Surf Instro Review: The Frigidaires-Hot Vacation

Release Date:  September 26, 2025

Label: Colorado Instrumental Fanzine

Website

It’s that time of year to take a Hot Vacation with The Frigidaires. That’s right, folks, get your ticket to a surf music paradise. As part of the experience, they also offer an in-flight cocktail. This refreshing concoction perfectly complements the album’s retro surf rock vibe, complete with the recipe for their favorite drink (on the back cover).

The fourteen tracks on this long player bring you all the twists and turns and transitions a band can come up with in each track. And for a bit of spice and variety, they offer three vocal tracks.

 

This album is available for download, CD, and a 12” vinyl version, Limited edition of 500 in the following variants:

100 Summer Heat (red)

100 Summer Sun (yellow, this version)

300 Summer Night (black)

 

This is an excellent album that not only embodies retro sounds but also has the power to transport you to different settings. The high-energy guitars, bass, and drums create vivid imagery, whether it’s the pounding surf at high tide or the relaxed atmosphere of a beach veranda. These atmospheres are expertly crafted by this band from Atlanta, making you feel as though you’re right there.

 

Most appropriately, they lead off with the title track “Hot Vacation.” Driving rock-pop with the essence of the Beach Boys’ harmonies and melodies reaches out to you. Starting with a vocal track, I found it an interesting choice, as they primarily focus on their colorful instrumentals. There is a surfy picking interlude tucked in there for a teaser, and it closes out with some Davie Allan-like fuzz. Essentially, what you get are bits and pieces of what they are in the lead-off track. What you find going forward, you will Love.

 

“The Beast” jumps right into surf instro with impact, followed by some trumpet to give it that “at the bullfight” feel, reminiscent of Herb Alpert. Then, a transition into some twang and reverb with a Latino twist. The bass and drums are exceptional, as the mysterious and intriguing atmosphere draws you in. It’s a fine day to bring your surfboard to the bullfight!

 

“Weary Travelers,” indeed, after trying to surf at a bullfight. The tempo is dialed back a few notches to evoke a warm, beachy atmosphere. The guitar paints the picture nicely. Smooth transitions with tempo changes are all well done. You can almost feel the sun and warm breeze.

 

“Cliff Divers” are legendary in remote beach areas. The track also reaches back to the retro first-wave sound, featuring a good melody and strong band interplay, with tastefully executed crashing cymbals, as the guitar has a clear pathway to take the lead and dive in.

“Pipe Dreams” continues with a retro sound, featuring a solid rhythm section, as the guitar creates its beauty with resonating strings. Those strings sing their song as you look back in time when all this started.

 

“Why Do You Run?” is the second vocal track. The tempo is like a waltz, a dance for lovers. The sounds reminded me of songs you would hear in the 50s, like on Ozzie and Harriet and Rickey doing one of his hits. Simple times are portrayed in a song. It doesn’t get any more real than that. This is the longest track at 4:29.

 

“Beachcomber’s Gold” is a sound coming from the Tiki Lodge on the beach. As you sip your cold drink in a coconut, you know, the one with the little umbrella in it? You can picture it as you sit under the palm tree, away from the heat of the sun. The surf guitar lines and the beat create a distinctive sound reminiscent of a visit to the surf lounge.

 

 “La Calle” returns to surf rock and melodicism of the utmost excellence.  The rhythm guitar lays down a steady riff as the lead glides over the top with definition, like the perfect wave every surfer looks for. Some of the best guitar playing is showcased in this track, which is filled with hooks and consistent tempos.

 

“Mavericks” begins with rapid picking, then transitions quickly to a more melodic style, before returning to a glissando style. Back and forth it goes, like a tide coming in and going out. Excellent rhythm guitar is key here, and the lead riffing cuts loose with straight-ahead surf instro magic.

 

“Roger, Roger” was my favorite track. The drums lay down the beat as the resonating guitar line instantly made me think of The Shadows. The galloping licks are a highlight. Clear, crisp, and wonderful percussion is executed once again, with their sound emulating a horse trotting. A brief organ passage closes it out.

 

“Canyon’s Call” is tremolo perfected at the outset. It sounds like a western theme is developing here, kind of like the old Clint Eastwood spaghetti westerns. Drums are excellent when paired with the bass, and some fine guitar work, along with a climactic ending, make this a picturesque journey.

 

“You Read My Mind” is their last vocal arrangement.  And it is such a big step away from the previous track. Like someone walked up to the jukebox and kicked it, put their quarter in, and chose their songs to change the mood. You are reminded of this band’s diversity and overall talent.

