revive the authentic spirit of early surf music and resonate with fans longing for that classic sound.

As “A Shadow in the Mist” begins, you can substantiate that claim straight away. The ’60s vibe is apparent in the organ and guitar sounds. As the lead-off track plays, you feel like you’re going to be jumping into a time machine. The music is smooth as a soft wave hitting the shore. It’s a cool breeze on a hot summer day at the beach.

As “Kolobotsi A Go-Go” begins, the pace picks up; however, the guitars remain restrained in comparison to much of the surf rock I hear. The reason, of course, is their efforts to emulate the first wave of sound. The rhythms are catchy and effective, with the guitars placed for maximum emphasis.

“Fuzzlalum” changes the course here. Fuzz usually is more aggressive in this genre, and it gets a good workout from the band. After the first two tracks, they let you know that they can rock when they want to.

“Pagoto Kerashi” once again takes things in another direction. It has a bit of trepidation, like someone walking into a haunted house. The organ is the main instrument that creates that atmosphere. Then the lead guitar cuts loose on a nice run. As they rock out, they scale it back for more subtle, tasteful guitar notes, then close it out.

“Theme of Exodus” is the time to grab your horse and ride off into the sunset.  Based on the title, you may have your hint: they do their own Spaghetti Western version, adding some fuzztone, while the bass and drums lay down the beats—another excellent reach back to the first wave with superb execution and diversity weaving through.

“Daydreamer Blues” is their slow-burning surf instro waltz, if you will. Some nice reverb is featured as it resonates and echoes through the air. The added retro organ conjures images of the old SoCal ballrooms where the first surf groups played. This would be their one "get close" number before calling it a night.

“Barons on Wheels” jumps over to the surf hot rod genre. Again, we have a combination of subtle surf guitar and some fuzztone. I am enjoying this incredible mixture of styles and appreciate the talent involved in pulling it off properly, which they do, of course! It ends with the sound of the hot rod racing off.

In just under 2 minutes, “Surf Crusade” reaffirms their commitment to the 60s sound. The guitars scream their siren call to all surfers as the bass and drums are pounding away like a vicious wave that takes out an entire line of surfers.

“Tell Tale Guitar” Steps into a Latin-inflected sound. Their switching up of different styles is impressive. Here, they create an interesting mix of sounds. I heard that retro influences surf, rock, and some nasty fuzz tones, pushing it toward outright shredding to give it an edge. The guitars tell the tale!

“Land of the Great Ghoul” brings you into yet another scenery. The energy in their playing is infectious, as the drums’ tribal beats lead the way and the bass gets a few moments in the spotlight; the guitars cut in and do their own thing, with transitions that get your attention and keep it.

“Cove of Dreams” transports listeners to a sun-drenched surf scene, with a saxophone adding a nostalgic touch that evokes classic 60s surf culture and enhances the album’s retro flavor.

As “Lonely Siren” takes us out of this musical journey, you feel appreciative now that The Aqua Barons have revived the true spirit of the first wave of surf. At 1:08, it is the perfect outro as the sun sets.

Back On Track With The Aqua Barons showcases a variety of styles and sub-genres that keep each track fresh and engaging, making the album a compelling journey from start to finish.

Keith “MuzikMan” Hannaleck-Surf Music and Art Founder

November 30, 2025

The Aqua Barons are:

Petros Sotiropoulos: lead guitar, Fender bass VI, keys, tenor sax, vocals

Panagiotis Dimitroulas: rhythm guitar *

Aris Spanoudakis: bass, vocals

Konstantinos Bessas: drums, percussion

All tracks written by Petros Sotiropoulos except 7 and 10 by Aris Spanoudakis and 5 by Ernest Gold.

*Lead reverb guitar parts on track 10 by Panagiotis Dimitroulas.

Arranged and performed by the Aqua Barons.

Female vocals on “Cove of dreams” by Stavroula Sotiropoulou.

