Instrumental Rock Vinyl Review: Los Straitjackets-Somos (Ltd. Edition Yellow Vinyl - 1,000)

Release Date:  September 19, 2025

Label: Yep Rock

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After a decade-long break, the iconic Los Straitjackets have made a triumphant return with Somos (Are). The fact that the limited-edition yellow vinyl is nearly sold out as I write this only adds to the excitement. I am lucky to have secured my copy before the official release date.

 

Los Straitjackets have made a captivating return with Somos, offering a rich tapestry of 15 tracks that blend instrumental rock with surf-tinged elements. Throughout the album, you’ll hear echoes of retro sounds and be treated to some exceptional guitar work, showcasing the band’s diverse musical influences.

 

Listening to Somos, you’ll find yourself transported back to the golden era of music, with memories of The Ventures and Shadows (“Genesee River Rock”) flooding your mind. Los Straitjackets’ ability to evoke such nostalgic feelings is a testament to their musical prowess and connection with their audience.

 

“Bumper Car” kicks things off on side A with some melodic twang and a smooth rhythm section. This is a toe-tapper (and there are many of those) with some tasteful leads on the guitar (there are many of those too!).

 

“Polaris” resonates with reverb as the “island vibes” grab you, then the warmth of the sun's rays is imagined hitting your face. There is an acoustic rhythm guitar that is nice and steady, along with the bass and drums. Some shimmering leads from the electric guitar set the tone and atmosphere nicely.

 

“Genesee River Rock” is a throwback to the sound of The Shadows with some swinging leads and good rhythm guitar to accentuate all of that activity. Then the occasional drum rolls add their excitement to this retro classic.

 

“High Wire Act” steps up the pace and tempo significantly. Some rapid picking on the six-string is featured here with some reverb for extra measure. I enjoyed the transitions. Some great bass lines are added. You get the best of both worlds on this, as today and yesterday are combined. 

 

They shout “Numbskull” as the drums fire off, and then some hook-filled riffs, and that legendary “Whip Out” callout is perfected. Some crafty guitar is featured, and the switching up of tempos is good.

 

“Two Steps Ahead” brings on the heavy bass lines as the guitar provides a good riff (which at times recalls “Secret Agent Man”). The drums and cymbals play their part, adding some excitement and emotion.

 

“April Showers” closes out the first side with some catchy riffing, then a melodic lead as the rhythm guitar and bottom end are solid once again. Some tasteful playing and reverberating leads are excellent.

 

Side B opens with “Cry for a Beatle” as the energy level feels good to start. The bass part is fantastic, and the drums are very melodic. Strong leads coming from the lead guitar make it another winner.

 

“Catalina Farewell” slows things down but with a catchy riff on guitar. The tune is mellow and relaxing, sounding dreamy like a lullaby.

 

“Copy Cat” Returns to the more upbeat sounds. The guitars engage in a call-and-answer session, with the back end always providing a foundation. There are some drum rolls briefly and a bass solo.

 

“Sentimental Fool” brings the tasteful guitar leads back in focus. The rhythm section is very measured and timely as the guitar leads perk things up, then revert to the original melody, then back to the energy. The back and forth showcases the bands’ ability to be so diverse within one track.

 

You hear a girl’s voice say “Bad Apple” to start this track. The sound is entirely different than any other track on the album. Almost like something a band would add as a bonus track. The guitar’s bluesy leads are not something you would expect to hear on a recording like this, but the takeaway here is that it’s good. Some heavy bass lines are also featured—another example of their exceptional talent and diversity.

 

“Wicker Park” has some twangy leads and a toe-tapping rhythm—a very catchy track with smooth instrumentation.

 

“Spinout” is their all-out rocker on the album and one of the early tracks released. The drums start the engines, and you hear them holler Spinout! Twang and reverb dominate, and then that crazy “Wipe Out” laugh again. The bottom end is like a locomotive, and the rhythm guitar is exceptional.

 

“Virgon” closes out this return to greatness for Los Straitjackets. It starts slow, then they crank it up and go back again to the solo mellow guitar. The back and forth is great, and a super catchy song.

 

Somos is a satisfying return to form for Los Straitjackets. Lovers of instrumental rock will appreciate this recording. The mixture of rock, surf, and tracks that transition from slower to faster makes this a diverse listen without any filler. It’s solid and consistent from start to finish.