 

“Arrows Out” is their tribute to Davie Allan and The Arrows. And man, do they do it right. The distorted guitar is yet one more huge step away from their core sound. The drums are nice and loud, and the pace is evenly paced, as the bass holds a steady line.

 

Surf music is all about the imagery it can create in your mind’s eye. To do it without words is more difficult, however, I believe it’s more effective. The Frigidaires accomplish that with conviction on Hot Vacation.

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

July 25, 2025

Tracks:

01. Hot Vacation

02. The Beast

03. Weary Travelers

04. Cliff Divers

05. Pipe Dreams

06. Why Do You Run?

07. Beachcomber’s Gold

08. La Calle

09. Mavericks

10. Roger, Roger

11. Canyon’s Call

12. You Read My Mind

13. Arrows Out

14. He Who Greets With Fire

Surf Instro Review: The Knights - Surfin’ The Southwest, Santa Fe Style

Buy The Album

Now this is great instro music! The Knights come roaring back with their second release, Surfin’ The Southwest, Santa Fe Style, right on the heels of the comeback CD Surfin’ The Web, which I covered earlier this year. I think they are back, and in a big way.

Most of the tracks in this album are original, and they are all exceptional. The group’s talent shines through in these dynamite original tunes. After a 30-year hiatus, they were getting their feet wet with the first CD. This album presents a softer surf sound, a departure from the loud, hard, and fast reverb-drenched music. It’s a sound with more depth and substance.

Despite the softer sounds, this music packs a powerful punch, albeit in a different way. The album features a unique blend of blues and surf, creating an original Santa Fe Style Surf sound, as bass player Gary Snow’s wife Judi and engineer Steve Hudgins so aptly describe. This perfectly coined phrase also serves as a fitting title for the album.

I am reminded of Tex-Mex George Tomsco (RIP) when I listen to this. That is a big compliment as Tomsco is one of the best instrumental guitarists around, he has been for some 40-odd years. It’s spicy and flavorful, just as the colorful cover art, which features vibrant and lively imagery, indicates. This group is in a groove and better than ever.

Surfin’ The Southwest, Santa Fe Style is a stylish and well-tailored session that is truly impressive. The experience and expertise of the group in the music business are evident in the high-quality production and superb sonics that consistently caught my ear.  Please take a listen to their instro stew, it’s cookin’ with some extra spice!

Keith "MuzikMan" Hannaleck

December 6, 1999

Tracks:

01. Surfin' Santa Fe Style

02. Cut Out Y2K

03. Judi

04. The Man Who Wasn't There

05. Jeannie

06. Surfin' The Southwest

07. Moonbeam 2000

08. Precision 2000

09. Ghost Riders In The Sky

10. Legends

11. Wipe Out

 

Surf-Instrumental-Rock-Punk Review: Lombego Surfers-Full Tank Of Tiki

https://lombegosurfers.net/

I think that I have finally figured out how to explain the Lombego Surfers’ sound. Think of The Clash on speed meets The Sex Pistols meets Dick Dale. So there you have it - the four major music groups all in one musical meal: punk, rock, surf, and rock.

I am not pleased with the direction this group is taking. The people who get off on the rapid-fire punk like The Ramones will Love Full Tank Of Tiki.

 

I prefer the instrumental work on this album, which consists of only three tracks. "Reverends Ride" is smokin’ and peelin’ out on two tires, leaving behind a trail of smoke and fire. "Acceleration" keeps the tires spinning and "Backfire" spits out more of the same. The rest of it is punk rock in high gear.

 

I steadfastly believe that this group continues to grow with the direction of Anthony ‘Lombego’ Thomas at the steering wheel, although I think that they took a wrong turn somewhere on this album. After hearing the first track, it set me up for more of the same, but alas, I was not going to get my instro fix this time around.

 

I heard a lot of growth on "Reverend’s Ride." They sounded like the Cadillac Hitmen. That Western surf-instrumental sound with a hard edge gets my blood circulating. I think that if this group pursues a strictly instrumental direction with their sound and experiments further, they will have the right mix and sound for my taste.

 

Full tank? I would say so, but only because of the wrong fuel at this stop.