Tracks:

01. A Shadow in the Mist” 03:02

02. Kolobotsi A Go-Go02:13

03. Fuzzlalum 01:44

04. Pagoto Kerashi 02:38

05. Theme of Exodus 02:47

06. Daydreamer Blues 02:06

07. Barons on Wheels 02:15

08. Surf Crusade 01:56

09. Tell Tale Guitar 02:43

10. Land of the Great Ghoul 02:28

11. Cove of Dreams 03:22

12. Lonely Siren (outro) 01:08

Surf Instro Reviews: Matt Hurray -‘Nofre Nuggets

Release Date: August 12, 2020

Label:  Independent

Website 

From the tender age of 15, Matt Hurray has been honing his skills as a guitarist, a testament to his unwavering dedication to his craft. Hailing from Balboa Island, CA, Hurray draws his musical inspiration from the vibrant surf scene that once ruled the beaches of Southern California in the late 1950s and 1960s.

That is an intro that should give you an idea of what kind of music you are in for with Matt. Since I took that right off the man’s site, I figure that was a good place to start. ‘Nofre Nuggets', released over 5 years ago, is a collection of tracks that continue to admire and reinvigorate the first wave of surf instro.

Discovering surf instro music, regardless of when it was released, is what I enjoy. And then, getting the word out is also essential. And you must love the guys from SoCal, so in tune (no pun intended) with the culture and music of surfing. Based on what I’ve heard on this album, this man seems to have it together.

Covering classic surf instrumental tracks as a personal tribute involves some risks.  You must be outstanding to do it well. Matt did a fine job taking all these tracks and injecting his own energy and sound. I found it all refreshing, and the production is top-notch.

With a generous dose of reverb, melodicism, and a clever mix of acoustic and electric guitar, 'Nofre Nuggets' takes a bold step forward. The volume is cranked up, giving many tracks a modern, robust sound that’s sure to pique your interest.

More than just a nostalgic trip, 'Nofre Nuggets is a gateway to the world of surf music for newcomers. It’s a fresh take on surf lore, inviting you to explore where it all began and how artists like Matt Hurray found their inspiration.

Keith “MuzikMan” Hannaleck-NAMR Review Founder

October 8, 2025

Tracks:

01. Pipeline 3:05

02. Mr. Moto 2:24

03. Theme From "The Endless Summer" 3:38

04. The Rising Surf

05. Perfidia 2:14

06. El Conquistador 1:48

07. Apache 3:31

08. 7th Street (2020) 3:37

09. Penetration 2:22

10. Wipe Out! 2:55

11. Telstar 2:56

Surf Rock Instrumental Review: The NovaRays: Another Date With The NovaRays

Release Date:  June 26, 2025

Label: Independent

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The NovaRays, a trio comprising John Ashfield on Fender Bass IV, Rob Jacobs on drums, and Lewis Bailey on guitar, showcase their individual and collective mastery in this band.

"West of Eureka” begins with the sound of a horse galloping away, then the music kicks in.  The bass is powerful and upfront, with the guitar positioned in the background, which I found interesting —a kind of switch in positions you rarely see. The drums are tight and right there with the bass. They add some other sound effects to make it feel like you are starring in the latest Western.  It is very panoramic, as it ends with the sound of a whip cracking, ‘Yee-haw!’ The next episode of Rawhide will begin after these messages…

“Space Hero” begins with a funky bass riff, as the drums join in for the ride, and the guitar arrives with a touch of twang and reverb. This time, the guitar’s volume is turned up for your pleasure. This is a combination of rock and surf with an irresistible hook and beat. A nice tempo is held consistently, and it’s a very tasteful ditty, I might say.

 

“Wooden Horse” is very melodic right out of the gate with some skillful guitar playing. And that bass, oh my goodness, it is just excellent - how strong and accurate it is. The drumming also receives praise for consistently maintaining exceptional time. There is something about the melody that sounds familiar to me, maybe something I heard years ago from Wishbone Ash—a very steady track with some clever transitions.