Credits:

Eddie Angel – Guitar (Bass on “Cry for a Beatle”)

Greg Townson – Guitar

Chris Sprague – Drums, Voices (Guitar on “Cry for a Beatle”)

Pete Curry – Bass (Drums on “Cry for a Beatle”)

With:

Simon Heeran – guitar on “April Showers,” “Virgon” and “Catalina Farewell”

Alex Hall – Vibes

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

September 5, 2025

Tracks:

Side A:

1. Bumper Car

2. Polaris

3. Genesee River Rock

4. High Wire Act

5. Numbskull

6. Two Steps Ahead

7. April Showers

Side B:

1. Cry for a Beatle

2. Catalina Farewell

3. Copy Cat

4. Sentimental Fool

Surf Rock Instrumental Review: Les Panches Surfers - La Balasera

Release Date:  May 17, 2023

Label: Independent

Website

I realize that this album from Les Panches Surfers titled La Balasera was released a few years ago, but it deserves some attention.

 

Their press kit says the following:

Les Panches Surfers is a Spain-based Instro Surf band that combines tremendous versions of surf classics with excellent and powerful songs of their own. Under his impeccable appearance of white clothes, masks of catrinas and Mexican hats hide an excessive force and Danger, as they demonstrate in every gig, is comparable to The Mummies. They have dynamited scenarios of the most essential venues from Madrid to Germany, and everyone who has ever seen them live knows that ...

 

I think that was a clever intro to the band, and with the masks, they remind me of many other bands doing the same thing, except this group all go by aliases, so you don’t know who they really are. Hailing from Madrid, Spain, this is yet another indication of the global presence of surf instro.

 

"La Balacera" is a Spanish term meaning “the shooting” or “the shootout,” referring to a gunfight or the act of firing guns. They kick it off with a bang (no pun intended) with their title track. They are letting you know this high-energy music with some good guitar licks and an explosive rhythm section. Off to a great start, and they get it done in a little over two minutes.

 

“Surf Division” begins in a more mellow manner compared to the opener. Some fast fingerpicking is going on here with the acoustic, transitioning into some fuzztone leads (ala Davie Allan). Then they circle back to the original melody with the glissando guitar, then back into the electric driving section. The drums and bass, always key in pushing the band along, do their thing well. I liked the quick drum rolls inserted a few times, then the weird string bending sound to close it out.

 

“GusFuzz,” you figure, is going to be interesting with a title like that, and it is. It begins with the retro ’60s surf sound, a style characterized by its upbeat tempo, reverb-heavy guitar, and catchy melodies, and features some additional glissando, adding a definitive Spanish flavor. The squealing guitar puts a picture of a surfer going tubular in your mind. The guitar is superb with all the warmth and inviting sound that you expect to emulate the beach, fun in the sun, and surfboards. Three-quarters of the way through, the fuzz arrives with some catchy licks.

 

“El Secuestro” is the Spanish word for kidnapping or abduction (yes, I always must look this stuff up). So immediately with that thought in mind, their sound is one of mystery and intrigue. It moves along nicely with a good flow and mixture of acoustic and electric riffs. Lots of hooks and the transition to the rhythm section showing its power, and entirely different licks add another layer.

 

“Último verano en Torremolinos” translates to last summer in Torremolinos. So, you imagine the sun, the beach, and memories come flooding into your mind. At least that is what the music should do. It does paint that picture nicely. It is a mellower melody with some layered guitar work. I appreciate the versatility the band demonstrates on this track. They can rock or kick back and play something with a great melody and tasteful hooks to pull you in.

 

“La Huida” translates to “the escape” in English. Knowing what these words mean before hearing the track is very helpful in picturing what the band is attempting to say in their music. This one explodes from the first note played. They return to a heavy rocking mode, incorporating some impressive guitar effects. Then the rhythm section gets their turn as they thump away, and you hear some of the quick drum rolls as the guitars wail away. The band’s ability to create a visual experience through their music is truly engaging!

 

“Tenebrosa” means dark. So here we go again, will it feel that way? Yes, indeed, it does, with a creepy intro and a devilish laugh. The guitars provide a lot of excitement and changes. There is that element of surprise and intrigue again as it builds through this track with several different sounds, transitions, and guitar lines ever changing.

 

“Rosarito” starts with a more retro sound on guitar (like the 1st wave in the 60s). More mellow again this time with subtle drums and bass (which is a change in comparison to most tracks). Nice flow and smooth guitar lines.

 

“Calçots” are a type of green onion, also known as scallions. This is a fun process, trying to figure out all these English translations! This is another one with the more traditional surf instro sound, with a steady flow of surging up and down guitar lines, with the bass and drums maintaining a constant rhythm throughout. Then suddenly that retro organ sound jumps in as the level of bass and drums rise along with it. Many changes make for one of the more diverse tracks yet.

 

“Waikiki” does not need translation, obviously. Big waves, right? Well, in one aspect, yes, for surfers, but not in this case. They get mellow and tasteful again with some excellent guitar work. Their Spanish heritage creeps in here; it’s not Andres Segovia, but it’s perfect! The organ is added again for another layer, followed by the quick shutdown.