© Keith "MuzikMan" Hannaleck
November 11, 2001

Tracks:

01. Reverends Ride

02. So Low Down

03. Makes No Difference

04. Full Tank ]

05. Grab It

06. Pumping My Heart

07. Up For Anything

08. Gimme The Shakes

09. In Their Eye

10. Acceleration

11. Wrap It Up

12. Backfire

13. Highball

Instrumental Surf-Rock-Psychedelic Review: Kioea-Electric Surf EP

Release Date: June 7, 2025

Label: Independent

Website

Kioea Is:

Carand Burnet- Guitar, Sitar, Synth, Vocals

Neil Collins-Bass

Matt Wilson- Drums

When I received a package from the band Kioea, I knew that it was going to be something different. Based on the introduction I read, it wasn’t just going to be a surf instrumental album, and it got me excited for what I was about to hear. I love surf instro; however, hearing something that is a few steps beyond that can also be intriguing.

The Electric Surf EP is a unique blend of atmospheric surf, rock, and psych. This musical journey features intriguing Middle Eastern influences, courtesy of the sitar. The use of a synthesizer for various effects throughout the tracks is another notable element. This complex mixture of music, each bit of it superb, is a testament to the band’s innovative approach. Despite the name, Kioea is not a Hawaiian band; instead, it hails from the vibrant music scene of Portland, Maine, and its surrounding areas.

Every track you will hear Carand’s guitar and earthy, wordless vocals. This adds another layer to the many other layers of guitar, bass, synths, sitar, and drums.

“Orca” begins the journey with a slow tempo and an atmospheric drone sound, a continuous, low-pitched note that creates a sense of depth and space in the music. Then the tempo picks up with some fast picking and rhythm guitar. Surfy leads and powerful drums follow. Here they set the precedence for ever-changing tempos and a transitory sound that will keep you hooked from beginning to end.

“Canyon Wren” continues with the mellow vibes. A catchy melody then transitions to a different tempo, accompanied by a flash lead guitar lick before returning to the main melody. Another change comes with some echoing leads, which build up and then recede. Then you hear the bird itself (nice touch), and some wordless vocals come in again, and the bird sounds return with a dreamy atmosphere, creating an island paradise in your mind. Very picturesque and encouraging a listener to think about where they could be.

“Sun Fish” captivates the listener with its beautiful wordless vocals and strong bass and drums. The music’s transitory nature, changes in tempo and intensity, keep the listener engaged and intrigued. The band’s use of wordless vocals adds another layer of beauty to their music, making it a truly captivating listen.

“Paloma” is very melodic at the start, featuring wordless vocals. Drums and bass are excellent as they navigate through quick changes and sudden shifts in rhythm or melody, keeping the music fresh and engaging. Accompanied by guitar passages, which are a hallmark of these tracks, they provide a dynamic foundation.

The title track, “Electric Surf,” is quite different, featuring more wordless vocals. It is ambient and spacey, with a spacious and ethereal sound that creates a dreamy atmosphere, as the guitars, bass, and drums suddenly jump in. A smooth tempo is consistent, and excellent guitar work is a highlight. A changeover to some picking, followed by another switch, then a steady, rhythmic guitar, adds different layers of flavor as the tempos change. As with all their music, they create an atmospheric and dreamy soundscape with the addition of the wordless vocals.

“Province Lands” closes things out with a sitar and crickets chirping in the background. This is a live recording from a Simplify Yoga Retreat. It is an ambient meditative listen. So, the album ends like it was a new age instrumental album rather than a surf-tinged instrumental rock effort. Very different but quite enjoyable.

I would call their music progressive instrumental surf. Now that is a title you will rarely hear, and it takes a lot of elements for me even to suggest it. But here it is, have a listen and see for yourself.  If you are yearning for something entirely different, you will find it on the Electric Surf EP.

Keith “MuzikMan” Hannaleck-Surf Music and Art Reviews Founder

July 27, 2025

Tracks:

1. Orca 03:14

2. Canyon Wren 04:26

3. Sun Fish 03:31 video

4. Paloma 02:38

5. Electric Surf 05:34

6. Province Lands 03:44

Surf Rock Instrumental Review: Various Artists-American Surf Treasures Volume 1 & 2

Paul Johnson’s importance to the development of surf-instrumental music, more specifically South Bay Surf, cannot be overstated. His contributions to the genre helped to create and establish the music as a viable source of entertainment for teenagers nationwide during the early sixties. He is so vital that he stands alongside The Ventures, The Shadows, Merrell Fankhauser, and Link Wray as one of the true pioneers and innovators of a musical genre that has a colorful past and continues to grow and evolve today.

These two CDs, aptly titled American Surf Treasures Volume 1 & 2, are a significant part of surf-instrumental music history. Volume one delves into PJ’s work and his collaboration with The Galaxies and Art Fisher of the Journeyman, offering a glimpse into the admiration and respect PJ had for Artie and his group. This is not just a collection of music, but a historical narrative of PJ’s journey and his influence on the genre.