 

“The Creeper” is a classic many folks are familiar with from the Ventures; however, this is an original. It has a Halloween feel to it, which helps bring the subject matter to life. Well, after this is creepy, right? They nail it down nicely with perfectly paced rhythms and some “cuts like a knife” leads from the guitar for further emphasis. Well done!

 

“The Haunting of Bath House B” continues with our Halloween theme. This time, it’s much more upbeat, with some killer guitar lines accompanied by a throbbing bass and drums to carry it along. Some cool effects kick in as the guitar enters full gallop mode, then it transitions back to the leads, with the rhythm guitar following along, and finally, the epic, resonating finish.

 

“Pink Slip” goes into hyperdrive immediately with some lightning-fast guitar riffs. The bottom end is once again strong, as the guitar is diverse and accentuated with front leads, as well as in the background. A lot is going on in this track, and they pack it all into 3:03. I liked the quick transitions and layered guitars, with one keeping the rhythm and the other just ripping it (although they do that a lot on this album).

 

“Three Blue Stars” takes you back to the first wave of guitar sounds, then transitions to a more prominent lead guitar, holding on to the roots of surf instro. It’s a nostalgic journey, sounding very retro but crisp, clean, and precise due to the use of good recording methods. The different types of guitar sounds you would hear from a band in the heyday of the early ’60s are what you will be able to enjoy with this one!

 

“Phantom of the Jetties” gets you into the full reverb and twang mode, but this time, spy sounds dominate the atmosphere. As the paint it out with the guitar lines and rhythmic bass and drums, laying down that solid foundation. The bass has a few standalone moments with some funky lines. It’s the guitars that make this real for the spy vs. spy sounds—one of the best tunes on the recording.

 

“Mr. Covington’s Wild Ride” wraps things up on the wild instrumental ride. A spiffy guitar line kicks things into high gear with a solid rhythm guitar chugging along, and the bass and drums doing their things like they do. The guitar weaves its magic throughout with many transitions. Almost three minutes of pure rock instrumental surfy greatness to close the curtain on one hell of an album!

 

Another Date With The NovaRays is a date you will want to keep. This is a solid outing with a diverse array of tracks covering the gamut of surf instro and surf rock. They give you a taste of it all and a few looks back to where it all started to complete the circle. It’s an exciting journey that you wouldn’t want to miss.

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

August 31, 2025

Tracks:

1. West of Eureka 02:57

2. Space Hero 02:44

3. Wooden Horse 02:31

4. The Creeper 04:10

5. The Haunting of Bath House B 02:36

6. Pink Slip 03:03

7. Three Blue Stars 02:29

8. Phantom of the Jetties 02:50

9. Mr. Covington's Wild Ride 02:58

Surf Instro Review: The Breakers-Triple-Sided Single

Release Date:  July 19, 2025

Label: Independent

The Breakers Catalog

As The Breakers gear up to release another full-length recording, they decided to give us a taste of what is to come. And they are doing it with a unique concept-the Triple-Sided Single, a collection of three distinct tracks that showcase their versatility and creativity.

THE BREAKERS ARE:

Jim Abrahams - Guitar, Effects

Marc Lockett - Drums, Percussion

Jayson Slater – Bass

 

Creating music is not just a passion, but also a labor of love. All of us working stiffs must set aside time for this kind of work, so it is a process to get everything together. Just about anyone who is an independent recording artist is leading this double life. So, listeners are required to have some patience as they strive to deliver the best music possible.

 

So, if you have a craving for more killer surf instro to digest, I have just the remedy for you with these three tracks.

