Friday, August 1, 2025

Surf Insto Reviews: The Nematoads-Difference Engine

Release Date: August 1, 2025 

Label: Deep Eddy Records

Website

The Nematoads, a surf rock trio with a unique musical approach, unveil their 4-track EP, Difference Engine, a testament to their distinctiveness and creativity. 

Ted James, the lead guitarist, is the driving force behind the band’s energy, with his label and website serving as a vibrant hub for surf instro music and more. David Escamilla (bass) and George Pestana (drums) complete this dynamic and electrifying group.

 

The EP’s theme, as you might expect, is race cars. The Nematoads have masterfully integrated this theme into their music, creating an immersive and engaging sonic experience that resonates with the listener.

 

“Difference Engine” kicks things off. The sound of revving engines and fast-paced rockin’ surf gets the party started. I noticed right away that the guitar sounded a bit low in the mix and needed to be boosted in volume. Perhaps this was the design of recording it that way.

 

Even so, we are off to a great start with some brief tremolo, then rapid transitions back to the harder-edged riffing. There is your standard reverb placed in the piece, and one super-fast run up the frets for some added spice. The drums and bass are on cruise control as they enter the pits to change some tires (move on to the next track), as the other racers go whizzing by.

 

“Armadillo Races” begins with a drum roll, and we are back on the track racing. You would think it may be a bit slower when thinking about that animal, but twangy licks with superb surf/spy sound enter your atmosphere. I liked the brief sustain on the guitar.  Some heavy riffs are peppered throughout this trip around the track. The echoing guitars bring it to a fitting end.

 

“Squid Racer” demonstrates how reverb can take center stage and add that definitive surf instro stamp to your music. Some melodicism is evident here, accompanied by some nicely placed crashing cymbals. Lots of reverb is soaked in, too, in passages with a notable bass line. This music remains transitory, offering the listener a wealth of enjoyment within a single track. The reverberating guitar closes the track.

 

4 is the track with the excessively long title and very short run. The title is a playful nod to the band’s love for both music and racing, as it mirrors the quick, intense experience of a race. Here, it’s only the drums and bass having some fun as cars go flying by, accompanied by a crash sound, sirens, and the end.

 

The Difference Engine is jam-packed with The Nematoads, who give everything they have at their disposal to create a very colorful and entertaining EP. They provide a classic surf sound, modified by rock and hot rod sound effects, and they do it their way with distinction.

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

July 25, 2025

Tracks:

1. Difference Engine

2. Armadillo Races

3. Squid Racer

4. The Track George Doesn't Like Because He Doesn't Like the Sound of Car Crashes, David Thinks is OK Because He's OK with Car Crash Sounds in Songs, and Ted Came Up with the Idea so He Probably Likes It

Thursday, July 31, 2025

Surf Instro Review: The Frigidaires-Hot Vacation

Release Date:  September 26, 2025

Label: Sky Lantern Music (BMI)

Website

It’s that time of year to take a Hot Vacation with The Frigidaires. That’s right, folks, get your ticket to a surf music paradise. As part of the experience, they also offer an in-flight cocktail. This refreshing concoction perfectly complements the album’s retro surf rock vibe, complete with the recipe for their favorite drink (on the back cover).

The fourteen tracks on this long player bring you all the twists and turns and transitions a band can come up with in each track. And for a bit of spice and variety, they offer three vocal tracks.

 

This album is available for download, CD, and a 12” vinyl version, Limited edition of 500 in the following variants:

100 Summer Heat (red)

100 Summer Sun (yellow, this version)

300 Summer Night (black)

 

This is an excellent album that not only embodies retro sounds but also has the power to transport you to different settings. The high-energy guitars, bass, and drums create vivid imagery, whether it’s the pounding surf at high tide or the relaxed atmosphere of a beach veranda. These atmospheres are expertly crafted by this band from Atlanta, making you feel as though you’re right there.

 

Most appropriately, they lead off with the title trackHot Vacation.” Driving rock-pop with the essence of the Beach Boys’ harmonies and melodies reaches out to you. Starting with a vocal track, I found it an interesting choice, as they primarily focus on their colorful instrumentals. There is a surfy picking interlude tucked in there for a teaser, and it closes out with some Davie Allan-like fuzz. Essentially, what you get are bits and pieces of what they are in the lead-off track. What you find going forward, you will Love.

 

“The Beast” jumps right into surf instro with impact, followed by some trumpet to give it that “at the bullfight” feel, reminiscent of Herb Alpert. Then, a transition into some twang and reverb with a Latino twist. The bass and drums are exceptional, as the mysterious and intriguing atmosphere draws you in. It’s a fine day to bring your surfboard to the bullfight!

 

“Weary Travelers,” indeed, after trying to surf at a bullfight. The tempo is dialed back a few notches to evoke a warm, beachy atmosphere. The guitar paints the picture nicely. Smooth transitions with tempo changes are all well done. You can almost feel the sun and warm breeze.