 

PJ was ready to grow and move on as a developing and influential guitar player at all times, hence his continuing evolution in several different groups and metamorphosis into a fabulous solo career that is going with a full head of steam to this day (check out his MP3 site-remember that?).

 

Volume two gives you a glimpse of some of the more progressive groups of the time, chosen by PJ to record and be guided by his musical genius in the studio. The Nocturnes, Vibrants, Wheely McSidewalk & The Ball Bearings (how do you like that name!), and the Revelairs, known for their experimental and innovative approach to surf music, are given equal time with their priceless songs. It proves the influence, importance, and respect that PJ had from his peers in the genre early on.

 

Some of these songs are surprisingly rocking for the time they were recorded. You can tell that the playing is slightly restrained, so they would not veer off too far into the rock and roll sound, a more aggressive and vocal-driven style, that could have soon derailed the surf-instro music phenomenon dead in its tracks.

 

Volume one has twenty-five tracks while volume two is bulging with twenty-eight tracks. How could I possibly cite any one song as a standout? They are all timeless pieces of surf-instrumental history, forever linked together. There was not one song that I didn’t enjoy.

 

That says a lot for the selection and quality of the songs and the sound.

 

The only drawback to the entire set is that the folks at Gee-Dee ignored PJ’s request to proofread the liner notes. It’s rife with errors. It’s a shame because it’s an exciting and fabulous read that could have been given the care it deserved, to complement the immense quality and significance of the collection. It’s an easy enough error to overlook when you sit and listen to the music, so don’t let that stop you from picking up these priceless gems.

Keith "MuzikMan" Hannaleck
September 7, 2001

Track Listing

Volume One:

01. Tally Ho

02. Andele

03. Rise And Fall Of Flingel Blunt

04. The Shimmy (AKA Side Two)

05. Wild Goose

06. The Moldau

07. One Mint Julep

08. Rockin’ Pnuemonia & The Boogie Woogie Flu

09. Big Shot

10. Scouse

11. Lanky Bones

12. Comin’ Home Baby

13. Belly Button

14. Ramrod

15. Vamonos

16. (It’s Gonna) Work Out Fine

17. Squad Car

18. Mariah

19. Fink 20. Work Out

21. Bag’s Groove

22. Surfer’s Blues

23. Surfer’s Rule

24. Artie’s Blues

25. Rum Runner

 

*Tracks 1-14 are PJ & The Galaxies, 15-19 are PJ & Artie, 20-25 are the Journeyman.

 

Volume Two:

01. Third Star To The Left

02. Sticky

03. Bha-Ree-Ba!

04. Space Probe

05. Surfer Street

06. Midnight Run

07. Journey To The Stars

08. HonkyTonk

9. Comin’ Home Baby

10. Wipeout

11. Shootin’ The Pier

12. Memphis Beat

13. Funky Beat

14. Surf Beat

15. San-Ho-Zay

16. Hawaiian Warchant

17. Ridin’ High

18. Skokiaan

19. Scorpion

20. Zorchy

21. Stomp Crazy

22. Wild Fire

23. The Breeze

24. Fuel Injection

25. Whispering

26. Theme From “Blacksaddle”

27. Dark Eyes

28. The Cruel Sea Third Star To The Left

 

*Tracks 1-11 are the Nocturnes, 12-14 are Wheely McSidewalk & The Ball Bearings, 15-18 are the Revelairs, 19-24 are the Vibrants, 25-28 are the Revelairs.

Surf Instro-Spy-Lounge Review: Seks Bomba - Somewhere In This Town

Seks Bomba’s Somewhere In This Town is a unique fusion of your favorite surf-instrumental and spy thriller movie soundtrack bands. 

They skillfully blend excellent twang and instrumental using diverse methods, creating a truly one-of-a-kind sound.

What you will hear is a refreshing take on traditional surf, infused with modern technology to create a snappy and fresh sound. It’s like a cool sea breeze coming off the wake of a large wave, a musical wave that will surely excite your senses.

The vocals in Seks Bomba’s music are reminiscent of the background music in a James Bond flick from the sixties. Their original “It Takes Two To Tango” is a well-executed throwback, while their rendition of Bacharach’s “Casino Royale” and Mancini’s “Charade” would make any composer proud.