 

“Injection” gets your motor running right from the starting line. Fueled by a locomotive rhythm section and lead guitar that offers a mix of first wave and today’s tech to give it a clear and crisp sound. Melodicism is the word of the day here. There is some slick guitar work going on here with Abrahams doing some quick slides down the fretboard, kind of like a surfer taking a massive wave and getting in a sustained tube. (Check the track video provided)

 

“Facing The Sun” marks a shift towards more complex compositions, incorporating a touch of psych garage influence. Some cool transitions are found within this number. Then the old school sounds jump out suddenly for the ’60s organ sound (*which I suspected was a guitar), kind of like The Munsters’ intro if you can remember that or are familiar with it. This was a big step away from the previous track, reminding you of how eclectic surf rock can be if you have the talent of this remarkable trio.

*I asked Jim Abrahams, and he confirmed that the organ sound was the Eastwood Backlund Model 100 DLX Guitar through the Electro Harmonix C9 Organ Machine.

“Adios, Consciousness” takes another turn on the musical road. This track is a journey, with a mellow start, a prominent bass line, and a 60s psych vibe. Then, it surprises us with a heavier, meatier sound, complete with a sax and trumpet. The guitar, switching to tremolo mode, adds to the variety. It’s like listening to several songs all rolled into one session. No wonder they go past 3 minutes!

 

If the Triple-Sided Single is a taste of what’s to come with the whole album, I, for one, am eagerly awaiting its release. If you’re a fan of The Breakers, you won’t want to miss this!

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

August 15, 2025

Tracks:

1. Injection 02:32

2. Facing The Sun 02:50

3. Adios, Consciousness 03:26

Surf Rock Instrumental Review (Holiday): Los Straitjackets- ‘Tis The Season For Los Straitjackets!

http://www.losstraitjackets.com

Admittedly, it is a little early to be listening to Christmas music. I could not help but put this on, though. By the end of the month, I will have had my fill of seasonal music to review, and I will be happy that it comes only once a year.

Surf-instrumental music has always been a personal favorite, and Los Straitjackets never fail to deliver a unique and fun experience. Their vibrant Mexican wrestling masks and infectious sound make them a joy to watch. ‘Tis The Season For Los Straitjackets!

Well then, now you can put all of that together and have yourself a CD that will get you in the mood for the season. Could there be a better way to jump-start the Holiday than to a rockin’ and twangy “A Marshmallow World”?  (Released on a red vinyl 45 a few years ago, B/W “Sleighride”) or “Feliz Navidad”? Even though it may not seem right without Jose Feliciano’s vocals, it still sounds great. Every song sounds so wonderful!

The CD is not too long or too short; it is just right, with 13 tracks, the longest one being a little over three minutes. You must love this kind of music to appreciate it fully, although there may be some converts just waiting for something different to feast their ears upon this year. Usually, the only instrumental Christmas CD I put on is The Ventures Christmas Album (who have a new Christmas CD out too). Now, I have another one to add to the list.

This CD is a joyous toboggan ride down a steep hill on a cold December day. The faster you go, the more excited you get! It’s a perfect blend of fun and the spirit of giving, which is what the holiday season is all about. Let Los Straitjackets’ music guide you to a season filled with joy and excitement.

Keith "MuzikMan" Hannaleck

November 3, 2002

Tracks:

01. Here Comes Santa Claus (Autry/Haldeman) - 2:11

02. A Marshmallow World (DeRose/Sigman) - 2:06

03. Feliz Navidad (Feliciano) - 3:10

04. Jingle Bell Rock (Prentis) - 2:41

05. Rudolph the Red Nosed Reindeer (Marks) - 2:18

06. God Rest Ye Merry Gentlemen (Traditional) - 2:23

07. Frosty the Snowman (Nelson/Rollins) - 1:57  

08. Christmas in Las Vegas (Amis/Angel/Curry/Lester) - 2:36

09. Let It Snow (Cahn/Styne) - 2:12

10. Sleigh Ride (Anderson) - 2:33

11. Christmas Weekend (Amis/Angel/Curry/Lester) - 1:53

12. Little Drummer Boy (Davis/Onarata/Simeone) - 2:40

13. The Christmas Song (Torme/Wells) - 3:16 

Surf Instro Live Review & Interview (John Blair): Jon & The Nightriders-Recorded Live At Hollywood’s Famous Whisky A Go-Go (January 10, 1981)

Release Date:  April 18, 2014

Label: VOXX

ORDER THE VINYL

Jon & the Nightriders tore the roof off Hollywood’s Whisky A Go-Go in January 1981. This legendary venue has hosted some of the most iconic live performances in music history, and that night in January was captured for this LP.