 

“Cliff Divers” are legendary in remote beach areas. The track also reaches back to the retro first-wave sound, featuring a good melody and strong band interplay, with tastefully executed crashing cymbals, as the guitar has a clear pathway to take the lead and dive in.

“Pipe Dreams” continues with a retro sound, featuring a solid rhythm section, as the guitar creates its beauty with resonating strings. Those strings sing their song as you look back in time when all this started.

 

“Why Do You Run?” is the second vocal track. The tempo is like a waltz, a dance for lovers. The sounds reminded me of songs you would hear in the 50s, like on Ozzie and Harriet and Rickey doing one of his hits. Simple times are portrayed in a song. It doesn’t get any more real than that. This is the longest track at 4:29.

 

“Beachcomber’s Gold” is a sound coming from the Tiki Lodge on the beach. As you sip your cold drink in a coconut, you know, the one with the little umbrella in it? You can picture it as you sit under the palm tree, away from the heat of the sun. The surf guitar lines and the beat create a distinctive sound reminiscent of a visit to the surf lounge.

 

 “La Calle” returns to surf rock and melodicism of the utmost excellence.  The rhythm guitar lays down a steady riff as the lead glides over the top with definition, like the perfect wave every surfer looks for. Some of the best guitar playing is showcased in this track, which is filled with hooks and consistent tempos.

 

“Mavericks” begins with rapid picking, then transitions quickly to a more melodic style, before returning to a glissando style. Back and forth it goes, like a tide coming in and going out. Excellent rhythm guitar is key here, and the lead riffing cuts loose with straight-ahead surf instro magic.

 

“Roger, Roger” was my favorite track. The drums lay down the beat as the resonating guitar line instantly made me think of The Shadows. The galloping licks are a highlight. Clear, crisp, and wonderful percussion is executed once again, with their sound emulating a horse trotting. A brief organ passage closes it out.

 

“Canyon’s Call” is tremolo perfected at the outset. It sounds like a western theme is developing here, kind of like the old Clint Eastwood spaghetti westerns. Drums are excellent when paired with the bass, and some fine guitar work, along with a climactic ending, make this a picturesque journey.

 

“You Read My Mind” is their last vocal arrangement.  And it is such a big step away from the previous track. Like someone walked up to the jukebox and kicked it, put their quarter in, and chose their songs to change the mood. You are reminded of this band’s diversity and overall talent.

 

“Arrows Out” is their tribute to Davie Allan and The Arrows. And man, do they do it right. The distorted guitar is yet one more huge step away from their core sound. The drums are nice and loud, and the pace is evenly paced, as the bass holds a steady line.

 

Surf music is all about the imagery it can create in your mind’s eye. To do it without words is more difficult, however, I believe it’s more effective. The Frigidaires accomplish that with conviction on Hot Summer.

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

July 25, 2025

Tracks:

01. Hot Vacation

02. The Beast

03. Weary Travelers

04. Cliff Divers

05. Pipe Dreams

06. Why Do You Run?

07. Beachcomber’s Gold

08. La Calle

09. Mavericks

10. Roger, Roger

11. Canyon’s Call

12. You Read My Mind

13. Arrows Out

14. He Who Greets With Fire

Wednesday, July 30, 2025

Surf Instro Review: The Knights - Surfin’ The Southwest, Santa Fe Style

Buy The Album

Now this is great instro music! The Knights come roaring back with their second release, Surfin’ The Southwest, Santa Fe Style, right on the heels of the comeback CD Surfin’ The Web, which I covered earlier this year. I think they are back, and in a big way.

Most of the tracks in this album are original, and they are all exceptional. The group’s talent shines through in these dynamite original tunes. After a 30-year hiatus, they were getting their feet wet with the first CD. This album presents a softer surf sound, a departure from the loud, hard, and fast reverb-drenched music. It’s a sound with more depth and substance.

Despite the softer sounds, this music packs a powerful punch, albeit in a different way. The album features a unique blend of blues and surf, creating an original Santa Fe Style Surf sound, as bass player Gary Snow’s wife Judi and engineer Steve Hudgins so aptly describe. This perfectly coined phrase also serves as a fitting title for the album.

I am reminded of Tex-Mex George Tomsco (RIP) when I listen to this. That is a big compliment as Tomsco is one of the best instrumental guitarists around, he has been for some 40-odd years. It’s spicy and flavorful, just as the colorful cover art, which features vibrant and lively imagery, indicates. This group is in a groove and better than ever.

Surfin’ The Southwest, Santa Fe Style is a stylish and well-tailored session that is truly impressive. The experience and expertise of the group in the music business are evident in the high-quality production and superb sonics that consistently caught my ear.  Please take a listen to their instro stew, it’s cookin’ with some extra spice!

Keith "MuzikMan" Hannaleck

December 6, 1999

Tracks:

01. Surfin' Santa Fe Style

02. Cut Out Y2K

03. Judi

04. The Man Who Wasn't There

05. Jeannie

06. Surfin' The Southwest

07. Moonbeam 2000

08. Precision 2000

09. Ghost Riders In The Sky

10. Legends

11. Wipe Out