The instrumentals like “Matt’s Bossa” are excellent examples of the group’s ability to transport you to a tropical paradise. They use a sexy saxophone to create a sound that is upbeat and stylish, crafting a musical journey that makes you feel like you’re on a sunny beach.

I look forward to every Seks Bomba release. They have the knack for mixing it up by using all the styles available to them in the genre, so it never gets boring or stale. This CD is highly recommended.

Keith "MuzikMan" Hannaleck

August 1, 2001

Tracks:

01. Bomba Au Go Go

02. Happy Hour

03. It Takes Two To Tango

04. 5-0-5!!!

05. Morfina

06. Love Me Pts. I & II

07. Sicilian Civilian

08. I.R.O.C.

09. Strangely Familiar

10. Agua De beber (Water To Drink)

11. Casino Royale

12. Charade

13. Fresh Perked

14. Somewhere In This Town

Surf Rock Review: Magnatech! - 312 Magnatech Fans Can’t Be Wrong

Release Date: July 17, 2025

Magnatech! Facebook Page

Label: Constituent Records

Guest Review by Jimmy Dee 

The advantage of being a one-man band is that you know exactly what’s going on with your “fellow musicians”; the disadvantage is that no one is there to restrain you if you go over the top.

 

Magnatech is the one-man music project of Dutchman Johannes B. Verhoef, and as soon as he plugs in his electric guitar, he’s unstoppable. On his seventh album, 312 Magnatech Fans Can’t Be Wrong, eighteen bombastic bangers ripple through the grooves, delivering an up-tempo surf guitar sound submerged in the breakwater noises of a cranked-up tube reverb. The solo entertainer doesn’t have to listen to bandmates telling him to turn his guitar down during rehearsal. This is surf, man!  

 

The title of the album alludes to the slogan of the 1962 hit collection Elvis’ Golden Records – Volume II. While Elvis Presley had “50 million fans”, who were clearly not wrong, Magnatech has at least “312”. This figure may also refer to record sales. Be that as it may, the borrowed title is an understatement that suggests this artist should not be underestimated.

 

The industrious sound tinkerer Verhoef plays all the instruments himself and has developed a multi-track recording process that faithfully recreates the sound of an early-sixties combo gone off the rails. His dedication to his craft is evident in every note, and how he achieves this is his well-kept secret.

 

As with all Magnatech releases, the new album is strongly conceptualized, full of eclectic ideas and associative playfulness. It exhibits the eccentric whims of a pronounced sentimentalist. The titles of the instrumental pieces are not only intended to evoke images and inspire the listener’s imagination; the artist himself has attached strong associations to them, mainly relating to the everyday culture of past decades or old films, as well as to current affairs (“On the Waves of Disinformatia”).

 

The artist has an unusual penchant of naming songs after famous people as a mark of admiration. With “Ladi Geisler”, he pays homage to the German jazz and studio guitarist Ladi Geisler, whose “Knackbass” was a decisive influence on the irresistible sound of the Bert Kaempfert Orchestra. However, there is no trace of this in the recording. Instead, a renowned name contributes to the fascination of an artistic vision.

 

Gimmicky noises such as whip cracking, rescue sirens, muezzin prayers, flies buzzing, and cows mooing are used by Verhoef to enhance the multidimensional stereo listening experience and add variety to the soundscape. These unconventional sounds are a testament to his experimental approach – only Pink Floyd used more of them.

 

Although Magnatech has primarily leased the surf genre, surf culture itself is often only featured marginally, such as in emergencies (“Surf Ambulance”), on days of penance (“Surf Apostle”), or concerning water shyness (“The Water’s Too Cold To Surf”). Didn’t Jack O’Neill invent the wetsuit in 1952?

 

The music itself is far more reckless, appearing to be played with bold impetuosity. In almost every song (four of which have already been released on the 2024 EP Tanzkapelle) Verhoef strums the strings masterfully in a mandolin style that is so characteristic of surf music. Alongside the dominant guitar thunderstorm, there is often little room for dynamic variation among the accompanying instruments. The programmed drums are rigid, and drum rolls sometimes resemble the noise techno of Rotterdam gabber.

 

Undoubtedly, the unbridled energy of surf music was given preference over composed pieces. The album features many exciting melodic approaches. However, sometimes the voice leading is not rounded off and leads nowhere on the fretboard. Not even a nimbly inserted drum roll can disguise this. As a result, much remains piecemeal. A track like “Camazotz” (named after the fearsome bat god of the Mexican Maya people) could almost have become a modern classic of the surf genre.