 

The Live At Hollywood’s Famous Whisky A Go-Go LP is heavyweight quality vinyl purchased directly from Jon Blair.

 

Here is the lineup of musicians for the classic surf rock recording:

Jon Blair-Lead Guitar

Dave Wronski-Rhythm Guitar

Niki Sixx-Bass (Not the Motley Crue band member. Listen to the interview)

Dusty Watson-Drums

 

What a powerhouse of talent! Wronski’s rhythm guitar is a force to be reckoned with, a fact proven by his future lead performances with Slacktone. And with his bandmate Dusty Watson on drums, this lineup is a force of nature.

 

If you’re a surf instro fan, you will immediately recognize all the classic tracks the band covered.

The recording is excellent musically and for overall clarity and crispness of sound. Additionally, you get a download card for your digital archives with four bonus tracks. These include three alternate versions of classic tracks, providing a unique perspective on the band’s performance.  It is quite the package of music.

 

This record explodes with some incredible surf rock instrumentals. “Rumble At Waikiki” kicks things off, and it’s a wild way to start. The music is blasting at full volume. This is the way this music should be played, just as Dick Dale did when the first wave of surf commenced.

 

Every track is superbly done with the vintage reverb, tremolo, and glissando riffing in the spotlight every step of the way. For instance, on “Surf Party,” the band cranks, and you get a good taste of all those aspects of this music.  

 

While every track is played with speed and accuracy, more than a few are in hyperdrive. “Force of Gravity,” a bonus track, is an excellent example of that.

 

Worthy of note are all the transitions they make within each track. Even though the music is known for its short recording times, one of the trademarks is how transitory it can be.

 

The Marketts get a nod on the other bonus track on Side B with “Outer Limits.” The Ventures’ “Walk Don’t Run” and The Astronauts’ “Baja” get their due as well on the digital download. You will hear fired-up versions of those legendary tunes, with the bass and guitar cranking it out.

 

The six-and-a-half-minute “Medley” is excellent. As “Banzai Washout,” “Surf Jam,” and “Pipeline” get the Nightrider treatment. Chances are, you have not heard these songs played live in such a way on a surf instro LP too often. They just cut loose on every track and rock out.

 

Recorded Live At Hollywood’s Famous Whisky A Go-Go is not just a look at surf music history; it’s a visceral experience. The passion, color, and precision with which each track is played are a testament to the enduring power of live music.

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

August 4, 2025

Tracks: A1. Rumble At Waikiki 2:44 A2. Mr. Moto 1:58 A3. Surf Party 2:21 A4. The Nightrider 2:03 A5. Surfin' And Spyin'1:31 A6. Hawaii Five-O 1:39 A7. Force of Gravity * Bonus B1. Baja 2:34 Medley (6:13) B2.a Banzai Washout B2.b Surf Jam B2.c Pipeline B3. Church Key 2:15 B4. Squad Car 1:55 B5. Outer Limits* Bonus Digital Download Bonus Tracks: 15. Walk Don't Run 2:41            16. The Nightrider (alt) 2:15       17. Squad Car (alt) 1:55 18. Baja (alt) 2:47

        

Surf Rock Review: The Fuzziyama Surfers-Nagahama / Chanbara Ogin EP

Release Date: August 2025

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After their debut album Wild Echizen (Otitis Media Records, 2022), The Fuzziyama Surfers from Japan’s megapolis Nagoya are back with a small CD. The four-track EP was successfully launched at the Surf Guitar 101 Festival in Long Beach, California, in August 2025. This marked the band’s inaugural live performance on American soil. Following this, the silver disc will only be available in their homeland.