 

“El Ahorcado” is translated as The Hanged Man. And it lines up perfectly with their “Spaghetti Western” sound on this closing track. The guitar resonates and echoes as a subtle organ plays off in the background—the drums and bass sound foreboding as they end the track.

 

Les Panches Surfers are an excellent surf instro band that knows how to rock or pull back and do something more tasteful and picturesque. All their many talents are on full display on La Balasera.

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

September 2, 2025

Tracks:

01. La Balasera 02:13

02. Surf Division 02:42

03. GusFuzz 04:02

04. El Secuestro 02:50

05. Último verano en Torremolinos 03:35

06. La Huida 02:25

07. Tenebrosa 02:52

08. Rosarito 02:23

09. Calçots 03:22

10. Waikiki 02:06

11. El Ahorcado 03:00

Surf Rock Instrumental Review: The NovaRays: Another Date With The NovaRays

Release Date:  June 26, 2025

Label: Independent

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The NovaRays, a trio comprising John Ashfield on Fender Bass IV, Rob Jacobs on drums, and Lewis Bailey on guitar, showcase their individual and collective mastery in this band.

"West of Eureka” begins with the sound of a horse galloping away, then the music kicks in.  The bass is powerful and upfront, with the guitar positioned in the background, which I found interesting —a kind of switch in positions you rarely see. The drums are tight and right there with the bass. They add some other sound effects to make it feel like you are starring in the latest Western.  It is very panoramic, as it ends with the sound of a whip cracking, ‘Yee-haw!’ The next episode of Rawhide will begin after these messages…

“Space Hero” begins with a funky bass riff, as the drums join in for the ride, and the guitar arrives with a touch of twang and reverb. This time, the guitar’s volume is turned up for your pleasure. This is a combination of rock and surf with an irresistible hook and beat. A nice tempo is held consistently, and it’s a very tasteful ditty, I might say.

 

“Wooden Horse” is very melodic right out of the gate with some skillful guitar playing. And that bass, oh my goodness, it is just excellent - how strong and accurate it is. The drumming also receives praise for consistently maintaining exceptional time. There is something about the melody that sounds familiar to me, maybe something I heard years ago from Wishbone Ash—a very steady track with some clever transitions.

 

“The Creeper” is a classic many folks are familiar with from the Ventures; however, this is an original. It has a Halloween feel to it, which helps bring the subject matter to life. Well, after this is creepy, right? They nail it down nicely with perfectly paced rhythms and some “cuts like a knife” leads from the guitar for further emphasis. Well done!

 

“The Haunting of Bath House B” continues with our Halloween theme. This time, it’s much more upbeat, with some killer guitar lines accompanied by a throbbing bass and drums to carry it along. Some cool effects kick in as the guitar enters full gallop mode, then it transitions back to the leads, with the rhythm guitar following along, and finally, the epic, resonating finish.

 

“Pink Slip” goes into hyperdrive immediately with some lightning-fast guitar riffs. The bottom end is once again strong, as the guitar is diverse and accentuated with front leads, as well as in the background. A lot is going on in this track, and they pack it all into 3:03. I liked the quick transitions and layered guitars, with one keeping the rhythm and the other just ripping it (although they do that a lot on this album).

 

“Three Blue Stars” takes you back to the first wave of guitar sounds, then transitions to a more prominent lead guitar, holding on to the roots of surf instro. It’s a nostalgic journey, sounding very retro but crisp, clean, and precise due to the use of good recording methods. The different types of guitar sounds you would hear from a band in the heyday of the early ’60s are what you will be able to enjoy with this one!

 

“Phantom of the Jetties” gets you into the full reverb and twang mode, but this time, spy sounds dominate the atmosphere. As the paint it out with the guitar lines and rhythmic bass and drums, laying down that solid foundation. The bass has a few standalone moments with some funky lines. It’s the guitars that make this real for the spy vs. spy sounds—one of the best tunes on the recording.

 

“Mr. Covington’s Wild Ride” wraps things up on the wild instrumental ride. A spiffy guitar line kicks things into high gear with a solid rhythm guitar chugging along, and the bass and drums doing their things like they do. The guitar weaves its magic throughout with many transitions. Almost three minutes of pure rock instrumental surfy greatness to close the curtain on one hell of an album!

 

Another Date With The NovaRays is a date you will want to keep. This is a solid outing with a diverse array of tracks covering the gamut of surf instro and surf rock. They give you a taste of it all and a few looks back to where it all started to complete the circle. It’s an exciting journey that you wouldn’t want to miss.

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

August 31, 2025

Tracks:

1. West of Eureka 02:57

2. Space Hero 02:44

3. Wooden Horse 02:31

4. The Creeper 04:10

5. The Haunting of Bath House B 02:36

6. Pink Slip 03:03

7. Three Blue Stars 02:29

8. Phantom of the Jetties 02:50

9. Mr. Covington's Wild Ride 02:58