 

Special mention must go to the rhythmically accelerated instrumental cover of Kyu Sakamoto’s Asian ballad “Sukiyaki”, with which the singer from Kawasaki achieved the first – and, to date, only – Japanese number one hit in the US in 1963.

 

As a true whizz kid, Verhoef didn’t even outsource the artwork. Left to his own devices, he designed the album cover himself. To this end, he used AI-generated images depicting him as a pig mafia boss. Magnatech fans will find the pointed pig ears amusing. They are undoubtedly helpful for a loud listening experience.

Track List:

01. Surf Apostle

02. Desolation Angels

03. Surf Ambulance

04. Lilith

05. Camazotz

06. Anna Loos

07. Our Mother Anatolia (türk savaş marşı)

08. Agent Fruitfly

09. Aurora Borealis

10. Ladi Geisler

11. La Lupiada

12. Sukiyaki

13. On the Waves of Disinformatia

14. Lago di Constanza

15. Manchuria

16. Holy Cow!

17. La plus belle fille du village

18. The Water’s Too Cold To Surf

Surf Instro Review: Fifty Foot Combo-“Strike!” The Early Years (1994-2000)

Remember the days when a 7” vinyl single was a cherished part of our daily lives? Those were the days. Now, it’s a rare gem, a collector’s item that instantly evokes a sense of nostalgia, especially with the rise of cassettes and CDs in music stores. (Keep in mind I wrote this 24 years ago!)

Fifty Foot Combo, a band that has been making waves in the music scene for the past six years, released several 7” singles. For loyal fans and followers who missed out on those rare vinyl finds, it’s all put together on “Strike!” The Early Years (1994-2000). It is also available on a vinyl LP (13 tracks). Yes, sir, twenty tracks of surf-instro with oomph.

Fifty Foot Combo, with their unique blend of the traditional surf sound, rock, and the third wave of instro sound, stands out in the music industry. When most people think about this kind of music, they tend to assume that it’s one-dimensional. That couldn’t be farther from the truth.

What this group unequivocally proves is that surf-instro is a genre as versatile as any other. Just look at the myriad of sub-genres that have sprouted from (some) of the simplistic three-chord instrumental music of the sixties. This diversity truly tells the story. When a musical genre can spawn such a variety of sounds, it’s a testament to its versatility.

Surf-spy, Dick Dale Middle Eastern staccato riffs, modern rock, and traditional surf sounds will permeate the air when this CD is played. Each time you listen, you are bound to notice the subtle changes and colorful tones in each track. It’s not complicated, it’s pure and straightforward, just like the neo-surf culture that lives in and around the music.

Fifty Foot Combo is a force to be reckoned with, brothers and sisters. Witness the sheer height and power of their musical waves.

Keith “MuzikMan” Hannaleck
March 22, 2001

Tracks:

01. Evil Walks In 

02. Italian Fuzz  

03. Movin’  

04. Pygmee Dance  

05. The Legend Of Hanau Eepe   

06. SL 54 Automatic   

07. Jack The Ripper (live)

08. SL 54 Automatic (live) 

09. Everybody Up!  

10. Spanish Hully Gully   

11. 4 Devils 1 Hell  

12. Tomahawk  

13. Taboo  

14. Shark Attack

15. Jerry Tibbs Amazing Discovery  

16. Betty’s Twist  

17. The Victor  

18. In Search For Montgomery  

19. Down At Irvings  

20. Titanic Tins

Instrumental Review: Paul Johnson - Liquid Blues

Paul Johnson, a guitar maestro of legendary proportions in the surf-instro community, has been a household name since the 1960s. His creation of classic surf-instrumental songs, such as “Mr. Moto,” is a testament to his expertise and influence in the industry.

Now with Liquid Blues, the man defies any musical categorization by blending every popular genre into one instrumental gem after another. 

Some styles you will find more prevalent than others, hence you have descriptive titles like “Liquid Blues” and “Albion Blues”, whose main focal point is its namesake, but with a more of an instro twist, using bits and pieces of every genre and sub-genre to make it a full menu of instrumental delights. And oh, so delightful it is.

PJ has his foot on the pedal, and he gives it plenty of gas on every track on this fantastic CD. He has it all covered on tracks 1-14, and each one is a standout musical statement. With a rich history of creativity behind him, he expertly records an all-inclusive, non-stop trip around the musical map. While tremendous technical ability is an asset, one cannot overstate the importance of the experience and knowledge that an artist acquires over the years. Regarding his favorite weapon, the versatile six-string… PJ has a resume to be reckoned with.