We know today that surf music was smuggled into Japan many decades ago by the secret agent Mr. Moto. There, he handed the electronic circuit diagrams over to the custodians of the three-string long-necked lute. This led to the electrification of plucked instruments in the Far East, and “Eleki” was born. The rest is history.

 

Fuzziyama is, as electric guitar players will immediately notice, a portmanteau of "Fujiyama" and "Fuzz Box". The latter is an essential distortion device used to create sawing sound effects on the guitar. Here, this marvelous thing is equated with the sacred mountain of the Japanese.

 

The band’s mastermind and composer is Masumi Fujio, who is known to everyone in the scene as “Fuzzio”. He already rocked with the “surfin’ instrumental band” The Windows and did his finger exercises diligently. He has long deserved a place in the “Nippon Guitars” hall of fame. No one else in the Far East plays “Misirlou” more in tune across the frets than he does.

 

In any case, the artwork for his new sound carrier, designed by Chiaki (the band’s second guitarist) using the two-color duplex process, is a success. The reduction in color makes it stand out from other record sleeves. But what’s even more striking is that the Fuzziyama Surfers have a female drummer.

 

It is said that Karen Carpenter from the Carpenters is the reason why there are comparatively many female drummers in Japan. During their successful 1974 tour (see Live at Budokan), a woman was seen drumming for the first time in Japan, triggering a boom that continues to have an impact today.

Nakkie from the Fuzziyamas is currently one of the best live drummers on the scene. Her playing swings, which is so crucial to surf beat. Through her personality and her spontaneous screeches, she also brings a lot of energy and vitality to the band.

 

This blood-pressure-increasing stage sound is captured unadorned on all of the band’s recordings. The following four tracks were frantically taped in spring 2025 in Geru Matsuishi’s earthquake-proof recording studio on the outskirts of Japan’s “motor city”, Toyota.

 

(1)“Nagahama” (長浜) means “long beach” in Japanese and possibly refers to the location of the band’s first guest performance in the US. Unusually for surf music, the piece begins with a piano chord progression, which immediately calls to mind the forgotten oldie “Nut Rocker” by B. Bumble and the Stingers. Although the piano was a vital element of early style-defining surf bands such as the Bel-Airs and the Challengers, it is reviled in the genre today and has largely been replaced by the organ. The fast-paced interludes in “Nagahama” even evoke progressive rock, revealing that the composer is a “child in time” who floats in deep purple spheres.

 

(2) “Oh! Showgatsu” (お正月) is a traditional Japanese lullaby sung to young children on New Year’s Eve. Shōgatsu, the turn of the year, is one of the most important holidays in Japan. However, a night’s sleep is not on the cards here. The band pulverizes the bedtime song with an unbridled “lock’n’lol” attitude.

 

(3) “Chanbara Ogin” (チャンバラお銀) is a nod to Kagerō Ogin, a female ninja character from a light-hearted Japanese soap opera who is adept at cheating and poisoning. “Chanbara” is the Japanese genre term for samurai films. Not entirely inappropriately, the track has a spaghetti western feel. However, the guitars remain as sharp as the blade of a katana longsword.

 

(4) Things continue to be martial in “Kita-Kaze” (キタカゼ). The title means “North Wind”, but also refers to the eponymous Japanese Tier IX destroyer of the Imperial Japanese Navy. The Second World War ship has long since been scrapped, old rivalries have blown away in the wind, and a pacific friendship has developed between Americans and Japanese people.

 

Japan may well be the main factor why the surf music community is global today. Bands like the Fuzziyama Surfers are continuing the instrumental rock tradition that Takeshi Terauchi and the Blue Jeans started so gloriously in the early ’60s.

 

Although their EP has only four tracks, it introduces you to a wide range of Japanese popular culture. Want more? This sample CD is meant to whet your appetite for the band’s upcoming LP. You could say it’s the miso soup before the sashimi.

 

Jimmy Dee, Staff Writer at Surf Music and Art

Tracklist:

01. Nagahama (長浜)

02. Oh! Showgatsu (お正月)

04. Chanbara Ogin (チャンバラお銀)

05. Kita-Kaze (キタカゼ)

 

 

 

Surf Instro Review: The Stingrays Surf Band - Don't Fear The Reverb

What do three kids from Southern California have in common with surf music? You wouldn’t think all that much. To the contrary, they play the music like they were born to spread the word of reverb like it was Gospel.

Their ages range from 14 to 16, and they are The Stingrays Surf Band, and their album is titled Don’t Fear The Reverb (their nod to Blue Öyster Cult). 

This is what it was like in the 60s. High school kids would surf, dance, and play this new thing called surf music. This is 1999, and things have changed. The excitement of the music is still alive, but the kids are different and have more resources available to them.

 

The talent of this young group is far beyond their years of experience.

 

They sound more like a group of seasoned veterans rather than a bunch of overzealous teenagers. They’re a lightning speed power trio with all the exuberance and optimism of youth going for them, plus a great future to look forward to. What more could you ask for? Life is good for The Stingrays.

 

On the track "La Chancha," a Latin-salsa flavored trumpet gives it that south-of-the-border feel. That was an unexpected pleasure. They also do some good covers of the classics, "Pipeline" and "Nitro." However, it's their unique interpretation of these classics that truly sets them apart. Every song is very well done with the essence of that classic reverb-filled surf sound.

 

I can’t imagine how these young men will sound once they are further along in development. I wish more teenagers would start picking up guitars and create music like this. Who knows? Another golden age of surf could begin again...

 

Keith “MuzikMan” Hannaleck

December 29, 1999

 

Tracks:

01. Don’t Fear the Reverb

02. Los Mosquitos

03. Sunnyside Up

04. La Chancha

05. Hawaiian Pullout

06. Bodybag

07. Weiners and Beans

08. Pipeline

09. Larry’s Got A Longboard

10. Impact Zone

11. Sabrina

12. Gone Surfing

13. Nitro

Surf Instro Review: The Neptunes - People Of Earth, We Are The Neptunes

https://www.facebook.com/TheNeptunesBand/

How many people does it take to make one great surf group? Three very talented musicians, that’s how many. It’s all done very simply with guitar, bass, and drums. Tom Walzem (guitar, bass), Steve Carter (guitar, bass) and Eric DeGroot (drums) are The Neptunes. I am not sure if they are people of the Earth, though. They play like they’re from another world.

On People Of Earth, We Are The Neptunes, there is some of the best double-picking (I was probably referring to glissando at the time) and twang that I have heard from the third wave of surf groups. The boys commit a fine mixture of traditional, third-wave, and rock to CD. Infectious, rocking, and energetic surf-instro tunes come crashing upon your eardrums, each track brimming with a unique energy and originality. Beware of the wake that follows. It’s all done with style. Every song has its own originality (cover or original).

 

Music like surf can sound the same. Groups must be creative and possess the know-how to utilize their diverse talents to the fullest potential, ultimately creating something original and fresh. There is no redundancy in any of the material presented on this album. The Neptunes succeed in keeping it interesting.

 

I noticed on track nine, "Gemini," that there is a very familiar drum-beat and guitar break. Does "Wipe Out" ring a bell? That material still holds up after all these years. The Neptunes use it very cleverly, and it sounds terrific. I don’t know if it was intentional or if it just ended up sounding that way, but it works pretty nicely. This is a strong CD from start to finish.

Keith “MuzikMan” Hannaleck

December 29, 1999

Tracks:

01. Hannah

02. Cement Shoes

03. Wildcat

04. Beguiled

05. Spaghetti Luau

06. Iron Lung

07. Talking to Trees

08. Supercell

09. Gemini

10. Dance of the Moorish Idol

11. On to lo

12. In From the cold

13. My Dark Dream

14. Razilla

15. The Outsider

16. I Walk Alone