Once again (as on Surf Unplugged), PJ covers “California Dreamin’” only this time he plugs it in. For me, hearing this song is a divine musical transport. I recall it from when I was a little boy, and I knew it was special back then. It still holds a particular attraction and power over me, coaxing chills up and down my spine.

Paul Johnson is heaven-sent, and his music is delivered straight from heaven via his heart and communicated through his hands. This CD is a masterwork of guitar genius. This is what music is all about; it’s supposed to make you feel every possible emotion, sight, and sound that we know as sentient beings on this planet.

If you have an unquenchable appetite for instrumental music like I do, you will Love this CD.

Keith "MuzikMan" Hannaleck
March 17, 2001

Artist Commentary:

I asked Paul why he titled the album Liquid Blues. This is what he had to say:

Partly, it depends on how you define "blues." No, this ain't a hardcore blues collection (though I think "Albion Blues" might qualify in that dept.) But most of the music is "blues-based" in its structure (this is
true for a lot of music) in that it's derived from forms rooted in the blues idiom.

But more to the point, it evolved as an album title after I came up with that name for the title tune. After I created that piece, I wanted to name it "liquid" something, because of its fluid nature. And even though it isn't "down and dirty," it is very much a blues-structured tune. Hence - "Liquid Blues." And since everyone seemed to like the ring of that, it went into high contention for an album title.

Tracks:

01. Andele

02. California Dreamin’

03. Greenroom

04. Uptown Strut

05. Spiro

06. Java Jump

07. Desert Madness (tango)

08. Coney Island Fever

09. Big Shot

10. Tsunami

11. Liquid Blues

12. Albion Blues

13. The Ring Of Truth

14. Perseverance

Surf Instro Review: Los Straitjackets-Damas Y Caballeros! Recorded Live!

https://losstraitjackets.com/

If you have been yearning for a best-of compilation from one of the best surf-instrumental groups in the universe, the wait is over. Los Straitjackets give you the best of the best, and it’s all done live in stereo on Damas Y Caballeros! (ladies and gentlemen) Recorded Live! The songs that the group has made famous over the last five years take center stage.  Those crazy gringos in their colorful Mexican wrestling masks are at the top of their game on this twenty-track CD.

The introduction is engaging. The MC, in a humorous yet cautionary tone, advises the women in the audience to refrain from consuming alcoholic beverages, hinting at the lively and potentially rowdy atmosphere of the event. 

As the concert begins, each song is introduced in both English and the Mexican dialect. The crowd hoots and hollers in response at song breaks, reacting to every comment that is made, regardless of the language it’s expressed in.

The music is unparalleled; it comes as no revelation to this instro addict. What is so impressive about Los Straitjackets, besides being one of the most incredible bands to don a mask, is their innate ability to maintain their sound live in direct correlation to what they do in the studio. Considering that a live performance is essentially a 'one-take' situation, where there's no room for error or retakes, they do a great job. I didn’t hear any miscues. It’s all right on cue at all times.

My favorites are “Casbah”, a high-energy track that showcases the band's signature surf-rock sound, and “Itchy Chicken, a playful and catchy tune that highlights the band's instrumental prowess. “Rockula”, a spooky and atmospheric piece that demonstrates their versatility, and the classic “Sleepwalk,” a soulful and emotive number that is a fan favorite and also one of mine.

I Love everything these guys come up with. I have enjoyed all of the studio recordings; now this is the icing on the musical cake.

Viva! Los Straitjackets!

Keith "MuzikMan" Hannaleck

March 15, 2001

 

Tracks:

01. Introduction Of Los Straitjackets

02. Outta Gear

03. State Fair

04. Casbah

05. Calhoun Surf

06. Itchy Chicken

07. Last Date

08. Kawanga!

09. I'm Branded

10. My Heart Will Go On (Love Theme From Titanic)

11. Squad Car

12. Rockula

13. Tempest

14. Lynxtail

15. Tailspin

16. Pacifica

17. Driving Guitars

18. Sing Sing Sing

19. Sleepwalk

20. Rawhide

Surf Instro Review: The Penetrators-Locked & Loaded

The long-awaited Penetrators album is finally here, ready for your ears to consume. Locked & Loaded is standing by to renew your faithful addiction to one of the best surf-instro groups making music today. The wait was worth it, and the satisfaction of this release is palpable.

So, are you ready for an on-the-edge-of-your-seat action-adventure spectacular? The Penetrators are your answer to a musical James Bond. Their high-energy instrumental brand of built-for-musical-soundtrack spy thriller sound will leave you exhilarated and pumped up. With a deadly aim for your instrumental tendencies, this collection of surf-instro-spy-rock will satisfy your every need.

Rip Thrillby (guitar) rivals the intensity and note-for-note perfectionism of Ivan Pongracic of The Space Cossacks. That is not an easy task. He doesn’t have the explosiveness of Pongracic. His playing is more restrained to suit the style of the instrumental group. All things considered, his performance is marvelous. Having great rhythm guitarists enables great lead guitarists to excel. Spanky Twangler (rhythm guitar) lays down waves of exceptional rhythm guitar for Rip to surf upon. And it goes without saying…you need a kick ass rhythm section to create great instro music. Trace Luger (bass) and Illya (Sticks) Stechkin (drums) get the job done.

The two songs that caught my ear were “Triple-Dog Dare” and “Locked & Loaded.”

“Triple-Dog Dare” is a flavorful tune that showcases the group's ability to blend different genre influences, adding an element of surprise and intrigue. Meanwhile, the title track “Locked & Loaded” brings 007 right into your living room, complete with his martini, shaken not stirred. This track features a sexy saxophone lurking in the background and a seductive organ that draws you in even deeper. It’s a delightful surprise that the group should incorporate more often. It sounded wonderful. What can I say? I Love this stuff.

Every track is top-notch twang and reverb. This one is a real keeper. It's a sure-fire surf-instro classic.

Keith "MuzikMan" Hannaleck
March 11, 2001

Tracks:

01. Checkpoint Zero

02. 50 Bucks A Midget

03. Redlined

04. Midnight Run

05. Deception Bay

06. Another Time, Another Place

07. Codename: Gypsy

08. Speed Bump

09. Single-Malt Stomp

10. Triple-Dog Dare

11. Mariner

12. Locked & Loaded

13. Southeast Surf Syndicate Theme

Surf Rock Instro Review: The Aqua Velvets-Guitar Noir

The Aqua Velvets Facebook Page

After reading this review, you will quickly see how captivated I was by this band. And if I were to listen right now, I would feel the same. The Aqua Velvets were one of those bands that stood out among their contemporaries.

If you look at the cover of The Aqua Velvets' CD Guitar Noir closely, you can see two worlds far apart, yet very close. The eyes of a beautiful sandy beach watch… with palm trees as their eyelids, they look off into the distance and see the hustle and bustle of a modern-day city. The bridge that links the two vastly different worlds is close enough to touch. All right, snap out of it. It’s the Bay Bridge. It’s the bridge that connects Oakland to San Francisco. I traveled it hundreds of times myself, but I never had a beautiful vision as the one portrayed on the cover of this album.

The Aqua Velvets invite you on a captivating journey of fantasy and fiction with their latest masterpiece, “Guitar Noir.” Crafting enchanting soundscapes that are both beautiful and evocative, this group seamlessly fuses modern rock with exotica, lounge, surf, and Middle Eastern influences. The result is a mesmerizing instrumental music that will leave you spellbound and eager for more.

Within the CD's inner sleeve, you'll discover the musings and emotions that inspired the musicians, expertly translated into music. “Day In the Life Of A Private Eye” is a prime example of this, a musical narrative that exudes mystery, romance, and the thrill of being a private eye. “Casbah Club” is another compelling story, complete with a matching soundtrack. The group excels at this storytelling approach with every song, and it's a style of music that I adore.

The movie industry should wake up and take note. The Aqua Velvets have a goldmine of music that is meant for films. This is further evidence that some of the world's best talent can be found in genres that receive very little attention. This is probably why the people involved with this music remain so down-to-earth. It keeps the music and the people honest, and the result is musical perfection without words.

Speaking of words…there aren’t enough to express how good this music is.  Listening to this music is like watching a movie unfold in your mind, except there are no big screens or TVs, and the actor is you. You write the script, provide the actors, and The Aqua Velvets give you a soundtrack to complete your movie. Believe me, you need to connect with this part of yourself—Buy Guitar Noir (incredibly low priced on Discogs).

Keith "MuzikMan" Hannaleck
March 6, 2001

Tracks:

01. Guitar Noir

02. Prelude To Subterranea

03. Subterranea

04. Mysterious Mambo

05. Casbah Club

06. Venetian Silhouettes

07. Time Trapped

08. Day In The Life Of A Private Eye

09. Slow Dance With A Fast Girl

10. Twilight Of The Hepcats

11. Aqua Nova

12. Silver Of Moon

13. Moodswing Sonata

14. Mermaids After Midnight